Friedrich Gundolf

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Friedrich Gundolf, born Friedrich Leopold Gundelfinger (July 20, 1880 – July 12, 1931) was a German-Jewish literary scholar and poet and one of the most famous academics of the Weimar Republic.

[edit] Education

Gundolf, who was the son of a mathematician, studied art history and german language and literature at the universities of Munich, Berlin and Heidelberg. He received his doctorate in 1903 and habilitated himself eight years later. His habilitation work about "Shakespeare and the German spirit" (Shakespeare und der deutsche Geist, 1911), marked a turning point in German language and literature studies.

He also was an important member of the Georgekreis, which he joined in 1899. He published first poems in Stefan George's "Blättern für die Kunst". During 1910 and 1911, he edited the "Jahrbuch für geistige Bewegung" (Yearbook for mental movement), which preached the cultural political opinions of the Georgekreis. He and Stefan George stayed on good terms for more than twenty years, but later, George broke completely with him, on the occasion of his marriage in 1926.

In his works in literary studies, Gundolf took a new, historically-oriented view on literature, which centered on the philosophically determined registration of the poet. To him, the great writers (such as Shakespeare or Goethe, e.g.) were symbolic figures of their time and during his academic research, he sought to present not only the artist, but also the effects of his works.

From 1916 to the late 1920s, Friedrich Gundolf was professor at Heidelberg university. In 1921, one of his students became Joseph Goebbels, later famous as the Nazi propaganda minister, who at that time admired the famous literary scholar. Gundolf also became his supervisor, when Goebbels wrote his doctoral thesis.

From 1927, Gundolf suffered from cancer. and died of it four years later. Gundolf's works were banned by the Nazis in 1933.

[edit] Works

His most famous publication is "Die deutsche Literärgeschicht, Reimweis kurz fasslich hergericht´". In his Goethe-monograph, he radicalized the principles of his view on figures. In 1964, the German Academy (Deutsche Akademie) founded the Friedrich-Gundolf-Prize for the intermediation of German culture in foreign countries, which is lent every year.