Glory Road

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For the unrelated 2006 movie, see Glory Road. For an album by Gillan see Glory Road (album).
Title Glory Road

First Edition of Glory Road
Author Robert A. Heinlein
Country United States
Language English
Genre(s) Science fiction novel
Publisher G. P. Putnam's Sons
Released 1963
Media type Print (Hardcover & Paperback)
ISBN NA

Glory Road is a fantasy novel by Robert A. Heinlein, originally serialized in The Magazine of Fantasy & Science Fiction (July - September 1963) and published in hardcover later the same year. Heinlein himself reported that the book only took several weeks and was a lot of fun to write; some of his other works, such as Stranger in a Strange Land and The Moon Is a Harsh Mistress, required several years and were relatively difficult.

[edit] Plot summary

Spoiler warning: Plot and/or ending details follow.

E.C. "Easy" Gordon, the protagonist, has been recently discharged from a war in Southeast Asia (obviously the Viet Nam War, though never explicitly identified). As he ponders what to do with his future, he sits in a cafe in France hoping to win the Irish Sweepstakes. Into his life walks a beautiful woman, Star, who convinces him to embark on a perilous quest to retrieve the Egg of the Phoenix. When she asks what to call him, while noticing a scar which he carries, he tells her "Oh, Scar." She repeats this as "Oscar," and thus gives him his new name. Along with Rufo, her assistant, they tread the "Glory Road" in swashbuckling style, slaying oversized rats, dragons, and other creatures.

Shortly before the final quest for the Egg itself, Oscar and Star get married, after which Rufo informs him that Star is actually the empress of many worlds -- and Rufo's grandmother. The team then goes on to enter the tower in which it is stored, navigating a maze where halls play tricks on the eyes and stairs that appear to go one way and actually go another. Oscar scouts ahead and finds himself crossing swords with the final guardian of the Egg, a fearsome foe known only as the "Never-Born" (the embodiment of the fictionalized version of Cyrano de Bergerac). Oscar slays his opponent and the party escapes with the Egg.

The Egg is a cybernetic device that contains the knowledge and experiences of most of her predecessors. Despite her youthful appearance, she is the mother of dozens of children, and has undergone special medical treatments that extend her life much longer than usual. She has Oscar unknowingly receive the same treatments.

Initially, Oscar enjoys his newfound prestige and luxurious life as the husband of the empress of worlds across the Twenty Dimensions. However, as time goes on, he grows bored and feels out of place and useless. When he demands Star's judgement as the Empress, she tells him that he must leave; her world has no place or need for a hero of his stature. It will be decades before she can complete the transfer of the knowledge held in the Egg, so he must go alone. He returns to Earth, but has difficulty readjusting to his own world, despite having brought great wealth along with him. The story ends as he contacts Rufo to set up another trip on the Glory Road.

Spoilers end here.

[edit] Genre and Setting

Although the majority of Heinlein's work is generally classified as hard science fiction, Glory Road is a combination of fantasy and science fiction elements. This fact does not prevent Heinlein however, from infusing his story with the usual level of technical detail. For example, in one chapter the art of fencing is thoroughly described. (Heinlein had been a member of the fencing team at Annapolis [1]). The novel is also notable for its detailed characterization and psychological examination unusual for such a lighthearted novel.

Heinlein claimed to be inspired by the King Arthur stories of past generations such as T.H. White's The Once and Future King or Hal Foster's Prince Valiant. While their influences are apparent, many of the book's themes such as amoralistic heroes and focus on immediate action are highly reminiscent of Sword and Sorcery fiction. The novel also shares many similarities with planetary romances of E. R. Eddison.

Heinlein deliberately doesn't name the war Oscar Gordon was in. It is referred to as a war in Southeast Asia, giving some the impression it referred to the Korean War. However, on the first page, Oscar says "a background of beeping sputniks", which means it can only be 1957 or later, too late for the Korean war, which ended in 1954. Since the book was published in 1963, the conflict can only be the Vietnam War before it was called that, when it was still sometimes referred to as a "police action", or possibly one of a hypothesized sequence of generic SE Asian wars. Gordon actually says that they were "military advisers" in his war and that it wasn't even a "police action". Also, Oscar recounts at one point that he was living with his mother — and therefore presumably of high school age or younger — during the Korean War, a point reinforced on the second page when he says "write us all off as juvenile delinquents", a term rampant in the 1950s. On the first page, he says that it was an election year, and he "couldn't figure out which party to vote against", implying that it was a Presidential election year, i.e. 1960 or 1964 or possibly later. His father was in the Korean War.

[edit] Publishing History


Robert A. Heinlein Novels, Major Short-story Collections, and Nonfiction (Bibliography) Robert A. Heinlein at the 1976 World Science Fiction Convention

Future History and World as Myth: Methuselah's Children (1958) | The Past Through Tomorrow (1967) | Time Enough for Love (1973) | The Number of the Beast (1980) | The Cat Who Walks Through Walls (1985) | To Sail Beyond the Sunset (1987)

Scribner's juveniles: Rocket Ship Galileo (1947) | Space Cadet (1948) | Red Planet (1949) | Farmer in the Sky (1950) | Between Planets (1951) | The Rolling Stones (1952) | Starman Jones (1953) | The Star Beast (1954) | Tunnel in the Sky (1955) | Time for the Stars (1956) | Citizen of the Galaxy (1957) | Have Space Suit—Will Travel (1958)

Other fiction: For Us, The Living: A Comedy of Customs (1939/2003) | Beyond This Horizon (1942) | Sixth Column (also known as The Day After Tomorrow) (1949) | The Puppet Masters (1951) | Double Star (1956) | The Door into Summer (1957) | Starship Troopers (1959) | Stranger in a Strange Land (1961) | Podkayne of Mars (1963) | Glory Road (1963) | Farnham's Freehold (1965) | The Moon Is a Harsh Mistress (1966) | I Will Fear No Evil (1970) | Friday (1982) | Job: A Comedy of Justice (1984) | Variable Star (1955/2006)

Nonfiction: Take Back Your Government! (1946/1992) | Tramp Royale (1954/1992) | Expanded Universe (1980) | Grumbles from the Grave (1989)

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