Francesco De Gregori

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Francesco De Gregori (born April 4, 1951) is a renowned Italian singer-songwriter.

Contents 1 1970s 2 1980s 3 1990s and 2000s 4 Trivia 5 Prizes 6 Discography

[edit] 1970s

De Gregori was born in Rome to a middle-class family, and spent some of his youth in Pescara before returning to the capital. His elder brother, Luigi, was a musician and later had a personal career with the name of Luigi Grechi (Grechi is De Gregori's mother surname, later chosen in order to avoid confusion with the more famous Francesco).

Influenced by Bob Dylan, Leonard Cohen and the Italian singer-songwriter Fabrizio de André, De Gregori started to perform his songs (mainly personal translations of American folk songs) at the Folkstudio, in Rome, which was already frequented by his brother. On one occasion De Andrè himself is said to have listened to De Gregori's work and appreciated it.

Later De Gregori formed a band with his friends Antonello Venditti, Mimmo Locasciulli and Giorgio Lo Cascio, who all had success as singer-songwriters in the following years. De Gregori made his debut as a professional singer in 1972 with Theorius Campus, in collaboration with Venditti. The LP included the early masterpiece "Signora Aquilone" ("Kite Lady"), but Venditti had more songs and, having a better voice, earned better consideration by the label. The duo subsequently broke up.

De Gregori's next album, Alice non lo sa (1973), was a commercial failure. However, the title-track, the mysterious "Alice", scored some success in several popular music shows and is still included amongst his best works today. The 1974 album Francesco De Gregori (also known as the "Sheep" due to the unusual cover by Gordon Fagetter) showed even more experimental and sometimes obscure lyrics, and again was a failure. RCA Music, however, continued to trust in De Gregori's qualities: this trust was repaid the following year, when De Gregori released one of the most successful Italian LPs of the 1970s, Rimmel. This work contained several of his most famous songs: this time De Gregori's talent for unusual and poetic lyrics intermingled in a more mature way with the music. Lucio Dalla provided musical ideas for "Pablo", the unusual story of an Italian immigrant in Switzerland. Jazzy themes were present in songs like "Quattro cani" ("Four Dogs") and "Le storie di ieri" (The Stories of Yesterday"). The latter, a song about the years of Fascism, had been already released on de André's 1974 album Volume 8, written with De Gregori during a stay in the Genoese singer's Sardinian estate.

Bufalo Bill (1976) confirmed De Gregori's qualities, and contained at least two classics: the eponymous song and "Santa Lucia", the singer's own favourite. However, during a concert held in Milan in 1977, De Gregori, who had always declared his inclination to left-wing ideas and ideals, was fiercely contested by a group of extreme left agitators. In a mock "trial", they accused him of using a left-wing message solely to sell records and insisted that music should be free. De Gregori was at risk of injury in the fray, and decided to quit his musical career. During the following two years he therefore worked as a bookstore and music shop clerk. The episode, known as the "Palalido incident", influenced several works by other Italian singer-songwriters, such as Roberto Vecchioni's "Vaudeville". The "Palalido incident" was one of a number of such incidents. At this time, De Gregori married Alessandra Gobbi whom he had known since High School,and they had two sons, Marco and Federico.

In 1978, however, he returned with another inspired album, De Gregori, containing one of his most famous songs, "Generale". He declared that he felt this song much too important for him to continue staying away from the music world. The following year he joined his old friend Lucio Dalla with a highly successful live tour, entitled Banana Republic, and published a studio LP, Viva l'Italia featuring American musicians. The title track was later adopted as the Italian Socialist Party song, but De Gregori always opposed this choice.

[edit] 1980s

After a pause of several years, De Gregori returned with the album Titanic, the first part of which was like a concept album devoted to the famous episode of the sinking of the eponymous liner. The ballad "San Lorenzo", with a rare piano performance by De Gregori, concerns the dramatic episode of the bombing of the Rome's quarter during World War II by Allied planes. The freshness of the music and lyrics made this an outstanding commercial success, as well as earning the praise of critics. Titanic has been recently declared the best Italian LP of the period 1975-2005, in a poll conducted for the authoritative Italian newspaper Il Corriere della Sera.

The following year de Gregori released a mini-LP containing his most long-standing success, La Donna Cannone. The 1985 album Scacchi e tarocchi ("Chess and Tarots"), was not as successful, but contained another classic, "La Storia" ("History"). De Gregori's new melancholic inspiration was confirmed by the subsequent Terra di nessuno ("Nobody's Land"). On the other hand, Miramare 19-4-89 showed a more bitter mood, but again was not as successful as his albums of the 1970s and early 1980s.

[edit] 1990s and 2000s

De Gregori recovered his bestseller status in 1992 with Canzoni d'amore ("Love Songs"). In the 1990s he released fewer studio albums than collections and live albums. His next original work was Prendere e lasciare ("Take and Leave")(1996): from this point his song and his musical performance were marked by an increasing Bob Dylaninfluence.

Il bandito e il campione of 1993 was a live collection that had remarkable success: the title track, its only studio song, was sung by De Gregori but the lyrics were by his brother Luigi Grechi. The title track of La valigia dell'attore ("The Actor's Suitcase", 1998) showed De Gregori at the best of his poetical and emotional capabilities again. The rest of the album, however, contained old pieces, plus some Dylan covers.

In 2001 De Gregori released his next studio album, Amore nel pomeriggio ("Love in the Afternoon") which is unanimously included amongst his best works. The song "Il cuoco di Salò" ("The Cook of Salò"), arranged by Franco Battiato, is one of De Gregori's best and shows his typical attention to "everyday" figures (including outcasts and underdogs) and lives while dealing with historical themes.

Il fischio del vapore ("The Whistle of the Steam", 2002), was a quite surprising collaboration with the folksinger Giovanna Marini, who had already worked with De Gregori in a song for Titanic. The album is a collection of old popular and social Italian songs from the 19th and the early 20th centuries.

A biography of Francesco De Gregori, "Quello che non so, lo so cantare" ("What I Don't Know, I Know How to Sing"), edited by Enrico Deregibus, was published by Giunti in 2003. In 2005, De Gregori won the Targa Tenco for the best Italian album of the year with Pezzi, an album with strong rock elements. In February 2006, only eleven months after the release of Pezzi, De Gregori released a new studio album, Calypsos, with nine previously unreleased tracks. Amongst these was "Cardiologia" ("Cardiology"), a song where the Roman singer-songwriter returns to using the words "Ti amo" ("I love you"), more than thirty years after "Pezzi di Vetro", and the song "Per le strade di Roma" ("By the Streets of Rome"), which outlines a merciless picture of the Rome of the third millennium, archetypical of the Italy of today.

In November 2006 a triple CD Calypsos that collected together his most representative tracks was released. As well as the celebrated track "Diamante" ("Diamond"), this contained pieces written by Zucchero and included on his album Oro incenso e birra ("Gold, Incense and Beer"), a demo of "Mannaggia alla musica" ("Damn to the Music") from 1979, originally written for Ron and previously presented on the live album Bootleg, and the B-side of the single "Viva l'Italia" ("Long Live Italy"), the celebrated "Banana Republic", sung without Lucio Dalla.

[edit] Trivia

De Gregori is popularly known as "Il Principe" ("The Prince"). The nickname refers to his introvert attitude, especially in his relationships with journalists, which has been sometimes interpreted as a form of "elitist" haughtiness.

[edit] Prizes

• 1988 - Targa Tenco: best album for Terra di nessuno
• 1989 - Targa Tenco: best album for Mira Mare 19.4.89
• 1998 - Targa Tenco: best song for La valigia dell'attore
• 1999 - Targa Tenco: best singer (with Giovanna Marini) for Il fischio del vapore
• 2005 - Targa Tenco: best album for Pezzi

[edit] Discography

• Theorius Campus (1972, with Antonello Venditti)
• Alice non lo sa (1973)
• Francesco De Gregori (1974)
• Rimmel (1975)
• Bufalo Bill (1976)
• De Gregori (1978)
• Banana Republic (1979, with Lucio Dalla, live)
• Viva l'Italia (1979)
• Titanic (1982
• La Donna Cannone (1983, mini-album)
• Scacchi e Tarocchi (1985)
• Terra di Nessuno (1987)
• Miramare 19-4-89 (1989)
• Catcher in the Sky (1990, live)
• Niente da Capire (1990, live)
• Musica leggera (1990, live)
• Canzoni d'amore (1992)
• Il Bandito e il Campione (1993, live)
• Bootleg (1994, live)
• Prendere e lasciare (1996)
• La valigia dell'attore (1997, live)
• Curve nella Memoria (1998, collection)
• Amore nel pomeriggio (2001)
• Fuoco amico (2001, live)
• Il fischio del vapore (2002, with Giovanna Marini)
• Mix (2003, collection)
• Pezzi (2005)
• Calypsos (2006)