Forbidden Zone

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For the Forbidden Zone appearing in Planet of the Apes and its sequels, see Forbidden Zone (Planet of the Apes). For the exclusion zone around the Chernobyl disaster, see Zone of alienation.
Forbidden Zone

Poster image.
Directed by Richard Elfman
Produced by Marie-Pascale Elfman
Richard Elfman
Nick James
Written by Story:
Richard Elfman

Screenplay:
Matthew Bright
Richard Elfman
Nick James
Nick L. Martinson
Starring Hervé Villechaize
Susan Tyrrell
Gisele Lindley
Jan Stuart Schwartz
Marie-Pascale Elfman
Virginia Rose
Ugh-Fudge Bwana
Phil Gordon
Hyman Diamond
Toshiro Boloney
Danny Elfman
Viva
Joe Spinell
The Kipper Kids
Music by Danny Elfman
Cinematography Gregory Sandor
Editing by Nicholas James
Martin Nicholson
Distributed by Samuel Goldwyn Company (1982)
Release date(s) March 21, 1980
Running time 73 min.
Country USA
Language English
All Movie Guide profile
IMDb profile

Forbidden Zone is a 1980 black-and-white cult film co-written and directed by Richard Elfman, the older brother of Danny Elfman, who composed the film's score, performed by the Mystic Knights of the Oingo Boingo. The film was made as an attempt to capture the essence of the stage group's live shows on film.[1] It received little notice when it was originally released, and attacked by some who found it offensive.[2] However, the film has since gained a cult following. The film was released on VHS in the late 1980s and on DVD by Fantoma in 2004 for Region 1 viewers,[3] and in 2006 for Region 2 by Arrow Film Distributors Ltd.[4]

Contents

[edit] Plot

Spoiler warning: Plot and/or ending details follow.
The Hercules family at breakfast.
The Hercules family at breakfast.

The film begins on "Friday, April 17" at 4 P.M. in Venice, California. Huckleberry P. Jones, local pimp, narcotics peddler, and slumlord, enters a vacant house that he owns. While stashing heroin in the basement, he stumbles upon a mysterious door, and enters it, falling into the Sixth Dimension, before quickly running out. He immediately sells the house to the Hercules family. Ma Hercules is old enough to be a grandmother, Pa Hercules sports a Swedish accent, Susan B. 'Frenchy' Hercules appears to be French, her twelve-year-old brother Flash is played by an actor well into his sixties, and her grandfather, appears sprite and spry with nary a gray hair. On their way to school, Frenchy and Flash have a conversation with Squeezit Henderson, who tells them that after being violently beaten by his mother, he had a vision of his "sister," René, who had fallen into the Sixth Dimension. At the school, we see frequent gunfights in the classroom—sometimes between the students and the obviously transsexual teacher. Bored and disgusted with school, Frenchy returns home to confide in her mother, finding her face-down on the floor after being smacked by Pa earlier.

Frenchy decides to ignore the warnings she's received to avoid the door in the basement, and falls through large intestines and out a giant anus into the Sixth Dimension, ruled by midget King Fausto and his queen, Doris. When the king falls for Frenchy, Queen Doris orders their frog servant to lock her up. In order to make sure that Frenchy is not harmed, King Fausto tells the frog to take Frenchy to Cell 63, where the King keeps his favorite concubines. There, Frenchy meets René, who tells Frenchy how lucky she is that the king has fallen for her. At home, the family panics when they discover Frenchy is missing. Flash and Gramps go into the Sixth Dimension in order to save Frenchy. Once there, they speak to an old Jewish man who tells them how to help Frenchy escape. Captured by the frog-servant, Flash and Gramps are tortured and lowered into a large septic tank by the Queen, who plots her revenge against Frenchy. The Princess oversees Frenchy's torture. After escaping, Flash and Gramps come across a woman who tells them that she was once happily married to the king, until Doris stole the throne by seducing her, "even though she's not my type." The ex-queen has been sitting in her cell for 1,000 years, and has been writing a screenplay in order to keep her sanity.

Pa Hercules cleans up after the Kipper Kids in a scene cut from the film.
Pa Hercules cleans up after the Kipper Kids in a scene cut from the film.

During the cigarette break at his job at a tar factory, Pa is blasted through the Hercules family basement and into the Sixth Dimension, where he is imprisoned. When Flash and Gramps come across him, Pa tells them to leave him alone. "In the real world up there, I was just another rat," he laments. "And down here, I also live like a rat. So what's the difference?" Finally, Squeezit is persuaded to go into the Sixth Dimension to rescue Frenchy and René. There, he is captured by Satan, who tells Squeezit that if he brings him the Princess, Squeezit will be let go. Squeezit does so, and is told by Satan not to worry about his friends before ordering his minions to decapitate him. King Fausto frees Frenchy and René. En route to safety, René is stricken with pseudo-menstrual cramps, and Frenchy is captured again. While preparing to kill her, Doris is confronted by the ex-queen, and the two engage in a cat-fight, with Doris coming out as the victor. Ready to kill Frenchy, King Fausto stops her, explaining to her that if Frenchy dies, the Mystic Knights of the Oingo Boingo will kill the Princess. Ma Hercules enters. Seeing a seemingly dead Flash, she shoots Queen Doris. King Fausto replaces Doris with Frenchy, with everyone still alive looking toward a great future as they plan to take over everyone and everything in the Galaxy.

Spoilers end here.

[edit] History

Conceptual drawing.
Conceptual drawing.

The Mystic Knights of the Oingo Boingo were formed in late 1972 by Richard Elfman, as a musical theatre troupe in the tradition of Spike Jones and Frank Zappa's Mothers of Invention, performing an eclectic repertoire ranging from Cab Calloway covers to instrumentals in the style of Balinese Gamelan and Russian ballet music. As Richard's interest shifted to filmmaking, he passed leadership of the band to younger brother Danny Elfman, who had begun to lose interest in musical theatre, and had gained interest in other musical styles such as ska, and had become "sick of lugging around so much stuff with the theatre troupe. Towards the end," Elfman remembers, "it was a big production...there was, like a semi full of stuff. And that was becoming burdensome. So, for me, the idea of being a band that can fit all their gear into a van and set up in a club, and an hour later be playing, became a goal."[1]

[edit] Production

Danny Elfman (far right) as Satan, performing Minnie the Moocher, in one of the scenes intended for The Hercules Family. In the final film, Elfman wore an all-white suit.
Danny Elfman (far right) as Satan, performing Minnie the Moocher, in one of the scenes intended for The Hercules Family. In the final film, Elfman wore an all-white suit.

Production on Forbidden Zone began during a transitional period when the group was moving from its cabaret style towards a more pop/rock format, and, when the film was completed, the band had shortened its name to Oingo Boingo.[1] The film was originally conceived as The Hercules Family, a 16mm musical that consisted of 12 musical numbers and a story loosely constructed around them. But as the project grew to 35mm and the storyline evolved, Richard Elfman found himself re-shooting many of the original scenes to fit the new film.[2] Two sequences from the original 16mm footage were featured on the 2004 DVD release: one of Danny Elfman, as Satan, performing Minnie the Moocher (later reshot with visual elements borrowed from the original 16mm sequence, and alternate lyrics), and another of Marie-Pascale Elfman, singing Johnny. The sequence with Elfman as Satan, and members of the Oingo Boingo as his minions, came from live shows, in which the band would perform Cab Calloway tunes like St. James Infirmary Blues in the same costumes.[1]

King Fausto (right) and Queen Doris (left) of the Sixth Dimension.
King Fausto (right) and Queen Doris (left) of the Sixth Dimension.

The film was a completely nepotistic affair. Marie-Pascale Elfman, at the time of shooting, was married to director Richard Elfman. She designed the film's expressionistic sets and starred in the film. Susan Tyrrell was dating Hervé Villechaize, who was also a former roommate of co-writer and co-star Matthew Bright. The Elfmans' grandfather, Herman Bernstein, also appeared in the film, and Richard Elfman's accountant appeared under the name "Hyman Diamond" because Elfman had no idea whether or not he wanted to be credited.[2] Others who worked on the film include The Kipper Kids (Brian Routh and Martin von Haselberg) and former Warhol superstar Viva. Actor and former Mystic Knight Gene Cunningham helped fund the film. When Cunningham and Elfman ran out of money while making the film, Richard and Marie-Pascale Elfman helped finance the movie by selling houses, before Carl Borack put money into the production in order for Elfman to complete the film.[1]

[edit] Writing

Forbidden Zone featured Matthew Bright's first work on film, and his only work as an actor (under the name "Toshiro Baloney"). A founding member of the Mystic Knights, Bright later became a screenwriter and director in his own right. Bright's credits include Freeway, Ted Bundy, and Tiptoes. Bright and director Richard Elfman's only dispute during the screenwriting process was over a scene in which his character, Squeezit, was originally to have been beaten up for eight minutes and having the walls wiped with his blood.[1] Another scene cut from the script would have had Squeezit being castrated.[2] According to Bright, "I didn't have any sense of limits or balance then, at the time, I...you know, I was just, didn't know what I was doing. I needed reining in."[1]

During filming, Bright was sitting on the set in costume when a lighting stand fell onto his head, cracking his skull, and he had to be rushed to the hospital. When Bright came back to work the next day, he had a mild concussion and wiplash, but he continued with filming.[2]

[edit] Directing

Richard Elfman had never gone to film school when production on the film started, and "I didn't know what I was getting into."[1] The production, from its original 16mm roots to its finish, took three years to make. Cast and crewmembers would sleep on the film's stage, wearing spare gorilla suits to stay warm.[1] Among the film's artistic influences included 1940s big band and jazz music and Max Fleischer cartoons of the 1930s (such as Betty Boop).[1]

Some of the film's cast was made up of non-professionals cast off the street. In one scene, Richard Elfman brought in a young man to mouth the words of "Bim Bam Boom," but when he was put in front of the camera, he stood there as the scene was shot. Elfman left the scene in the film by editing in Matthew Bright's lips over the actor's face.[2] Another scene featured homeless men.[2]

[edit] Animation

The film's animation was created by then-unknown animator John Muto. Because of the film's low budget, Muto drew all of the film's animation sequences himself. For sequences in which live-action and animation were combined, the actors were photographed in profile, and the photos were cut out and pasted into the animation in a style recalling Terry Gilliam's work on Monty Python's Flying Circus.[1]

[edit] Music

Forbidden Zone was the first film scored by Danny Elfman, who would eventually score, among other films, Batman, The Nightmare Before Christmas, and Charlie and the Chocolate Factory. The song Witch's Egg was written by Georg Michalski and Susan Tyrrell.[2] In some scenes, characters lip synch to old records, including recordings by Cab Calloway, Josephine Baker and others. For the "Yiddishe Charleston" scene, Richard Elfman had shot the sequence with him lip synching to an old recording of the song, but was later unable to aquire the rights to the recording, and had to record a new version of the song while attempting to synch the new recording with the footage.[2]

[edit] Response

Huckleberry P. Jones escapes from the Sixth Dimension.
Huckleberry P. Jones escapes from the Sixth Dimension.

The film was given limited distribution during its initial theatrical release, and not well-received by critics. Some of the film's sequences and characters led to director Richard Elfman being accused of racism (because of its satirically surreal use of blackface),[2] and even anti-Semitism (Elfman himself was, at the time, Jewish,[2] although he has since become a member of the Church of Scientology[5]). However, the film has since been rediscovered, and has gained new life as a cult film. The film's soundtrack has also become popular, and its theme song was eventually reused by Danny Elfman, who rearranged it as The Dilbert Zone for use as the theme for the television series Dilbert.

[edit] References

  1. ^ a b c d e f g h i j k A Look Into The Forbidden Zone making-of documentary.
  2. ^ a b c d e f g h i j k Elfman, Richard and Bright, Matthew. Forbidden Zone DVD, Fantoma, 2004, audio commentary. ASIN: B0002LE9QS
  3. ^ ASIN: B0002LE9QS
  4. ^ ASIN: B000FZDGYC
  5. ^ Scientology Service Completions: Richard Elfman. Retrieved on March 12, 2007.

[edit] External links


Oingo Boingo
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Studio albums
Forbidden Zone (soundtrack) | Oingo Boingo (EP) | Only a Lad | Nothing to Fear | Good for Your Soul | Dead Man's Party | BOI-NGO | Boingo Alive | Dark at the End of the Tunnel | Boingo | Farewell
Compilations
Skeletons in the Closet | Best O' Boingo | Anthology | 20th Century Masters: The Millennium Collection: The Best of Oingo Boingo
Related articles
Forbidden Zone | So-Lo | Dead Bands Party: A Tribute to Oingo Boingo