Geração de Orpheu

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The Geração de Orpheu or Grupo de Orfeu refers to a group of men largely responsible for the introduction of Modernism to the arts and letters of Portugal through the vehicle of their tri-monthly publication, Orpheu, during first decades of the twentieth century.

Following the lead of other European vanguard movements of the early twentieth century, and taking the Futurist Vladimir Maiakovsky's urgings to heart, Almada Negreiros summed up the agenda of group as "to give public taste a slap in the face." In the scintillating atmosphere of Lisbon's Baixa district, the poets Fernando Pessoa, Mário de Sá-Carneiro and Almada Negreiros, and the painters Amadeo de Souza-Cardoso and Santa Rita Pintor joined together to form a journal of art and literature with principal function of agitating, subverting and scandalizing the Portuguese bourgeoisie and - by extension - all social conventions.

Contents 1 Orfeu 2 After Orfeu 3 Prominent members of the movement: 4 Bibliography

[edit] Orfeu

The journal's name, Orpheu, was not chosen by accident - as in Greek myth, Orpheus was the musician who, to save his wife Eurydice from Hades, had to travel from the world of the living with the stipulation to not looking back. It was this metaphor that was important to the men of the Geração de Orpheu: the not looking back, the forgetting, the relinquishing of the past and the concentration of attention and force to the journey ahead, to the future, for the "edification of Portugal in the twentieth century." After bursting onto the Portuguese literary scene in 1915, the journal folded due to financial insolvency three issues later; the last being March 1915.

[edit] After Orfeu

After the dissolution of Orfeu, the group however continued to publish in other literary journals. Most notably in 1917, Portugal Futurista came out with reproductions of Santa Rita Pintor and Souza-Cardoso, along with the posthumous Futurist poems of Sá-Carneiro and some poetry by Pessoa, under the heteronym of Álvaro de Campos. A small constellation of journals flourished with contributions from the Grupo, namely: Exílio (1916), Centauro (1916), Portugal Futurista (1917), Athena (1924-1925) and Presença (1927-1940) - the journal that ushered in the second wave of Portuguese Modernism.

[edit] Prominent members of the movement:

• António Ferro, writer
• Almada Negreiros, writer
• Ângelo de Lima, writer
• Fernando Pessoa, writer
• Santa Rita Pintor, painter
• Mário Saa, writer
• Mário de Sá-Carneiro, writer
• Amadeo de Souza-Cardoso, painter

[edit] Bibliography

• Saraiva, António José and Óscar Lopes (1993). História da Literatura Portuguesa. Oporto: Porto Editora, 17th ed. ISBN 972-0-30170-8