Ernest Gimson

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Ernest Gimson
Personal Information
Name Ernest Gimson
Nationality British
Birth date 1864
Birth place Leicester, England
Date of death 1919
Place of death Sapperton, England
Work
Significant Buildings
Significant Projects

Ernest Gimson (1864 - 1919) was an English furniture designer and architect. Gimson was described by the art critic Nikolaus Pevsner as "the greatest of the English architect-designers". Today his reputation is securely established as one of the most influential designers of the English Arts and Crafts movement in the late nineteenth and early twentieth centuries.

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[edit] Early career

Ernest Gimson was born in Leicester, in the East Midlands of England, in 1864, the son of Josiah Gimson, engineer. Aged 20, he was inspired to become an architect, when he attended a lecture there by the leader of the Arts and Crafts revival in Victorian England, William Morris.

Morris recommended him to the architectural practice of John Dando Sedding in London. From Sedding, Gimson derived his interest in craft techniques, the stress on textures and surfaces, naturalistic detail of flowers, leaves and animals, always drawn from life, the close involvement of the architect in the simple processes of building and in the supervision of a team of craftsmen employed direct. He met Ernest Barnsley at Sedding’s studio, and soon learnt the crafts of traditional chairmaking and plasterwork.

In 1889 he joined Morris’s Society for the Protection of Ancient Buildings (SPAB). In 1890, he was a founder member of the short-lived furniture company, Kenton and Co., with Sidney Barnsley, Alfred Powell, W.R. Lethaby, Mervyn Macartney, Col. Mallet and Reginald Blomfield. Here they acted as designers rather than craftsmen and explored inventive ways of articulating traditional crafts, “the common facts of traditional building”, as Philip Webb, “their particular prophet”, had taught.

[edit] Sapperton, Gloucestershire

Gimson and the Barnsley brothers moved to the rural region of the Cotswolds in Gloucestershire in 1893 “to live near to nature”. In 1900, he set up a small furniture workshop in Cirencester, moving to larger workshops at Daneway House, a small medieval manor house at Sapperton, in 1902, where he stayed until his death in 1919. He strove to invigorate the village community and, encouraged by his success, planned to found a Utopian craft village. He concentrated on designing furniture, made by craftsmen, under his chief cabinet-maker, Peter van der Waals.

His architectural commissions include a number of early works in and around Leicester, such as Inglewood (1892), The White House (1898), Lea and Stoneywell Cottages (and others) at Markfield (1897/8); his own cottage, The Leasowes, at Sapperton (1903, with a thatched roof, since burnt); Bedales School memorial hall and library; alterations to Pinbury Park (with plasterwork) and Waterlane House (1908), both in Gloucestershire; cottages and the village hall (completed under Norman Jewson in 1933) at Kelmscott; a cob (rammed earth) house, Coxen, at Budleigh Salterton, Devon; and the window for Whaplade Church, Lincolnshire.

[edit] Legacy

His architectural style is “solid and lasting as the pyramids… yet gracious and homelike” (H. Wilson, 1899). Lethaby described him as an idealist individualist: “Work not words, things not designs, life not rewards were his aims.” Norman Jewson was his foremost student, who carried his design principles into the next generation and described his studio practices in his classic memoir By Chance I did Rove (1951).

Today his furniture and craft work is regarded as a supreme achievement of its period and is well represented in the principal collections of the decorative arts in Britain and the United States of America. Specialist collections of his work may be seen in England at the Leicester Museum and Art Gallery, and in Gloucestershire at the Cheltenham Museum and Art Gallery, Rodmarton Manor and Owlpen Manor.

[edit] Sources

  • Alfred Powell, Ernest Gimson, his life and work (1919)
  • Norman Jewson, By Chance I did Rove (Cirencester, 1951 (reprinted))

[edit] External links