Gnaeus Pompeius Magnus (character of Rome)
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Rome character | |
Gnaeus Pompey Magnus | |
Name | Gnaeus Pompey Magnus |
Portrayed by | Kenneth Cranham |
Class | Plebeian |
Family | Quintus Valerius Pompey (son) Cornelia Metella (wife) |
Allies | Optimates Cato the Younger Scipio Marcus Junius Brutus Gaius Cassius Longinus |
Enemies | Gaius Julius Caesar |
Appearances | 1-1 "The Stolen Eagle" 1-2 "How Titus Pullo Brought Down the Republic" 1-3 "An Owl in a Thornbush" 1-4 "Stealing from Saturn" 1-5 "The Ram Has Touched the Wall" 1-6"Egeria" 1-7 "Pharsalus" |
Gnaeus Pompey Magnus is a fictitious character in the HBO/BBC2 original television series Rome, played by Kenneth Cranham. He is depicted as a legendary general, past the days of his prime, who tries to recapture the glories of his youth as much as to do what is right for the Republic. The real Gnaeus Pompeius Magnus was a Roman general and politician, who, while as ambitious as Caesar, and just as unorthodox in his youth, chose to ally himself with Optimates in opposing Caesar and supporting the traditional Roman Republic.
[edit] Personality
Staunch and somewhat shortsighted Pompey Magnus feels that it is up to him to save the Republic. From a low born common family Pompey raised his status in Roman society with victories overseas in the Roman Army. Although at first supported by many, eventually his friends desert him and leave his family unsupported wandering the streets.
[edit] Character history
He is an elderly general who in his younger years was a Spanish and Syrian conqueror. He is a co-Consul and Interim leader of the Republic who chooses to side with the patricians. He is also a friend and mentor to Caesar. When Caesar defies the Senate and enters Rome he retreats to gather reinforcements. He eventually loses in battle and with his family travels with mercenaries, headed for Egypt. Lucius Vorenus and Titus Pullo are found by Pompey but instead of taking Pompey back they leave him after Pompey talks to Lucius. He manages to get to Egypt where he is greeted by a Roman soldier turned mercenary who once served under him. He stabs Pompey and then decapitates him.
[edit] Comparison to the historical Gnaeus Pompeius Magnus
The Pompey of the show is one of its most historically accurate characters, matching closely what we know of the real Pompeius Magnus. By the time of his confrontation with Caesar, Pompey was on the downward slope of his career. Cicero, throughout his career one of Pompey's most loyal adherents, sadly commented that Pompey had begun to fear Caesar, as Caesar's soaring popularity began to eclipse his own significant victories in the East and against the Pirates.
Rome's Pompey takes delight in recounting tales of his past victories, but Caesar's success has clearly begun to erode his self-confidence. The real Pompey's inability to effectively control his huge crowd of senatorial adherents is also well documented by Plutarch, his biographer. In fact, the historical Pompey was repeatedly goaded into fighting when he knew it was the wrong thing to do. When he fought, he seems to have done it well (Plutarch says "brilliantly" at times) but missed at least one crucial opportunity to destroy Caesar, who commented that "the enemy would have won... if they had a commander who was a winner." [1]
The struggle between Caesar's and Pompeius' factions is portrayed as mere jealousy on Pompeius' part for Caesar "stealing the love of the people" from him, Pompeius having once been a champion of the Plebs. Historically, the conflict was far more intricate and complex.
While an accurate picture of the Pompey of the 40's BC, the show does not depict Pompey's early career, during which he showed himself a capable commander and a brilliant administrator. The show's timeframe may thus lead to a false view of Pompey as a total failure, when in fact he succeeded (where at least 2 others had failed) in largely ridding the Mediterranean of pirates, and doubled Rome's revenue by adding much of Anatolia and the Middle East to the Empire's territory.
An interesting note in comparing the real against the fictitious is that the real Pompey had already accomplished much building within the city before Caesar. The Theatre of Pompey, the first permanent stone theatre complex in the city and for centuries the largest theatre in the world was one of his greatest achievements. Although not mentioned in the series it is also the location of the Curia of Pompey, a large meeting house for the senate. Because Caesar was adding onto the forum and had demolished the senate house, the senate was meeting at the Curia of Pompey where the plan to assassinate the dictator took place.