Franz Kneisel

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Kneisel, Franz(b Bucharest, 26 Jan 1865; d New York, 26 March 1926). American violinist and teacher of Romanian birth. The son of a bandmaster, he learned to play the flute, clarinet and trumpet, as well as the violin. After graduating from the Bucharest Conservatory in 1879, he went to Vienna, where he continued his studies with Jakob Grün and Joseph Hellmesberger until 1882; he made his solo début in Vienna at the end of that year. The next season he became concertmaster at the Hoftheater and in 1884 went to Berlin to fill the same position in the Bilsesche Kapelle. In October 1885, though barely 20 years old, he was engaged by Wilhelm Gericke as concertmaster of the Boston SO. For the next 20 years he was concertmaster and assistant conductor; he appeared as soloist in many violin concertos and gave the first American performances of the concertos by Brahms and Karl Goldmark, as well as the première of the First Violin Concerto of Gustav Strube. As assistant conductor, he led the Boston SO performances at the Columbian Exposition in Chicago in 1893. Shortly after his arrival in Boston, Kneisel formed the Kneisel quartet from among the members of the orchestra.

Kneisel was for many years associated with the Worcester Festival in Massachusetts, first as concertmaster and assistant conductor (1885–96) and then as conductor (1897–1909). In 1905 he moved to New York to become the first head of the violin department of the newly established Institute of Musical Art (Now the Julliard School of Music), where he remained until his death. He also established a summer school of violin and chamber-music playing at his home in Blue Hill, Maine. He was a demanding teacher, requiring much in both technical ability and expressive insight. At the time of his death, his renown as a teacher was such that he was ranked with Leopold Auer.

Kneisel played a leading role in American music as a soloist and as ensemble performer, both for the range and variety of his programmes and for his dedication to the highest performance standards. Many Boston composers wrote works for him personally or for his quartet, and these formed a substantial part of his repertory. He composed a Grand Concert Etude for violin and also published a number of technical studies. There are collections of Kneisel memorabilia at Blue Hill and at the Chapin Library of Williams College, Williamstown.

[edit] Sources

M.A.De W. Howe: The Boston Symphony Orchestra: an Historical Sketch (Boston, 1914, enlarged 2/1931/R with J.N. Burk as The Boston Symphony Orchestra 1881–1931) M.D.H. Norton: ‘Franz Kneisel’, The Violinist, xxxviii (1926), 154 R. Aldrich: ‘Franz Kneisel’, Musical Discourse (New York, 1928), 226 B. Schwarz: Great Masters of the Violin (New York, 1983) STEVEN LEDBETTER