Georg Hajdu

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Georg Hajdu
Georg Hajdu

Georg Hajdu (born June 21, 1960 in Göttingen, Germany) is a German composer of Hungarian descent. He is considered among the first composers of his generation dedicated to the combination of music, science and computer technology. After studies in Cologne and at the Center for New Music and Audio Technologies (CNMAT), he received his Ph.D. from the University of California, Berkeley. His teachers include Georg Kröll, Johannes Fritsch, Krzysztof Meyer, Clarence Barlow, Andrew Imbrie, Jorge Liderman and David Wessel. He also audited classes with György Ligeti in Hamburg.

In 1996, following residencies at IRCAM and the ZKM, Karlsruhe, he co-founded the Ensemble WireWorks with his wife, pianist Jennifer Hymer–-a group specializing in the performance of mixed-media composition. In 1999, he produced his full-length opera Der Sprung - Beschreibung einer Oper for which author and film director Thomas Brasch wrote the libretto. In May 2002, his interactive networked performance environment Quintet.net was employed in a Munich Biennale opera performance.

In addition to his compositions, which are characterized by a pluralistic attitude and have earned him several international prizes, the IBM-prize of the Ensemble Modern (1990) among them, Georg Hajdu published articles on several topics on the borderline of music and science. His areas of interest include multimedia, microtonality, algorithmic, interactive and network music. Currently, Georg Hajdu is professor of multimedia composition and music theory at the Hamburg Hochschule of Music and Theater.

Contents

[edit] Works

[edit] Compositions

  • Corpus Callosum for recorder, viola da gamba, bass clarinet and harpsichord (2006)
  • ReChordHer for toy piano and live electronics (2006)
  • Light Blue for piano (2001-2004)
    • Dichrome Blue
    • Blue Marble
    • Kalim’balu
  • Mindtrip for Quintet.net (2000-)
  • StoryTeller for percussion and interactive media. Collaborative work with Stephan Froleyks (2001-2004)
  • Exit for violin and live electronics (2001)
  • Liebeserklärungen for one or two YAHAMA Disklaviers (2000/2004)
    • Herzstück
    • Blauer Engel
  • Re: Guitar for microtonal guitar (1999)
  • Der Sprung - Beschreibung einer Oper (1994-1998)
    • Eine andere Sprache sprechen for mezzo-soprano, harp and piano (1997)
    • „Heute habe ich beschlossen“ for soprano, flute, clarinet, violin, cello, piano und percussion (2003)
  • Riots for saxophone, electric guitar and double bass (1993)
  • Nacht for string quartet (1993)
  • Spuren in der Kälte for accordion, plucked instruments and electronics (1991/95)
  • Fingerprints for piano (1992-93)
  • Klangmoraste for chamber orchestra (1990)
  • Two Cartoons for Disklavier (1989/2006)
  • Heptadecatonic Drops for MIDI instruments and computer in 17-tone equal temperament (1989/90)
  • Xylis & Phloë, Leibeslied for double brass quintet (1989/2000)
  • SLEEPLESSNESS for flute(s), narrator ad lib. and live electronics (1988/1997)

[edit] Installations

  • Drei Allegorien von C.D. Friedrich (2006)
  • Flying Cities. Installation (2003)

[edit] Software

  • Quintet.net
  • Elektronische Studie II by Karlheinz Stockhausen
  • Macaque - Audio to Music Notation software package

[edit] Publications

  • Automatic Composition and Notation in Network Music Environments. SMC’06 Conference Proceedings. Marseille (2006)
  • „Research and Technology in the Opera Der Sprung“. Nova Acta Leopoldina, 92 Nr. 341. (2005)
  • „Überlegungen zu einer neuen Theorie der Harmonie“ in: Mikrotöne und mehr. Hrsg. Manfred Stahnke, Schriftenreihe: Musik und. Band 8. Hrsg. Hanns-Werner Heister und Wolfgang Hochstein. Weidler Verlag, Berlin (2005). p. 165-187.
  • "Der Computer als Inspirationsquelle für Komponisten" in: Mathematische Musik - musikalische Mathematik. Hrsg. Bernd Enders. PFAU-Verlag, Saarbrücken, 2005
  • “Quintet.net: An Environment for Composing and Performing Music on the Internet,” LEONARDO Vol. 38, No. 1 (2005)
  • „Quintet.net“ Neue Zeitschrift für Musik. 5 (2004). p. 28.
  • Composition and improvisation on the Net. SMC’04 Conference Proceedings. IRCAM, Paris (2004). pp. 5-8.
  • Quintet.net – A Quintet on the Internet. Proceedings of the International Computer Music Conference. (2003). pp. 315-318
  • Georg Hajdu, "Quintet.net---Präliminarien zu einer vernetzten, interaktiven Echtzeitkompositionsumgebung," in Bernd Enders and Joachim Stange-Elbe, eds., Global Village-–-Global Brain–--Global Music. Universitätsverlag Rasch, Osnabrück (2003).
  • Klang im Internet. Potentiale und Grenzen. Positionen 56. (2003). pp. 22-23.
  • „Der reißende Strom“ Musiktexte 97. Mai 2003.
  • Aktualität eines Mythos. Orpheus Kristall im Quintet.net. Positionen 51, 2002, S. 47-50.
  • Replik. Zu dem Brief von Jean-Claude Risset "Tonbandmusik ist nicht obsolet". Musiktexte 91, 2001, S. 91.
  • The Eternal Glissando Machine. In memoriam Iannis Xenakis. Musiktexte 89, 2001, S. 41-42.
  • Quintet.net — Präliminarien zur Entwicklung einer vernetzten, interaktiven Echtzeitkompositionsumgebung - Kongressbeitrag (paper held at the Klangart conference in 1999, manuscript).
  • Vom Modell zum Kunstwerk. Klangart 1997 - Kongressbeitrag, in: Musik und Medientechnologie, Band 3. Osnabrück 2000.
  • Musik und die Medien. Kulturtrip (Journal published by the Ministry of Culture in Northrhine-Westfalia).
  • Wege zu einer neuen Harmonielehre. Zeitschrift der Hochschule für Musik Detmold. Sommersemester 1997, 2-5.
  • Circularity in neural computation and its application to musical composition. Proceedings of the International Computer Music Conference, 1995.
  • Low Energy and Equal Spacing; the Multifactorial Evolution of Tuning Systems. Interface, 22, 1993, 319-333.
  • 17 Tones. Proceedings of the International Computer Music Conference, 1992, 449-450.
  • 17 Töne. A collection of compositions in 17-tone equal temperament by C. Barlow, C.Bauckholt, G. Hajdu, C.J. Walter, and C. Wilkens. Georg Hajdu (editor).
  • Computermusik in der Bay Area. Das Center for New Music and Audio Technologies. Neue Zeitschrift für Musik 10, 1991.
  • Die Domestizierung des Zufalls in Klarenz Barlows Computerprogramm AUTOBUSK (The Domestication of Chance in Clarence Barlow's Computer Program AUTOBUSK). Neue Zeitschrift für Musik 8/9, 1990.
  • Harmonische Energie - Motor bei der Evolution 'relevanter' Tonsysteme (Harmonic energy - moving force in the evolution of 'relevant' tuning systems). Feedback Papers 35, 1989.

[edit] External links

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