Fighter in the Wind

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Fighter in the Wind
Poster for Fighter in the Wind
Directed by	Yang Yun-ho
Produced by	Jeon Ho-Jin
Written by	Yang Yun-ho
Starring	Yang Dong-geun Masaya Kato Aya Hirayama
Music by	Choi Man-shik
Cinematography	Shin Ok-hyeon
Editing by	Park Sun-deok
Distributed by	Big Blue Film
Release date(s)	August 12, 2004 (South Korea)
Running time	120 min.
Language	Korean
Budget	$6 million (est.)
IMDb profile

Fighter in the Wind (also known as "Baramui Fighter" or "Paramui Paita" in Korea) is a 2004 South Korean film. It is based on the Japanese comic book Karate Baka Ichidai which is a fictionalised account of karate competitor Choi Bae-dal who went to Japan after World War II to become a fighter pilot but found a very different path instead. He changed his name to Masutatsu Oyama (大山倍達) and went across the country, defeating martial artisits one after another. This film concentrates on the period when he is still young, and developing his famous karate style, Kyokushin.

[edit] Plot Summary

At the tail-end of World War 2, Choi Bae-dal is a young Korean man who longs to be able to fly fighter planes. Stowing away to Japan in order to join their air force, Bae-dal's first experience of the country is when a con-man tries to steal his money. Bae-dal discovers that the man is a fellow Korean called Chun-bae (Jeong Tae-woo), who has survived the harsh treatment of Koreans in Japan by turning to petty crime. With their different motives: Bae-dal driven by desire for action and Chun-bae needing to escape from some gangsters, the two Koreans stow away in a truck to the air force training camp.

The commander in charge of the camp is a pompous imperialist called Kato (Kato Masaya). Having mistreated the two Koreans, he is amused by Bae-dal's fighting spirit and says that if Bae-dal can beat him with his inferior "foreign" fighting style, he will release them. The two men fight with Kato easily defeating Bae-dal, but an American attack on the airforce base allows Bae-dal and Chun-bae to escape.

Later, Bae-dal is found helping Chun-bae to run a pachinko stall in a Japanese market place. When local gangsters try to take protection money from Chun-bae, Bae-dal tries to defend him but is beaten up and humiliated by the gangsters. His ordeal is ended by the intervantion of Bum-soo (Jung Doo-hong), a martial arts expert from his home town who had also emigrated to Japan. Bum-soo invites Bae-dal back to the circus where he, and many fellow Korean immigrants, work and where he is attempting to build a decent standard of living for his countrymen. After some persuasion, he agrees to teach Bae-dal some of his, more sophisticated, fighting style.

Meanwhile, Bae-dal has taken to working as a rickshaw driver, honing his fighting skills by defending Japanese women from the rapacious advances of American servicemen. His success at protecting the women makes him something of a local hero, although his real identity is not known. One of the women he protects is the beautiful Yoko (Aya Hirayama), with whom he strikes up a romantic relationship.

When Bum-soo is killed by local gangsters, the Koreans from the compound vow revenge and attack the Japanese gangs. The fight ends abruptly for Bae-dal when he is knocked unconscious by a blow to the head. Bae-dal, vowing to never again lose a fight, retreats to the mountains where, living in his karate gi, he trains day and night; running in the mountains, lifting tree trunks and using makeshift training equipment to harden his body and fighting spirit through austerity.

Returning from the mountains, Bae-dal takes a Japanese name: Masutatsu Oyama, and sets about challenging the best fighters Japan has to offer. Wearing his ragged karate gi and looking like a cave-man with his unkempt appearence, Oyama challenges the first dojo he passes. He defeats every fighter in the dojo - often with only a single strike.

As word of his notoriety spreads, Oyama's actions come to the attention of the head of the Japan Karate Association - the former airforce camp commander Kato. Kato is hugely offended that a foreigner would not only try to learn Japanese martial arts, but would consider himself worthy to beat Japanese fighters. Nevertheless, Oyama continues to defeat every fighter that Japan has to offer, including competitors in karate, judo, ninjutsu and kobudo, becoming a sensation in the Japanese media. Oyama explains to Yoko that, although he is scared of dieing, he is more scared of living as a cripple and this is why he is willing to sacrifice anything to win.

When Kato sends one of his followers to challenge and kill Oyama, the agent is instead killed by Oyama. Learning that the man he killed had a wife and family, Oyama feels a great deal of guilt for his actions and tracks down the family to apologise and offer to work for them to make up for killing the father of the household. Although initially angry and unaccepting of Oyama's offer, he eventually convinces them that he is a man of honour and not a violent thug.

Returning to the city, Oyama finds that Kato's martial arts association has threatened his own family and demanded a challenge between Kato and Oyama. Dressing in his weathered karate gi once again, Oyama treks out to the countryside location where Kato is wating for him. Easily defeating Kato's henchmen, Oyama then faces a final showdown with Kato himself. Although it is clear that Kato would like to see Oyama dead, Oyama shows mercy to Kato, defeating him in combat but not killing him.

[edit] Cast

• Yang Don-kun as Choi Bae-dal (AKA Masutatsu Oyama), the main character who becomes a master of karate (based on the real life karateka Masutatsu Oyama.
• Masaya Kato as Kato, the head of the Japanese Karate Association and, due to his xenophobia, enemy of Bae-dal.
• Aya Hirayama as Yoko, a young Japanese woman who is rescued by Bae-dal and falls for him.
• Jeong Tae-woo as Chun-bae, Bae-dal's friend, something of a scoundrel but a loyal friend.
• Jung Doo-hong as Bum-soo, a martial arts master from Bae-dal's home town who becomes a mentor to him.

[edit] Controversies

There are two main areas of criticism for this film.

• Firstly many claim that Fighter in the Wind is offensively Korean-nationalistic, treating the Japanese exclusively as villains and the Koreans as heroes.

• Secondly the story is not a true-to-life account of the real Masutatsu Oyama, preferring to take the comic book account as a starting point and create a stylized depiction of his early life.