False hero

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The false hero is a stock character in fairy tales, and sometimes also in ballads. The character appears near the end of a story in order to claim to be the hero or heroine and is, therefore, always of the same sex as the hero or heroine. The false hero presents some claim to the position. By testing, it is revealed that the claims are false, and the hero's true. The false hero is usually punished, and the true hero put in his place.[1]

Cinderella is tested to distinguish her from her stepsisters, the false heroes
Cinderella is tested to distinguish her from her stepsisters, the false heroes

Vladimir Propp identified it as one of the eight roles he found in an analysis of Russian folktales, but the figure is widely found in many nations' tales.[2]

In some tales, the false hero appears early, and constitutes the main obstacle to the hero. These include The Goose Girl where a serving maid takes the princess's place, and makes her a goose girl, The White and the Black Bride where the stepmother pushes the bride into the river and puts her own daughter in her place, and The Lord of Lorn and the False Steward, where the steward robs the young lord of Lorn and passes himself off as him, with the true lord serving a shepherd.

In most of the tales that use this figure, the false hero is the final obstacle to the hero's happiness. Such false heroes include Cinderella's stepsisters, who chop off parts of their feet to fit the shoe, but are given away by the blood;[3] the washerwoman's daughter in Black Bull of Norroway, whose mother lies about who washed the blood out of the hero's shirt, but whose lies are given away when the heroine bribes her way to the hero; the king's marshall in The Two Brothers, who chops off the dragon's seven heads, but only after the huntsman hero has cut out the dragon's tongues, so that when the heads are displayed, the huntsman can observe that their tongues are missing (a common motif when a false hero claims to have killed a monster)[4]; and the older brothers in The Golden Bird, who try to kill their younger brother and do steal his prizes, but when the youngest survives, those prizes recognize him as the true hero.

Other tales have characters take the hero or heroine's place without claiming to be the original. This may stem from an enchantment where the hero or heroine has broken the conditions of, as in East of the Sun and West of the Moon, or because the lover has been enchanted into forgetting the hero or heroine, as in The Master Maid, or merely from the belief that the true hero or heroine is dead or lost, as in Maid Maleen.

In many such tales with "true brides" and "false brides", such as East of the Sun and West of the Moon, the true bride must bribe her way to the hero for three nights, where the false bride is holding him captive; the first two nights, the false bride drugs the hero, but her pleas are heard by someone else, who warns him.[5] Another test is which bride can carry out a domestic task to perfection; this, also, is found in East of the Sun and West of the Moon, where the heroine can wash the shirt that neither the false bride nor her mother can.[6]

[edit] Tales with false heroines

[edit] Tales with false heroes

[edit] References

  1. ^ Maria Tatar, The Hard Facts of the Grimms' Fairy Tales, p93, ISBN 0-691-06722-8
  2. ^ Vladimir Propp, Morphology of the Folktale, p60, ISBN 0-292-78376-0
  3. ^ Maria Tatar, The Annotated Brothers Grimm, p 126 ISBN 0-393-05848-4
  4. ^ Max Lüthi, Once Upon A Time: On the Nature of Fairy Tales, p 54, Frederick Ungar Publishing Co., New York, 1970
  5. ^ Maria Tatar, p 198, The Annotated Classic Fairy Tales, ISBN 0-393-05163-3
  6. ^ Maria Tatar, p 199, The Annotated Classic Fairy Tales, ISBN 0-393-05163-3
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