Gianni Schicchi

From Wikipedia, the free encyclopedia

Operas by Giacomo Puccini

Le Villi (1884)
Edgar (1889)
Manon Lescaut (1893)
La bohème (1896)
Tosca (1900)
Madama Butterfly (1904)
La fanciulla del West (1910)
La rondine (1917)
Il trittico: Il tabarro (1918)
Il trittico: Suor Angelica (1918)
Il trittico: Gianni Schicchi (1918)
Turandot (1926)

Gianni Schicchi is an opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, based on a story that is referred to in Dante's The Divine Comedy. It is the third of the trio of operas known as Il trittico. First performance: Metropolitan Opera, New York City, 1918.

Contents

[edit] Literary source

Gianni Schicchi is only briefly referred to in Dante's Inferno. Canto XXX:

E l'Aretin che rimase, tremando,
mi disse: 'Quel folletto è Gianni Schicchi,
e va rabbioso altrui così conciando.'
(And he of Arezzo, pausing, trembling,
told me, "That madman is Gianni Schicchi,
who gnaws the other in his raving.")

That grim vignette is not the real source of the opera's action. An anonymous Florentine commentary on the Commedia, first published in 1866, elucidating Dante's terse reference, is the actual source to the familiar plot set-up. [1]

[edit] Roles

Premiere, December 14, 1918
(Roberto Moranzoni)
Gianni Schicchi, (aged 50) baritone Giuseppe de Luca
Lauretta, his daughter (aged 21) soprano Florence Easton
Zita, cousin of Buoso Donati (aged 60) contralto Kathleen Howard
Rinuccio, Zita's nephew (aged 24) tenor Giulio Crimi
Gherardo, Buoso's nephew (aged 40) tenor
Nella, Gherardo's wife (aged 34) soprano
Betto di Signa, Buoso's brother-in-law (of uncertain age) bass
Simone, cousin of Buoso (aged 70) bass Adamo Didur
Marco, Simone's cousin (aged 45) baritone
La Ciesca, Marco's wife (aged 38) mezzo-soprano
Maestro Spinelloccio, a doctor bass
Ser Amantio di Nicolao, a notary baritone
Pinellino, a cobbler bass
Guccio, a dyer bass

[edit] Synopsis

Place: Florence.
Time: 1299.

Buoso Donati has died in bed. His relatives mourn melodramatically, until they hear the rumor that he has left all his money to the local monastery. They frantically search for the will. Rinuccio finds it, but refuses to release it to his aunt Zita until she agrees to his terms. If the will is favorable to him, she must allow him to marry Schicchi's daughter, Lauretta. After consenting, she reads the will, and he sends for Schicchi. When the will confirms the rumor, everyone is furious. They refuse to allow Rinuccio to marry. What can be done?! Schicchi and Lauretta arrive to a cold reception. Rinuccio insists that Schicchi can solve their problem, and they reluctantly agree to let him try. Schicchi sends his daughter away. After hearing that no one else knows of the death, he tells the arriving doctor that Donati is feeling better and that his services are no longer needed. Rinuccio runs for the notary. Schicchi will impersonate Donati and dictate a new will. The relatives agree to the division of the property, except for Donati's mule, mills, and house. They agree to let Schicchi decide who will inherit those items, but, one by one, they return to bribe him. Schicchi reminds all of the penalty for forgery. The notary arrives. While the relatives fume, Schicchi grants the mule, mills, and house to himself. After the notary leaves, he throws everyone out, and they are helpless to do anything. Now that Lauretta has a dowry, there is no obstacle to her marriage to Rinuccio. Schicchi asks for the audience's indulgence.

[edit] Noted arias

  • "Firenze è come un albero fiorito" (Rinuccio)
  • "O mio babbino caro" (Oh, my dearest papa) (Lauretta)

[edit] Trivia

[edit] External links