Guerrillas (book)
From Wikipedia, the free encyclopedia
| Author | V. S. Naipaul |
|---|---|
| Country | United States |
| Language | English |
| Genre(s) | Novel |
| Publisher | |
| Released | 1975 |
| Media type | Print (Hardback & Paperback) |
Guerillas is a 1975 novel by V. S. Naipaul.
The book is set on an un-named, remote Caribbean island populated by a mix of ethinicities, but dominated by post-colonial British. Probably the island is modeled after Trinidad, Naipaul's birthplace.
[edit] Plot summary
The main characters of the book are Jane, a British woman from London, and Roche, a white South African man. Both have recently arrived on the island. Roche is engaged with helping the poor on the Island, which puts him in contact with a dishonest revolutionary opportunist named Jimmy. Jane is naive and entertains fantasies about the non-white islanders and their view of her, including her place in the power structure. She also entertains sexual fantasies regarding Jimmy.
The climax of the book is violent and tragic, even as the reader cannot help but wonder which character is responsible.
[edit] Allusions/references to actual history, geography and current science
Some episodes in the book are based on the life of Michael X, a Trinidad revolutionary. Naipaul wrote about Michael X in his book of essays The Return of Eva Peron and The Killings in Trinidad. Writing in the November 16, 1975 York Times Book Review, Paul Theroux said of the novel:
[edit] Literary significance & criticism
Guerrillas is one of Naipaul's most complex books; it is certainly his most suspenseful, a series of shocks, like a shroud slowly unwound from a bloody corpse, showing the damaged--and familiar--face last. The island now is infertile, crowded, reeking with gas fumes and the dust from the bauxite plant. The particularities of irritation are everywhere, for this is the Third World with her disordered armies and supine population, and -- with a vengeance -- her camp followers. Jimmy, the fifties' pimp and sixties' black power leader, is the seventies' guerrilla; Roche, the jaded white liberal, resembles in his wronged mood a slave-owner -- he is a kind of benign puppeteer; and Jane, who uses the lingo of sympathy easily ("words that she might shed at any time, as easily as she had picked them up, and forget that she had ever spoken them") -- Naipaul describes her best:
"She was without memory. . . She was without consistency or even without coherence. She knew only what she was and what she had been born to; to this knowledge she was tethered; it was her stability, enabling her to adventure in security. Adventuring, she was indifferent, perhaps blind, to the contradiction between what she said and what she was so secure of being; and this indifference or blindness, this absence of the sense of the absurd, was part of her unassailability."
