H.G. Wells' The War of the Worlds (2005 film)

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H.G. Wells' The War of the Worlds
Directed by Timothy Hines
Produced by Susan Goforth
Written by Timothy Hines
Susan Goforth
H. G. Wells (novel)
Starring Anthony Piana
Music by Jamie Hall
Editing by Timothy Hines
Distributed by Pendragon Pictures
Release date(s) June 14, 2005
Running time 180 min.
Language English
IMDb profile

H.G. Wells' The War of the Worlds is one of three film adaptations of H. G. Wells' classic novel released in 2005. This version was produced by the independent film production company Pendragon Pictures and is distinguishable from the other film adaptations of the novel in that it is not a contemporary retelling, but rather set in the book's original time period and location.

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[edit] Production history

The film's roots date back to 2000, when Pendragon Pictures approached Paramount with plans for their version, but with no results. Director Timothy Hines had long desired to make his own version of the story since he read the original novel at the age of eight. He had always wanted to tell the tale just as it was in the novel, but he eventually settled on a modern retelling, much like the original 1953 film and the recent Spielberg movie adaptation. Hines' version takes place in Seattle, with a Martian attack preceded by neutralizing electromagnetic power, so that events could be kept as similar to the novel as possible.

Anticipation for the film began to stir in July of 2001, specifically from many anxious Wells fans. Pendragon Pictures claimed to have a budget of $42 million from investors who had become interested in Hines after seeing his desktop film, Bug Wars. Katie Tomlinson was supposed to lead the cast as the lead character Jody, the foreign correspondent, and Susan Goforth was also set to star. The company also claimed it had already begun negotiations with Charlize Theron, Eric Stoltz, and Michael Caine.[1] Hines was also planning to shoot the film in the brand new Sony CineAlta HD system which George Lucas had used to film Star Wars Episode II: Attack of the Clones [1].

Production began in early September 2001, with plans to move into principal photography by October of that year, and a Halloween 2002 target release date. However, the events of September 11th caused the filmmakers to rethink their plans, and soon after, Pendragon announced that they were halting production. Two weeks later, with the support of Charles Keller, the director of the H. G. Wells Society, Hines began writing a new script with producer Susan Goforth, while they were filming Chrome. The new direction taken was that this version was to be adapted directly from the Wells novel.

Much information appeared about the film on the internet and in print publications up to 2004, when it was revealed that the principal photography had finished under the cloaked title of The Great Boer War, and the producers planned to release the film on March 30, 2005. That date came and went with no film release. The film never opened in theaters, but was released on DVD in June 2005. Unfortunately, owing to its membership in the European Union, the film is unavailable in the United Kingdom.

[edit] Critical reaction

The film was generally poorly received by critics, who, though praising the good intentions behind the project and its faithfulness to the source material[2], described the result as "unendurable"[3], with "awful" effects[4] Reaction evoked the work of Ed Wood and the worst of Mystery Science Theater 3000[5].

The film's score by Jamie Hall, was well received as a major feature of the film [6] [7].

One reviewer suggested the performances were intended to parody British period melodrama, and likened Hines to Karel Zeman [8].

[edit] Controversy

Film rights to The War of the Worlds are in the public domain in the United States, with Paramount claiming rights in the European Union and UK, leaving the rest of the world markets wide open and thus allowing adaptations such as Pendragon's version to be legal. However, Hines has made public that Paramount had harassed him over legal issues and held up the release of his film, later showing proof with legal documentation to a reporter for the Sacramento Bee and Susanne Ault for an article in Video Business news dated 4/8/2005. Hines met with a DreamWorks producer who Hines says threatened him not to go up against Tom Cruise[citation needed]. Hines also has stated publicly in interviews that there was a campaign to start a fake grass roots movement to attack him on the internet. Hines stated that professional internet operatives pretending to be outraged fans led true fans to form early negative perceptions about the movie[citation needed]. Hines pointed to many website forums where his movie was being reviewed and called an Ed Wood quality production two years prior to the movie's actual release. Hines pointed out how his public interviews had been continually rewritten by publicists masquerading as anonymous fans on the internet to damage Hines and reposted on chat forums[citation needed].

A book published in early 2005 entitled War of the Worlds: From Wells to Spielberg which includes a respectable amount of information on the Pendragon film, says that the budget amount was approximately $25 million.[9]

In a 2004 interview with Scifidimensions.com, Hines stated that he had raised $42 million from early Microsoft employees for the updated modern version before the World Trade Center attacks but chose to abandon this approach due to similarities with the Trade Center attack[10]. Hines has stated that in 2001 he began negotiations with Michael Caine, Charlize Theron and Eric Stoltz to be in the film.[1]

Martian flying-machine

In a series of questions presented by audiences [2], Hines claimed that the film never saw a theatrical release due to exhibitors pulling out, either from being bullied by Paramount, or through fear of reprisal from the studio. Noted author Bill Warren posted on the Mobius Home Video forum that he was told by Starlog editor Dave McDonnell that the film "doesn't really exist beyond a reel or two shot to try to lure enough investors to complete the movie." This has proven to be entirely untrue, as Hines acquired distributor UAV/Sterling prior to completion of filming.

Allegations of butting heads with Paramount have been ridiculed by many detractors. David Michael Latt, director of the nearly identical titled H.G. Wells' War of the Worlds made no mention of any legal notices from Paramount[3], maintaing that they had gotten full legal clearance before making their film. Latt even dismissed any possibility that their production was a threat by stating that "DreamWorks could care less about us." [4]

In July of 2006, Pendragon Pictures gave formal legal notice on the claim that the Dark Horse Comics publication comic book, the similarly named H.G. Wells' The War of the Worlds, lifted certain unique elements, such as camera angles, from Pendragon's film. The production company set up a site that displayed comparisons and let audiences decide for themselves[5], though this part of the site has now been changed to an advertisement for the Director's Cut of the film. The Dark Horse case is still pending.

Martian tripods
Martian tripods

[edit] Re-releases

To date the film has been re-released twice, but neither are available in the European Union.

[edit] H.G. Wells' The War of the Worlds: Director's Cut

Released: September, 2005
After complaints about the original film's three hour running time, this version cut about forty-five minutes from the running time. The version was only available in regions 2 and 4, and thus not available in the United States and Canada.

[edit] The Classic War of the Worlds

Released: December 25, 2006
This edition is the special final cut edit of H.G. Wells' The War of the Worlds and is 125 minutes long. Fifty-five minutes shorter than the original film. It has added scenes re-edits and re-tooled special effects The director says this is the definitive version. The Classic War of the Worlds replaces the 3 hour rough cut version, H.G. Wells' The War of the Worlds, that was widely distributed and is now discontinued.

[edit] Synopsis

The film follows the novel's plot, almost in exact detail, with some minor deviations.

Set in Victorian England in the early years of the 20th century, an unnamed narrator tells of his witness to an overwhelming Martian invasion.

[edit] Main cast

[edit] References

[edit] External links