Faten Hamama
From Wikipedia, the free encyclopedia
| Faten Hamama فاتن حمامة |
|
 Hamama in the classic 1965 film Al Haram |
|
| Birth name | Faten Ahmed Hamama |
| Born | May 27, 1931 (age 75) Al Mansurah, Egypt |
| Spouse(s) | Ezzel Dine Zulficar (1947 – 1954) Omar Sharif (1955 – 1974) Mohamed Abdel Wahab Mahmoud |
| Notable roles | Wafa' in 1952's Lahn al-Kholood Amal in 1954's Sira` Fi al-Wadi Hoda in 1955's Ayyamna al-Holwa Nadia in 1957's La Anam Amnah in 1959's Doaa al-Karawan Azizah in 1965's Al Haram Fawziyah in 1975's Oridu Hallan Aisha in 1988's Yawm Mur Yawm Hilw |
Faten Hamama (Arabic: فاتن حمامة, transliteration: Fāten Ḥamāmah, IPA: [fatɪn ħɛmamɛ̈̈]) (born 27 May 1931) is an Egyptian producer and an acclaimed actress of film, television, and theater.[1] She was highly regarded for her performances in a range of film genres, from melodramas to historical films and occasional comedies, though her greatest successes were romantic dramas. Noted for her willingness to play serious characters, she has also acted in some of the most controversial films in the history of Egyptian cinema.
Hamama made her screen debut in 1939, when she was only nine years old. Her earliest roles were minor, but her activity and gradual success helped in establishing herself as a distinguished Arabic actress. Eventually, and after many major successful performances, she was able to achieve stardom and was nicknamed "The Lady of the Arabic Screen" (سيدة الشاشة العربية, Sayyidat al-Shasha al-`Arabiya). Revered as an icon in Arabic cinema, she has substantially helped in improving the cinema industry in Egypt and emphasizing the importance of women in cinema and the Arabic society.[2]
After a seven-year hiatus from acting, Hamama returned in 2000 in what was a much anticipated television miniseries, Wajh al-Qamar (وجه القمر, Face of the Moon). She has not acted since then but is expected to return in a new miniseries in Ramadan of 2007.
In 2000, Hamama was chosen as Star of the Century by the Egyptian Writers and Critics organization. In 2007, eight of the films she starred in were included in the top 100 films in the history of Egyptian cinema by the cinema committee of the Supreme Council of Culture in Cairo.[3]
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[edit] Early life and career
Faten Hamama was born to a Muslim lower middle class family in Al Mansurah, Egypt (according to her birth certificate), but she claims she was born in Cairo, in the Abdeen quarter.[4] Her father, Ahmed Hamama, worked as an employer in the Egyptian Ministry of Education and her mother was a housewife. She has an older brother, Muneer, a younger sister, Layla, and a younger brother, Mazhar.[5] Her aspiration for acting arose at an early age. Hamama says she was influenced by Assia Dagher as a child. When she was six years old, her father took her to the theater to see a Assia Dagher film; when the audience clapped for Assia, she told her father she felt they were clapping for her.[4]
When she won a children's beauty pageant in Egypt, her father sent her picture to the director Mohammed Karim who was looking for a young female child to play the role of a small girl with the famous actor and musician Mohamed Abdel Wahab in the film Yawm Said (يوم سعيد, Happy Day, 1939). After an audition, Abdel Wahab decided she was the one he was looking for. After her role in the film, people called her "Egypt's own Shirley Temple".[6][7] The director liked her acting and was impressed with her so much that he signed a contract with her father. Four years later, she was chosen by Kareem for another role with Abdel Wahab in the film Rossassa Fel Qalb (رصاصة في القلب, Bullet in the Heart, 1944) and in another film two years later, Dunya (دنيا, Universe, 1946). After her success, Hamama moved with her parents to Cairo and started her study in the High Institute of Acting in 1946.[8]
[edit] Career
Youssef Wahbi, a famous Egyptian director and actor, realized the young actress's talent so he offered her a lead role in the 1946 film Malak al-Rahma (ملاك الرحمة, Angel of Mercy). The film attracted widespread media attention, and Hamama, who was only 15 at the time, became famous for her melodramatic role. In 1949, Hamama had roles in 3 films with Wahbi. Kursi Al-I'etraf (كرسي الاعتراف, Chair of Confession), Al-Yateematain (اليتيمتين, The Two Orphans), and Sït Al-Bayt (ست البيت, Lady of the House) were all successful films.[9]
The 1950s were the beginning of the golden age of the Egyptian cinema industry and Hamama was a big part of it.[9] In 1952 she starred in the film Lak Yawm Ya Zalem (لك يوم يا ظالم, Your Day will Come) which was nominated in the Cannes Film Festival for the Prix International award. She also played lead roles in Yousef Shaheen's Baba Ameen (بابا أمين, Ameen, my Father, 1950) and Sira' Fi Al-Wadi (صراع في الوادي, Struggle in the Valley, 1954) which was a strong nominee in the 1954 Cannes Film Festival for the Prix International award. Hamama is also known for playing the lead role in the first Arabic mystery film Manzel Raqam 13 (منزل رقم 13, House Number 13). In 1963, she received an award for her role in the political film La Waqt Lel Hob (لا وقت للحب, No Time for Love).[10] Hamama was also able to make it to Hollywood; in 1963 she had a role in the crime film, Cairo.[11]
In 1947, Hamama married the actor and director Ezzel Dine Zulficar while filming the Abu Zayd al-Hilali (أبو زيد الهلالي) film. They started a production company which produced the film Maw'ed Ma' Al-Hayat (موعد مع الحياة, Date with Life) in which she starred. This particular film earned her the title of the "lady of the Arabic screen". She divorced al-Faqqar in 1954 and a year later, she married the famous actor Omar Sharif. In spite of that, Hamama still acted in films of his direction.[5]
In a Youssef Chahine film, Struggle in the Valley, Hamama refused to have the Egyptian actor Shukry Sarhan as a co-star, and Chahine offered Omar Sharif the role. Omar had just graduated from college then and was working with his father; Hamama accepted him as her co-star. Hamama had never accepted to act any scene involving a kiss in her career, but she shockingly accepted to do so in this film. The two fell in love and Omar Sharif converted to Islam and married her.[12] This marriage started a new era of Hamama's career as the couple did many of their films together.[9] Sharif and Hamama were the romantic leads of Ayyamna Al-Holwa (أيامنا الحلوة, Our Sweet Days), Ardh Al-Salam (أرض السلام, Land of Peace), La Anam (لا أنام, Sleepless), and Sayyidat Al-Qasr (سيدة القصر, The Lady of the Palace). Their last film together, before their divorce, was Nahr Al-Hob (نهر الحب, The River of Love) in 1960.[13]
[edit] Controversy in the late 1960s
Hamama left Egypt from 1966 to 1971 because she was being continuously disturbed by the Egyptian intelligence. She was a strong supporter of the 1952 Revolution and an opposer to the regime in Egypt.[4] She said they were "asking her to cooperate" but she apologized and refused to. As a consequence she was forbidden to travel or participate in festivals. She was only able to leave Egypt after many controversial disputes. She lived in Beirut and London during this period.
While she was away, then president Gamal Abdel Nasser asked famous writers, journalists and friends to try to convince her to return to Egypt. He called her a "national treasure"[14] and had even awarded her an honorary decoration in 1965. Hamama didn't return until 1971 but Abdel Nasser had passed away. When she returned, she played critical roles with messages of democracy. She often criticized the rules in Egypt in her films. In the 1972 film Imbarotiriyat Meem (إمبراطورية ميم, M Empire), Hamama presented a prodemocratic point of view and received an award from the Soviet Union of Women in the Moscow International Festival. Her most significant film was Oridu Hallan (أريد حلاً, I Need a Solution). In this film, she criticized the rules of marriage and divorce in Egypt.[15] After the film, the Egyptian government abrogated a law that forbid wives from divorcing their husbands, therefore allowing khul'.[16][17]
[edit] Late career
As Hamama became older, her acting roles declined and she made few films, compared to her activity earlier in her career, but nevertheless, her films were successful.[18] She also made her first TV appearances in her late career. She starred in the TV mini-series Dameer Ablah Hikmat (ضمير أبلة حكمت, Miss Hikmat's Conscience) and was quite successful as her first TV performance.[19]
After 1993, Hamama's career suddenly came to a halt. It was not until the year 2000 that she returned in the successful TV mini-series Wajh ِِal-Qamar which was broadcasted on 23 TV channels in the Middle East. In the mini-series, Hamama portrayed and criticized many problems in the Egyptian and Arabic society.[20] Despite some criticisms, the mini-series received a lot of praise and acclaims. Hamama was awarded the Egyptian Best TV Actor of the year and the mini-series won the Best TV Series award in the Egyptian Radio and Television Festival.[21] Hamama entered history as the highest paid actress in an Arabic TV mini-series until 2006.[22] Rumors have been circulating that Hamama will return in a new TV mini-series called Wazeera 'ala al-Ma'ash (وزيرة على المعاش, Minister on the Paycheck) in 2007, probably in Ramadan.[23]
[edit] Accomplishments in Egyptian cinema
When Hamama started her acting career women were commonly displayed in Egyptian films as unrealistic and bourgeois, spending most of their time chasing (or being chased by) men. It was also customary for an actress to be shown as a sex object. In the beginnings of Egyptian cinema, the casting of female characters was limited to famous singers, dancers or stage actresses. But Faten Hamama was neither a singer nor a dancer, and with not much an experience on stage. In spite of that she was able to magnetize film directors and producers as well as her audiences, which is why she was successful in a lot of her films.
Before the 1950s, Hamama had leading roles in 30 films, in which she often played the role of a weak, sympathetic, poor girl, but that changed after this period. After the 1950s Hamama was in search of her real identity and was trying to establish herself as a distinct figure. During this period, her choice of material and roles was somehow limited. Film producers saw in Faten Hamama a true gold mine, and they went on responding to the demands of audiences in local and Arab markets. She played roles of realistic, strong women, such as in Sira' Fi Al-Wadi (صراع في الوادي, Struggle in the Valley, 1954) where Hamama played the role of a daughter of a rich man who was, contradicting stereotypes, a very realistic woman which helped the poor and supported them. In the 1952 film Miss Fatimah (الأستاذة فاطمة), Hamama played the role of a student at the Faculty of Law who believed women were as important as men in the society.[24] In Imbarotiriyat Meem she played the role of a widow that had to take care of her family and bear life's hardships.[19] These films helped in the portrayal of Egyptian women's problems in a society that confronted modernity. Her most influential film was Oridu Hallan (I Need a Solution) which defied the laws of marriage and divorce in Egypt.[15][17] A law in Egypt that forbid Khul' — a divorce initiated by women, was annulled immediately.[16]
Most critics agree that Hamama's most intricate role was in the 1959 film Dua'e Al-Karawan (دعاء الكروان), which was chosen as one of the best Egyptian film productions and was based on a novel written by the prominent Arabic writer Taha Hussein. In this film, Hamama played the role of Amnah, a woman that seeks revenge from her uncle who had humiliated her family and killed her sister.[25] After this film, Hamama carefully picked her roles. In 1960, she starred in the film Nahr Hob (نهر حب, Love River) which was based on Leo Tolstoy's well known novel Anna Karenina and in 1961 she played the lead role in the film La Tutf'e Al-Shams (لا تطفئ الشمس, Don't Turn Off the Sun) based on a novel by Ihsan Abd Al-Qoddoos.
[edit] Personal life
Hamama lived most of her life in Egypt, she was forced to live in London and Lebanon for part of her life due to some problems in the late 1960s in Egypt. She had always admired the director Ezzel Dine Zulficar, and while filming the Abu Zayd al-Hilali film in 1947, which he directed, the two fell in love and married each other. The couple had a daughter, Nadia Zulficar. Their marriage would only last for seven years, as the couple divorced in 1954. Faten said her love to Zulficar was little more than a student's admiration and love to his teacher.[4] The two remained friends, and Hamama even acted in his films after the divorce.
In 1954, Hamama chose now renowned actor, Omar Sharif, to co-star with her in a film. She shockingly accepted to act a romantic scene where the two should kiss. The two actually fell in love and Omar Sharif converted to Islam and married her. The couple did many of their films together, often displaying their relationship romantically. They had a son together, Tarek Sharif. After almost 20 years, their marriage came to an end. The couple divorced in 1974.[4]
Hamama later met Dr. Mohamed Abdel Wahab Mahmoud, a successful doctor in Egypt, and married him.[26] Hamama learned a lesson from her previous marriages. She decided not to make her personal life public, so she rarely appeared with him publicly or mentioned him in her interviews. She currently resides with him in Cairo.
[edit] Awards and honors
[edit] Awards won
Throughout Hamama's career, she has won many awards for her acting roles:[27]
- First Prize of Acting in Beirut for Irham Dmoo'i (Have Mercy) (1954)
- Prize of Acting from the Egyptian Ministry of Guidance for her role in Irham Dmoo'i (1955)
- Prizes of Acting from the Egyptian Catholic Center for Cinema for her role in Al-Tareeq al-Masdood (The Barred Road) and Hatta Naltaqi (Until We Meet) (1958)
- Prize of Acting from the Egyptian Ministry of Guidance for her role in Doaa al-Karawan (The Nightingale's Prayer) (1961)
- First Prize of Acting from the National State Award for the film Al Leila Al Akhira (The Last Night) (1965)
- Special Award for her role in the film Al-Kheit al-Rafee (The Thin Thread) in the first Tehran International Film Festival (1972)
- Special Award from the Soviet Union of Women for the film Empire M in the Moscow International Film Festival (1973)
- A Diploma of Honor and the Diploma of Recognition for her role and the idea for Oridu Hallan (I Need a Solution) in the third Tehran International Film Festival (1974)
- The Organization of Film Critics and Writers' Prize of Recognition for her role in Oridu Hallan (1975)
- The Prize of Excellence in the Festival of Egyptian Films for her role in Oridu Hallan (1976)
- Best Actress Award from the Tehran International Film festival for her role in Afwah Wa Araneb (Mouths and Rabbits) (1977)
- Golden Nefertiti Award from the Second Cairo International Film Festival for her role in Afwah Wa Araneb (1977)
- Lebanese Golden Order of Merit for her role in the film Leilet Al Qabd Ala Fatma (The Night of Fatma's Arrest) (1984)
- Prize of Recognition and Life Achievement Award from the Organization of Cinematic Art for her role in the film Leilet Al Qabd Ala Fatma (1984)
- Best Actress Award in the Carthage International Film Festival in Tunisia for her role in Yawm Mur Yawm Hilw (Bitter Days.. Nice Days) (1988)
- Best Artistic Achievement Award in the Cairo International Festival (1991)
- Lifetime Achievement Award in the Montpelier Mediterranean Film Festival (1993)
- Best Actress award in the Cairo International Festival for her contributions to the Egyptian Cinema where 18 of her films were selected amongst the best 150 films ever made until 1996 during the celebration of a 100 years of cinema (1996)
- Award from The Radio and Television Festival for her role in Wajh al-Qamar (2001)
[edit] Honors
Hamama was also honored on several occasions:[28]
- Decoration of Creativity of first degree from the Lebanese prime minister Prince Khaled Shehab (1953)
- Decoration of Republic of first degree for Art from president Gamal Abdel Nasser (1965)
- Decoration of State of the first order from President Mohamed Anwar Sadat during first Art festival (1976)
- Honorary award from the Egyptian National Festival for Cinema for her long distinguished cinematic career (1995)
- PhD from the American University in Cairo (1999)
- Lifetime achievement award as the Star of the Century in Egyptian cinema at the Alexandria International Film Festival (2001)
- Decoration of "Al-Arz" (Lebanese Cedar) from Lebanese President Émile Lahoud (2001)
- Decoration of Competence and Creation from King Mohamed El Hassan the Sixth of Morocco (2001)
[edit] Selected filmography
| Year | International Title | Arabic Title | Role |
|---|---|---|---|
| 1939 | Happy Day | Yawm Said, يوم سعيد | Aneesa |
| 1944 | Bullet in the Heart | Rossassa Fel Qalb, رصاصة في القلب | Najwah |
| 1946 | Angel of Mercy | Malak al-Rahma, ملاك الرحمة | Thoraya |
| 1947 | Abu Zayd al-Hilali | Abu Zayd al-Hilali, أبو زيد الهلالي | Caliph's daughter |
| 1948 | The Small Millionaire | Al-Millionairah al-Saghirah, المليونيرة الصغيرة | Pilot's girlfriend |
| Immortality | Khulood, خلود | Laila / Amal | |
| The Two Orphans | Al-Yateematain, اليتيمتين | Ne`mat | |
| Towards Glory | Nahwa al-Majd, نحو المجد | Suhair | |
| 1949 | Chair of Confession | Kursi al-I`tiraf, كرسي الاعتراف | Phileberta |
| Lady of the House | Sitt al-Bayt, ست البيت | Elham | |
| Every House Has a Man | Kul Bayt Lahu Rajel, كلّ بيت له راجل | Faten | |
| 1951 | Son of the Nile | Ibn al-Nile, ابن النيل | Zebaida |
| Your Day Will Come | Lak Yawm Ya Zalem, لك يوم يا ظالم | Ne`mat | |
| I'm The Past | Ana al-Madi, أنا الماضي | Elham's daughter | |
| 1952 | House Number 13 | Al-Manzel Raqam 13, المنزل رقم 13 | Nadia |
| Immortal Song | Lahn al-Kholood, لحن الخلود | Wafa' | |
| Miss Fatimah | Al-Ustazah Fatimah, الأستاذة فاطمة | Fatimah | |
| 1953 | A`isha | A`isha, عائشة | A'isha |
| Date with Life | Maw`ed Ma` al-Hayat, موعد مع الحياة | Amal | |
| 1954 | Pity My Tears | Irham Dmoo`i, ارحم دموعي | Amal |
| Traces in the Sand | Athar Fi al-Rimal, أثار في الرمال | Ragia | |
| The Unjust Angel | Al-Malak al-Zalem, الملاك الظالم | Nadia | |
| Always with You | Dayman Ma`ak, دائما معاك | Tefeeda | |
| Date with Happiness | Maw`ed Ma` al-Sa`adah, موعد مع السعادة | Ehsan / Amal | |
| Struggle in the Valley | Sira` Fi al-Wadi, صراع في الوادي | Amal | |
| 1955 | Our Beautiful Days | Ayyamna al-Holwa, أيامنا الحلوة | Hoda |
| Love and Tears | Hob Wa Dumoo`', حب و دموع | Fatimah | |
| 1956 | Love Date | Maw`ed Gharam, موعد غرام | Nawal |
| Struggle in the Pier | Sira` Fi al-Mina, صراع في الميناء | Hameedah | |
| 1957 | Road of Hope | Tareeq al-Amal, طريق الأمل | Faten |
| Land of Peace | Ard al-Salam, أرض السلام | Salma | |
| Sleepless | La Anam, لا أنام | Nadia Lotfy | |
| 1958 | The Barred Road | Al-Tareeq al-Masdood, الطريق المسدود | Fayza |
| The Virgin Wife | Al-Zawjah al-Azra', الزوجة العذراء | Mona | |
| Lady of the Castle | Sayyidat al-Qasr, سيدة القصر | Sawsan | |
| 1959 | Among the Ruins | Bayn al-Atlal, بين الأطلال | Mona |
| The Nightingale's Prayer | Doaa al-Karawan, دعاء الكروان | Amnah | |
| 1960 | River of Love | Nahr al-Hob, نهر الحب | Nawal |
| 1961 | I Will Not Confess | Lan A`tref, لن أعترف | Amal |
| Don't Set the Sun Off | La Tutf'e al-Shams, لا تطفئ الشمس | Layla | |
| 1962 | The Miracle | Al-Mu`jiza, المعجزة | Layla |
| 1963 | Cairo (USA)[29] | Cairo | Amina |
| No Time For Love | La Waqt Lil Hob, لا وقت للحُب | Fawziyah | |
| The Open Door | Al-Bab al-Maftooh, الباب المفتوح | Laila | |
| The Last Night | Al-Laylah al-Akheera, الليلة الأخيرة | Nadia / Fawziyah | |
| 1965 | The Sin | Al-Haram, الحرام | Azizah |
| Story of a Lifetime | Hikayet al-`Omr Kolloh, حكاية العمر كلّه | Nadia | |
| The Confession | Al-`Itriaf, الاعتراف | Nawal | |
| 1966 | Something in My Life | Shai' Fi Hayati, شيء في حياتي | A'ida |
| 1970 | The Great Love | Al-Hob al-Kabeer, الحب الكبير | Hanan |
| 1971 | Thin Thread | Al-Khayt al-Rfee, الخيط الرفيع | Mona |
| 1972 | M Empire | Imbratoriyat Meem, امبراطورية ميم | Mona |
| 1974 | My Love | Habibati, حبيبتي | Samia |
| I Need a Solution | Oridu Hallan, أريدُ حلاً | Fawziyah | |
| 1977 | Mouths and Rabbits | Afwah wa Araneb, أفواه و أرانب | Ne'mat |
| 1979 | Ladies Should Not Offer Condolences | Wa La `Aza'a Lil Sayyidat, ولا عزاء للسيدات | Rawya |
| 1985 | The Night of Fatima's Arrest | Laylat al-Qabd `Ala Fatimah, ليلة القبض على فاطمة | Fatimah |
| 1988 | Sweet Days.. Bitter Days | Yawm Mur Yawm Hilw, يوم مر.. يوم حلو | Aisha |
| 1993 | Land of Dreams | Ard al-Ahlam, أرض الأحلام | Nargis |
[edit] Television
| Year | Title | Arabic | Role |
|---|---|---|---|
| 1991 | Miss Hikmat's Conscience (mini-series) | Dameer Ablah Hikmat, ضمير أبلة حكمت | Hikmat |
| 2000 | Face of the Moon (mini-series) | Wajh al-Qamar, وجه القمر | Ibtisam al-Bostany |
| 2007 | A Retired Minister (TBA) | Wazeerah 'ala al-Ma'ash, وزيرة على المعاش |
[edit] Notes and references
- ^ Filmography. IMDb. Retrieved on November 23, 2006.
- ^ Abd al Min'em, Ghada. Hamama, a revolution! (Arabic). Palestinian Cinema Group. Retrieved on November 20, 2006.
- ^ Farid, Samir. Top 100. Al-Ahram weekly online. Retrieved on March 31, 2007.
- ^ a b c d e Fouad, Khalid. Hamama interview (Arabic). Al-Jazirah news. Retrieved on November 12, 2006.
- ^ a b Hamama's biography. IMDb. Retrieved on November 12, 2006.
- ^ Yom Said. IMDb. Retrieved on November 21, 2006.
- ^ Karim, Mohammed. Hamama, Egypt's own Shirley Temple. Official site (M. Karim's notes). Retrieved on November 21, 2006.
- ^ Faten Hamama's biography. Egypt State Information Service. Retrieved on November 20, 2006.
- ^ a b c Darwish (1998) pp. 30-31
- ^ Al-Khodari, Khalid. Hamama receives award (Arabic). Alalam. Retrieved on November 12, 2006.
- ^ Mannikka, Eleanor. Cairo. New York Times. Retrieved on November 21, 2006.
- ^ Omar Sharif. Encarta. Retrieved on November 20, 2006.
- ^ Omar Sharif's filmography. IMDb. Retrieved on November 20, 2006.
- ^ Gamal wants "national treasure" back. Biography by Al-Husseini. Retrieved on November 13, 2006.
- ^ a b Fountain, Clarke. Orid Hallan. New York Times. Retrieved on November 24, 2006.
- ^ a b El-Assyouti, Mohamed. Orid Hallan. Al-Ahram. Retrieved on November 23, 2006.
- ^ a b Orid Hallan. Official site. Retrieved on November 23, 2006.
- ^ Mannikka, Eleanor. Leilet al Qabd ala Fatma. New York Times. Retrieved on November 24, 2006.
- ^ a b El Sirgany, Sarah. M Empire movie. Carnival Arabia. Retrieved on November 24, 2006.
- ^ Wajh al-Qamar details. Cairo Live. Retrieved on November 24, 2006.
- ^ Al-Shanduweily, Ayman. Wajh al-Qamar and Hamama receive awards (Arabic). Suhuf news. Retrieved on November 12, 2006.
- ^ 2006 breaks wages' records (Arabic). Al Arabiya. Retrieved on November 30, 2006.
- ^ Wazeera 'ala al-Ma'ash (Arabic). Maktoob. Retrieved on November 30, 2006.
- ^ Miss Fatima movie. Arab Celebs. Retrieved on November 24, 2006.
- ^ Nightinagale's Prayer movie. Official site. Retrieved on November 24, 2006.
- ^ Faten Hamama's biography. MSN Arabia Entertainment. Retrieved on November 24, 2006.
- ^ Hamama's awards. Official site. Retrieved on November 15, 2006.
- ^ Hamama's honors. Official site. Retrieved on November 15, 2006.
- ^ Cairo. IMDb. Retrieved on November 21, 2006.
[edit] Published sources
- Ayoub-Geday, Paul (2002). Egypt Almanac 2002-2003: The Encyclopedia of Modern Egypt. American University in Cairo Press. ISBN 977-5893-02-X.
- Darwish, Mustafa (1998). Dream Makers on the Nile: A Portrait of Egyptian Cinema. Columbia University Press. ISBN 977-424-429-X.
- Farid, Samir (1995). Faten Hamama. Egyptian Cultural Development Fund. ISBN 977-235-329-6.
- Karnouk, Liliane [2003] (June 2005). Modern Egyptian Art:1910-2003. American University in Cairo Press. ISBN 977-424-859-7.
[edit] Other sources
- El Abnoudi, Abdel Rahman (2001). The Star of all Stars. Retrieved on November 17, 2006.
- El Sabban, Rafik (2001). Faten... The Legend. Retrieved on November 17, 2006.
- El Shenawy, Tarek (2001). The Star Of the Century. Retrieved on November 17, 2006.
- Ma'ati, Yousef (2000). Voice of the Moon. Retrieved on November 17, 2006.
- Wahba, Saad El Din (1995). Faten Hamama ... A National Wealth!. Retrieved on November 17, 2006.
[edit] External links
| Persondata | |
|---|---|
| NAME | Hamama, Faten |
| ALTERNATIVE NAMES | |
| SHORT DESCRIPTION | Film and Television actress |
| DATE OF BIRTH | 27 May 1931 |
| PLACE OF BIRTH | Al Mansurah, Egypt |
| DATE OF DEATH | |
| PLACE OF DEATH | |
