Flo Steinberg

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Editor-publisher Flo Steinberg's Big Apple Comix (Sept. 1975), cover art by Wally Wood.
Editor-publisher Flo Steinberg's Big Apple Comix (Sept. 1975), cover art by Wally Wood.

Flo Steinberg is an early publisher of independent comic books who released the underground / alternative hybrid Big Apple Comix in 1975. Additionally, as Stan Lee's Silver Age secretary and as the fledgling Marvel Comics' receptionist, she was a key participant of and witness to Marvel's expansion from a two-person staff to a major pop culture conglomerate.

Contents

[edit] Biography

[edit] Early life and career

The daughter of a taxi-driver father and a public-stenographer mother, Flo Steinberg was raised in the Dorchester and Mattapan neighborhoods of Boston, Massachusetts, United States. There she attended Roxbury Memorial High School for Girls, serving a term as president of the student council. Steinberg graduated from the University of Massachusetts Amherst with a liberal arts degree in 1960, having majored in History and rushing Sigma Delta Tau sorority. Afterward, while working as a service representative for the New England Telephone Company in Boston, she was a volunteer on Ted Kennedy's first U.S. Senatorial campaign. After moving to New York City in 1963, Steinberg additionally worked "in a minor way"[1] for Robert F. Kennedy's Senate bid.

In the career-girl fashion of that era, Steinberg spent some months living at a YWCA and job-hunting through employment agencies. "After a couple of interviews, I was sent to this publishing company called Magazine Management. There I met a fellow by the name of Stan Lee, who was looking for what they called then a 'gal Friday'. ... Stan had a one-man office on a huge floor of other offices, which housed the many parts of the magazine division. ... Magazine Management published Marvel Comics as well as a lot of men's magazines, movie magazines, crossword puzzle books, romance magazines, confession magazines, detective magazines. ... Each department took turns, one day a week, covering the switchboard...when the regular operator took her lunch break."[2]

[edit] Marvel Comics in the Silver Age

Flo Steinberg, with Stan Lee, Jack Kirby, and Sol Brodsky, starred in What If? #11 (Oct. 1978). Cover art by Kirby & Joe Sinnott.
Flo Steinberg, with Stan Lee, Jack Kirby, and Sol Brodsky, starred in What If? #11 (Oct. 1978). Cover art by Kirby & Joe Sinnott.

Marvel's only staffers at that time were Lee and Steinberg herself, the rest of the work handled freelance. De facto production manager Sol Brodsky "would come in and set up an extra little drawing board where he would do the paste-ups and mechanicals for the ads". She recalled that the "first real Bullpen" — the roomful of artists at drawing boards making corrections, preparing art for printing, and, as envisioned later within Marvel's letter pages and "Bullpen Bulletins", a mythologized clubhouse in which the likes of Lee, Jack Kirby, Steve Ditko, Don Heck and others would be found kibitzing — was created when Marvel moved downtown a few buildings from 655 Madison Avene to 635 Madison Avenue (with Magazine Management at 625, the formal address found in the comics' indicia). "Stan finally had his own office. There was a big space with windows where I was, and Sol Brodsky, now on staff, had his own desk".[3] Among the first Bullpen staffers, Steinberg recalled, were Marie Severin and Morrie Kuramoto, followed by John Verpoorten and Herb Trimpe.

The all-purpose Steinberg — given the sobriquet "Fabulous Flo", in the manner of many other Marvel Comics endearments — said that she "became so overwhelmed with the fan mail and the Merry Marvel Marching Society fan club that Stan started. There was just so much work! I need extra help and had gotten this wonderful letter from a college girl in Virginia by the name of Linda Fite. She came up and was hired to help me out, though she eventually went on to do writing and production work".[3]

Steinberg became exposed to the underground comix scene after meeting and becoming friends with Trina Robbins, who had come to the Marvel offices to interview Lee for the Los Angeles Free Press alternative newspaper. Through her, Steinberg became acquainted with contributors to the New York City alternative paper the East Village Other, and met such underground cartoonists as Kim Deitch, Art Spiegelman, and Spain Rodriguez.

Years later, a fictionalized Steinberg starred alongside Lee, Kirby, and Brodsky — all transformed into a Marvel Bullpen version of the Fantastic Four — in the alternate-reality comic What If Vol. 1, #11 (Oct. 1978). Written and drawn by Kirby, the odd tale featured Steinberg as the character then called the Invisible Girl.

Steinberg at the 2007 New York Comic-Con.
Steinberg at the 2007 New York Comic-Con.

[edit] Later career

Steinberg left Marvel in 1968. "I was just tired. The last years were so long because the fan mail was overwhelming. Bags of it would come in, and all the letters had to be acknowledged"[4]. The position itself, even after five years, was not particularly well-paid, as Marie Severin, recalling the day of Steinberg's going-away party, observed in 2002: "I think the stupidest thing Marvel ever did was not give her a raise when she asked for it because she would have been such an asset to have around later because she's so honest and decisive. ... I was thinking, 'What the hell is the problem with these people? She's a personality. She knows what she's doing. She handles the fans right. She's loyal to the company. Why the hell won't they give her a decent raise? Dummies.'"[5]

Steinberg went to work for the American Petroleum Industry, leaving when that trade group relocated to Washington, D.C.. She moved to San Francisco, California, in the early 1970s, and later to Oregon before returning to New York City to head the Captain Company, the mail-order division of the horror-comics magazine firm, Warren Publishing. She spoke at a 1974 New York Comic Art Convention panel on the role of women in comics, alongside Marie Severin, Jean Thomas (sometime-collaborator with husband Roy Thomas) and fan representative Irene Vartanoff [6]

In 1975, Steinberg published Big Apple Comix, a seminal, historically important link between underground comix and modern-day independent comics, with contributors including such mainstream talents as Neal Adams, Archie Goodwin, Denny O'Neil, Al Williamson, and Wally Wood.

In the 1990s, Steinberg returned to work for Marvel as a proofreader, succeeding the late Jack Abel.

[edit] Quotes

Artist Jim Mooney: "She was wonderful! You’d go to DC and it was a business-like thing and I’d come out of there and I’d feel, 'Oh, God, I need a drink'. [laughter] I’d go to Marvel and I’d come in and Flo would say, 'Hello, Jim! Oh, I’ll call Stan right away! Stan!!! Jim Mooney is here!!!' And I’d think, 'Oh my God, who am I? I’m a celebrity'. [laughter] She was great. It wasn’t just me, believe me, it was everybody and anybody, but I still felt, well, it was really just me".[7]

[edit] Audio

[edit] Footnotes

  1. ^ Flo Steinberg interview, Comic Book Artist #18 (April 2002), p. 9-B
  2. ^ Ibid., pp. 9-B to 10-B
  3. ^ a b Ibid., pp. 10-B
  4. ^ Ibid., pp. 18-B
  5. ^ Marie Severin interviewed about Flo Steinberg, Ibid., p. 25-B
  6. ^ Lovece, Frank. "Cons: New York 1974!", The Journal Summer Special, 1974 (fanzine published by Paul Kowtiuk, Maple Leaf Publications; editorial office then at Box 1286, Essex, Ontario, Canada N0R 1E0).
  7. ^ [http://www.adelaidecomicsandbooks.com/mooney.htm Adelaide Comics and Books: Jim Mooney interview

[edit] References

[edit] External link

[edit] Further reading

  • The Great Women Superheroes, by Trina Robbins (Kitchen Sink Press, 1996); index entries, pp. 129, 133.
  • Women and the Comics, by Trina Robbins and Catherine Yronwode (Eclipse Books, 1985); index entry, p. 104
  • Marvel: Five Fabulous Decades of the World's Greatest Comics, by Les Daniels (Harry Abrams, 1991); index entries, pp. 103-105, 107, 128.
  • "Jack Kirby Tribute", The Comics Journal #167 (April 1994), p. 1-19. Brief tributes by many comics professionals, including Steinberg
  • Letter-to-the-editor, Inside Comics #2 (Summer 1974)
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