Geddy Lee

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Geddy Lee
Geddy Lee in concert with Rush. Milan, Italy (September 21, 2004)
Born	July 29, 1953 (age 53) Toronto, Ontario, Canada
Alias(es)	Gary Lee Weinrib
Genre(s)	Progressive rock Rock
Affiliation(s)	Rush
Label(s)	Mercury Records (1973–1988) Atlantic Records (1988–present)
Notable guitars	Fender Jazz Bass Rickenbacker 4001 Steinberger Wal
Years active	1968-present

Geddy Lee OC (born Gary Lee Weinrib on July 29, 1953 in Toronto, Ontario) is a Canadian musician. He is the vocalist, bassist, and keyboardist for the Canadian rock group Rush. Lee joined Rush in 1968 at the request of his childhood friend, Alex Lifeson.^[1]

An award-winning musician, Lee's style, technique, and skill on the bass guitar have proven very influential in the rock and heavy metal genres, inspiring such players as Steve Harris of Iron Maiden [1], John Myung of Dream Theater [2], Les Claypool of Primus [3], and Cliff Burton of Metallica [4].

In addition to his composing, arranging, and performing duties for Rush, Lee has produced albums for various other bands, including Rocket Science. Lee's first solo effort, My Favourite Headache, was released in 2000.

Along with his Rush bandmates -- Lifeson and drummer Neil Peart -- Lee was made an Officer of the Order of Canada on May 9, 1996. The trio were the first rock music group so honoured.^{[citation needed]}

Lee is currently working with Rush in preparation for the May 1, 2007 release of their latest album, Snakes & Arrows, and a concert tour to follow.[5]

1 Biography
2 Body of work
3 Equipment used
4 Awards
5 External Links
6 References

[edit] Biography

Lee's parents were Jewish refugees from Poland who had been survivors of Nazi concentration camps Dachau and Bergen-Belsen during World War II. In 2004, Canadian Jewish News featured Lee's reflections on his mother's experiences as a refugee, and of his own Jewish heritage. [6] Lee's stage name, Geddy, was inspired by his mother's heavily-accented pronunciation of his given first name, Gary.^{[citation needed]}

Lee married Nancy Young in 1976. They have a son named Julian and a daughter named Kyla Avril.^{[citation needed]}

[edit] Body of work

The bulk of Lee's work in music has been with Rush. (See Rush Discography)

Lee's work outside of his involvement with the band includes the following:

My Favourite Headache, Lee's first solo album, released in 2000

[edit] Equipment used

Lee has varied his equipment list continually throughout his career:

[edit] Bass guitars

For his first local gigs in the early 1970s, Lee used a Fender Precision Bass. From Rush's eponymous debut album onward, Lee favored Rickenbacker basses, particularly the 4001 model, and the Fender Jazz Bass which is heard extensively on Permanent Waves and Moving Pictures. In 1984, Lee switched to a the compact, headless Steinberger bass. From 1985 to 1992, Lee used British Wal basses. He switched back to Fender Jazz Basses for the recording of Counterparts in 1993, and has been using them exclusively since then. In 1998, Fender released the Geddy Lee Jazz Bass. This "signature" model is a recreation of Lee's favorite bass, a mid-seventies model Fender Jazz that he bought in a pawn shop in Kalamazoo, Michigan. On all of his basses, Lee uses Rotosound Funkmaster round-wound strings.

[edit] Bass guitar amplification

Lee's amps in the early days were arena-ready Sunn and/or Ampeg models. By the late seventies, his backline had evolved into a unique configuration of Ashly preamps and BGW power amps, which were run in stereo with his 4001 bass. The neck pickup was sent to one amp and set for a clean, bass-heavy tone, while the bridge pickup was sent to the other amp which was set with an exaggerated treble boost, and extra gain in the preamp. This defined Lee's bass sound from 1977 to 1982. Though he would change basses, the amplifier setup remained constant through 1991. For the Roll the Bones tour (1991-1992), Lee switched to Gallien-Krueger amps, and later to Trace Elliots.

Beginning in 2002, Lee dispensed with traditional bass amplifiers in favor of DI units (also known as direct boxes), which allow the bass guitar to be connected directly to the audio engineer's main mixer. At the same time, Lee began using in-ear monitors.

[edit] Keyboards and synthesizers

Over the years, Lee's keyboards have featured synthesizers from Oberheim (Eight-voice, OB-1, OB-X, OB-Xa), PPG (Wave 2.2 and 2.3), Roland (Jupiter 8, D-50, XV-5080), Moog (Minimoog, Taurus bass pedals), and Yamaha (DX7). Lee used sequencers early in their development and has continued to use similar innovations as they have developed over the years. Lee has also made use of digital samplers. Combined, these electronic devices have supplied many memorable keyboard sounds, such as the "growl" in "Tom Sawyer" and the syncopated melody featured in the chorus of "The Spirit of Radio".

With 1993's Counterparts, Rush reduced most keyboard- and synthesizer-derived sounds from their compositions, and they continued to do so with each successive album. By 2002, the band succeeded in producing an album -- Vapor Trails -- that was completely free of keyboards/synthesizers, and featured only voice, guitar, bass guitar, drums and percussion. The band members have stated in interviews that they were proud that they had produced an album that was rich in sound and used only those basic instruments.^{[citation needed]}

[edit] Live performances: special equipment

[edit] Recreating unique sounds

Newer advances in synthesizer and sampler technology have allowed Lee to store familiar sounds from his old synthesizers alongside new ones in combination synthesizer/samplers, such as the Roland XV-5080. For live shows in 2002 and 2004, Lee and his keyboard technician used the playback capabilities of the XV-5080 to generate virtually all of Rush's keyboard sounds to date, as well as additional complex sound passages that previously required several machines at once to produce. ^[2]

When playing live, Lee and his bandmates strive to recreate their songs as accurately as possible. To help achieve this goal, the band uses digital samplers. Using these samplers, the band members are able to recreate, in real-time, the sounds of non-traditional instruments, accompaniments, vocal harmonies, and other sound "events" that are familiar to those who have heard Rush songs from their albums.

To trigger these sounds in real-time, Lee uses MIDI controllers, placed at the locations on the stage where he has a microphone stand. Lee uses two types of MIDI controllers: one type resembles a traditional synthesizer keyboard on a stand (Yamaha KX76). The second type is a large foot-pedal keyboard, placed on the stage floor (Korg MPK-130, Roland PK-5). Combined, they enable Lee to use his free hands and feet to trigger sounds in electronic equipment that has been placed off-stage.^[3] It is with this technology that Lee and his bandmates are able to present their arrangements in a live setting with the level of complexity and fidelity that fans have come to expect, and without the need to resort to the use of backing tracks or employing an additional band member.^[4]

Lee's (and his bandmates') use of MIDI controllers to trigger sampled instruments and audio events is visible throughout the R30: 30th Anniversary World Tour concert DVD (2005).

[edit] Arrangement of stage equipment: Lee's dry sense of humor

As of 2002, Lee no longer uses traditional bass amplifiers on stage. Faced with the dilemma of what to do with the empty space left behind by the lack of large amplifier cabinets, Lee chose to fill the space in a unique way. For the 2002 Vapor Trails tour, Lee lined his side of the stage with three coin-operated Maytag dryers. Other large appliances would appear later in the same space. (Lee had earlier decorated his side of the stage with unusual items. For the 1996-1997 Test for Echo tour, Lee's side sported a fully-stocked old-fashioned household refrigerator.)

For every concert that featured the dryers, Rush's crew would load them with specially-designed Rush-themed T-shirts, different from the shirts on sale to the general public. At the close of each show, Lee and Lifeson would then toss these special T-shirts into the arms of lucky audience members.

For the band's R30 tour, one dryer was replaced with a rotating shelf-style vending machine. It too was fully stocked and operational during shows.

When asked about the purpose of the dryers in interviews, Lee was purposefully vague. The irony and non sequitur of placing such unusual items on a concert stage were Lee's way of expressing his sense of humor.^{[citation needed]} He fed the mystery by responding to one interview question about the dryers, saying he chose to use them for their "warm, dry tone".^{[citation needed]} The dryers can be seen on the Rush in Rio DVD and the R30 DVD. The vending machine can be seen on the R30 DVD.

To add to the humorous effect, Lee's dryers were "miked" by the sound crew, just as they would do with an amplifier.

[edit] Awards

Bass Hall of Fame - Guitar Player Magazine
6 time winner: "Best Rock Bass" - Guitar Player Magazine
1993 - "Best Rock Bass Player" Bass Player Magazine readers' poll
1994 - With Rush, inducted into the Juno Hall of Fame
1996 - Officer of the Order of Canada, along with fellow band mates Alex Lifeson and Neil Peart