Fripp & Eno (No Pussyfooting)

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Fripp & Eno (No Pussyfooting)
Fripp & Eno (No Pussyfooting) cover
Studio album by Fripp & Eno
Released 1973
Recorded September 8, 1972 & August 4-5, 1973
Genre Ambient, Drone
Length 39:38
Label EG Records
Producer(s) Robert Fripp & Brian Eno
Professional reviews
Fripp & Eno chronology
Fripp & Eno (No Pussyfooting)
(1973)
Evening Star
(1975)


Robert Fripp chronology
Fripp & Eno (No Pussyfooting)
(1973)
Evening Star
(1975)
Brian Eno chronology
Here Come the Warm Jets
(1973)
Fripp & Eno (No Pussyfooting)
(1973)
June 1, 1974
(1974)

Fripp & Eno (No Pussyfooting) is a 1973 (see 1973 in music) album by the British musicians Robert Fripp and Brian Eno.

The title refers to their quick and spontaneous methods of creating music; each piece is an improvisation, recorded directly to tape as it was created, without further overdubs. This was the first collaboration between these two musicians. It could be considered an album of Ambient music, although its recording pre-dates Eno's coining of the term.

Each side of the original vinyl album was taken up with a single piece of music.

On side A, "The Heavenly Music Corporation" the sole sound source is Fripp's electric guitar, played through a tape loop system devised by Eno. This involves a re-circulating tape loop, onto which Eno would send selected portions of Fripp's output signal. Once thus captured, these musical phrases would continue to playback in a loop, while Fripp played further material over the top. By selectively enabling or disabling the record and erase modes on the system, Eno could remove portions of the loop, or add further new layers on top of the existing material. The result is a dense, multi-layered piece of ambient drone music. Fripp described the experience of improvising over the tape loops as akin to "trying to steer a battleship".

Side B consists of a piece called "Swastika Girls", named after a set of pornographic postcards that were lying around in the studio. This uses the same technique as "The Heavenly Music Corporation", but with the addition of a looped synthesizer sequence by Eno, using an EMS VCS 3.

Fripp and Eno used similar techniques that eventually became known as Frippertronics on their 1975 follow-up album, Evening Star.

Contents

[edit] Track listing

  1. "The Heavenly Music Corporation" – 20:55
  2. "Swastika Girls" – 18:43

[edit] Personnel

[edit] Miscellanea

[edit] External links


Brian Eno
Discography
with Roxy Music Roxy Music | For Your Pleasure
Solo albums: Here Come the Warm Jets | Taking Tiger Mountain By Strategy | Discreet Music | Another Green World | Before and after Science | Music for Airports | Music for Films | Thursday Afternoon | The Shutov Assembly | Nerve Net | Neroli | The Drop | Another Day on Earth
with Robert Fripp: Fripp & Eno (No Pussyfooting) | Evening Star | Air Structures (bootleg) | The Essential Fripp and Eno | The Equatorial Stars | The Cotswold Gnomes
with Cluster: Cluster & Eno | After the Heat | Begegnungen | Begegnungen II | Harmonia: '76: Tracks and Traces
Other collaborations: June 1, 1974 | 801 Live | The Plateaux of Mirror | Day of Radiance | Fourth World, Vol 1: Possible Musics | Fourth World, Vol 2: Dream Theory in Malaya | My Life in the Bush of Ghosts | Ambient #4, On Land | Apollo: Atmospheres and Soundtracks | Music For Films Volume 2 | Textures | The Pearl | Hybrid | Music for Films III | Wrong Way Up | Wah Wah | Spinner | Original Soundtracks 1 | Music for Onmyo-Ji | Drawn from Life
Installations/Compilations etc: The Great Learning | The Portsmouth Sinfonia Plays the Popular Classics | Hallelujah! The Portsmouth Sinfonia Live at the Royal Albert Hall | June 1, 1974 | Peter and The Wolf | Working Backwards 1983-1973 |More Blank Than Frank/Desert Island Selection | My Squelchy Life | Robert Sheckley's In a Land of Clear Colours | Box I | Box II | Headcandy | [Generative Music 1 | Extracts from Music for White Cube | Lightness: Music for the Marble Palace | I Dormienti | Kite Stories | Music for Civic Recovery Centre | Compact Forest Proposal | January 07003-Bell Studies | Curiosities Volume 1 | Curiosities Volume 2 | 77 Million Paintings
Publications
A Year with Swollen Appendices | I Dormienti
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