Harold Budd

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Harold Budd (born May 24, 1936) is an American ambient/avant-garde composer. Born in Los Angeles, California, he was raised in the Mojave Desert, and was inspired at an early age by the humming tone caused by wind blown across telephone wires.

His career as a composer began in 1962. In the following years he gained a notable reputation in the local avant-garde community. In 1966 he graduated from the University of Southern California with a degree in musical composition.

As his career progressed, his compositions became increasingly minimal. Among his more experimental works were two drone pieces, "Coeur d'Orr" and "The Oak of the Golden Dreams". "The Oak of the Golden Dreams" was based on the Balinese "Slendro" scale. After composing a long-form gong solo titled "Lirio", he felt he had reached the limits of his experiments in minimalism and the avant-garde. He retired temporarily from composition in 1970 and began a teaching career at the California Institute of the Arts.

Two years later, while still retaining his teaching career, he resurfaced as a composer. Spanning from 1972-1975 he created four individual works under the collective title The Pavilion of Dreams. The style of these works was an unusual blend of popular jazz and the avant-garde. In 1976 he resigned from the institute and began recording his new compositions, produced by British ambient pioneer Brian Eno. Two years later Harold Budd's debut album The Pavilion of Dreams was released.

Since then he has developed a unique and powerful style of ambient music. His two collaborations with Brian Eno, The Plateaux of Mirror and The Pearl, established his trademark atmospheric piano style. In Lovely Thunder he introduced subtle electronic textures. His thematic 2000 release The Room saw a return to a more minimalist approach.

His album Avalon Sutra from 2004 was billed as "Harold Budd's Last Recorded Work" by the record label Samadhi Sound. Their press release continues: "Avalon Sutra brings to a conclusion thirty years of sustained musical activity. Asked for his reasons, Budd says only that he feels that he has said what he has to say. With characteristic humility, he concludes, “I don’t mind disappearing!”"

In spite of this, Budd's soundtrack to the film Mysterious Skin (a collaboration with Robin Guthrie) and Music for 'Fragments from the Inside' (with Eraldo Bernocchi) were both released in 2005. According to Robin Guthrie, the duo are in the process of recording a second album together.

In February 2007, Samadhisound released Perhaps, a live recording of Budd's improvised performance in tribute to his late friend (and associate teacher at the then newly formed California Institute of Arts) Jim Tenney. Recorded at CalArts in December 06, the album is only available as a digital download.

Contents

[edit] Discography

  • Also appears on the following Various Artist cd compilations: Music For Films III (1992, All Saints), Compounds and Elements (2006, All Saints), and Unlimited Ambient (1997).

[edit] Ephemera

  • The indie rock band Rothko has a song titled "Harold Budd" on their album In the Pulse of An Artery (which uses a sample from Budd's "Boy About 10" from his album By the Dawn's Early Light.)
  • Harold Budd and Eugene Bowen contributed the track "Wonder's Edge" to the Cold Blue label compilation.
  • The Harold Budd track "Balthus Bemused By Colour" from his album The White Arcades is included as part of the 70 Minutes of Madness DJ mix by Coldcut.
  • On saxophonist Marion Brown's 1975 album Vista, Harold Budd plays celeste and gong on the track Bismillahi 'Rrahmani 'Rrahim, a shorter version of the same composition on Budd's 1978 album The Pavilion of Dreams (which also includes Marion Brown as saxophone soloist).
  • In 1961, while in the military, Harold Budd briefly played drums in an Army band with legendary avant-garde saxophonist Albert Ayler.

[edit] External links

[edit] See also

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