Emory Remington
From Wikipedia, the free encyclopedia
Emory B. Remington (1891-1971) was a trombonist and music teacher. His unique method made him one of the most well-known and influential trombone educators in history. He was a member of the Rochester Philharmonic Orchestra from 1923 to 1949, and on the faculty of the Eastman School of Music in Rochester, NY from 1922 until his death in 1971.
Contents |
[edit] Early life
Born in Rochester, New York on December 22, 1891, Emory Remington began his musical studes in the Boys' Choir of an Episcopal Church. His Father, Fred Remington, a brass instructor who played cornet and trumpet, presented young Emory with a trombone at the age of 14. By the age of 17 he was a member (and regular soloist) with the Rochester Park Band.
In 1917 Remington joined the United States Navy and was assigned to the orchestra at a training station near Chicago. One of his bunkmates in the Navy orchestra was comedian/violinist Jack Benny.
[edit] Professional career
Upon returning from the Navy, Remington joined the Eastman Theater Orchestra in Rochester, also becoming a faculty member at the Eastman School of Music in 1922. He would remain on faculty there for the rest of his life. As a trombone teacher he was affectionately known to his students as "The Chief". He developed a system of legato warm-up exercises (now immortalized by Donald Hunsberger in his book, The Remington Warm-Up Studies (ISBN 0-918194-10-5) which have had major influences on trombone practicing up to the present time.
Remington was fond of singing, and during his lessons he would sing along with the student's trombone sound. He also encouraged his students to look for music to play that was outside of the common literature for trombone, especially music which would improve the singing characteristics of their trombone playing. His emphasis, whether in warm-up or in practice, was on relaxation and playing in a "conversational" and "singing" manner. This was quite different from the more traditional trombone methods of the time which focused on more marcato and regimented technical studies such as the Arban Method.
Another of Remington's contributions was the Eastman Trombone Choir. A large ensemble of trombonists would gather to play music written for multiple trombones or transcribed from other sources, such as the chorales of Johann Sebastian Bach. Separating the different musical parts (i.e. SATB: soprano, alto, tenor, bass) into sections of trombonists, and transposing the music into the proper registers for the trombone.
Selected sections from his method include exercises designed around sustained long tones, security in the high register, legato tonguing, flexibility or "lip-slurs", and "pattern scales" (which would create a trombonist equally adept in all the keys).
Remington taught at the Eastman School for 49 years, teaching countless students, some of whom rank among the finest trombonists in history. He died on December 10, 1971. On October 20, 1979, Room 902 at the Eastman School of Music was formally named the Emory B. Remington Rehearsal Room.
[edit] Remington's Effects
- Trombonists who studied with Emory Remington
- Larry Campbell - United States Coast Guard Band (Ret.) and Louisiana State University (Ret.)
- James DeSano - Cleveland Orchestra
- Ralph Sauer - Los Angeles Philharmonic, Toronto Symphony
- Edwin Anderson - Cleveland Orchestra
- Robert Gray - University of Illinois
- Charles Baker - New Jersey Symphony Orchestra
- Gordon Cherry - Vancouver Symphony Orchestra, National Arts Center Orchestra
- Gregory Cox - Vancouver Symphony Orchestra, North Carolina Symphony, Eastern Music Festival
- Gordon Pulis - New York Philharmonic, Toronto Symphony, Metropolitan Opera Orchestra
- Donald Knaub - Rochester Philharmonic
- Dr. Irvin Wagner - Oklahoma City Philharmonic, University of Oklahoma
- Dr. Richard Fote - Crane School of Music of SUNY Potsdam, State College Fredonia New York, Erie Symphony PA
- Byron McCulloh - Pittsburgh Symphony
- George Osborn - Rochester Philharmonic
- Bill Harris - Syracuse Symphony
- Fred Boyd - Syracuse Symphony
- Doug Courtright - Syracuse Symphony
- Art Linsner - Chicago Freelance bass trombonist
- Tony Dechario - Rochester Philharmonic
- Dave Richey - Rochester Philharmonic
- Raymond Premru - Philharmonia Orchestra (London), Oberlin Conservatory
- Harold Steiman - Pittsburgh Symphony
- Bernie Pressler - Ball State University
- Hal Janks - Metropolitan Opera Orchestra
- Richard Myers - Buffalo Philharmonic
- Dennis Good - Nashville Symphony Orchestra
- Dr. Russ Schultz - Central Washington University, Lamar State University
- Lewis Van Haney - New York Philharmonic, Indiana University
- Elwood Williams - San Francisco Ballet
- Bill Reichenbach - Los Angeles studio trombonist
- Robert Boyd - Cleveland Orchestra
- Dr. Donald Hunsberger - Eastman Wind Ensemble Music Director
- David Fetter - Baltimore Symphony, Clevedland Orchestra, Peabody Conservatory
- Jim Pugh - New York recording artist
- Robert Marsteller - Los Angeles Philharmonic, U. of Southern California
- J. Richard Raum - Regina Symphony Orchestra, University of Regina
[edit] Sources
- The Remington Warm-Up Studies, prepared and edited by Donald Hunsberger (ISBN 0-918194-10-5)
- Douglas Yeo's website has some quotes about Remington:
- The International Trombone Association has a small history and award in his name:
