Emily Carr
From Wikipedia, the free encyclopedia
Emily Carr (December 13, 1871 – March 2, 1945) was a Canadian artist and writer.
She was born in Victoria, British Columbia, and moved to San Francisco in 1890 to study art after the death of her parents. In 1899 she travelled to England to deepen her studies, where she spent time at the Westminster School of Art in London and at various studio schools in Cornwall, Bushey, Hertfordshire, San Fransisco, and elsewhere. In 1910, she spent a year studying art at the Académie Colarossi in Paris and elsewhere in France before moving back to British Columbia permanently the following year.
Emily Carr was most heavily influenced by the landscape and First Nations cultures of British Columbia, and Alaska. Having visited a mission school beside the Nuu-chah-nulth community of Ucluelet in 1898, in 1908 she was inspired by a visit to Skagway and began to paint the totem poles of the coastal Kwakwaka’wakw, Haida, Tsimshian, Tlingit and other communities, in an attempt to record and learn from as many as possible. In 1913 she was obliged by financial considerations to return permanently to Victoria after a few years in Vancouver, both of which towns were, at that time, conservative artistically. Influenced by styles such as post-impressionism and Fauvism, her work was alien to those around her and remained unknown to and unrecognized by the greater art world for many years. For more than a decade she worked as a potter, dog breeder and boarding house landlady, having given up on her artistic career.
In the 1920s she came into contact with members of the Group of Seven (artists) after being invited by the National Gallery of Canada to participate in an exhibition of Canadian West Coast Art, Native and Modern. She travelled to Ontario for this show in 1927 where she met members of the Group, including Lawren Harris, whose support was invaluable. She was invited to submit her works for inclusion in a Group of Seven exhibition, the beginning of her long and valuable association with the Group. They named her 'The Mother of Modern Arts' around five years later.
The Nuu-chah-nulth of Vancouver Island's west coast had nicknamed Carr Klee Wyck, "the laughing one." She gave this name to a book about her experiences with the natives, published in 1941. The book won the Governor General's Award that year.
Her other titles were The Book of Small (1942),The House of All Sorts (1944), Growing Pains (1946), Pause and The Heart of a Peacock (1953), and in 1966, Hundreds and Thousands. They reveal her to be an accomplished writer. Though mostly autobiographical, they have been found to be unreliable as to facts and figures if not in terms of mood and intent.
Emily Carr Institute of Art and Design, Emily Carr Elementary School in Vancouver, British Columbia, Emily Carr Middle School in Ottawa, Ontario and Emily Carr Public School in London, Ontario are named after her.
Emily Carr is interred in the Ross Bay Cemetery in Victoria. Her gravestone inscription reads "Artist and Author / Lover of Nature".
[edit] External links
- Emily Carr House
- The full text of some of Emily Carr's books is available from Project Gutenberg of Australia.
- A virtual exhibit on the life of Emily Carr
- Several dozen Emily Carr artworks are viewable through the collection of the Art Gallery of Greater Victoria.
- National Film Board of Canada short film for kids on Emily Carr
[edit] Further reading
- Newlands, Anne. (1996). Emily Carr: an Introduction to Her Life and Art. Ontario : Firefly Books/Bookmakers Press. ISBN 1552090450.
- Shadbolt, Doris. (1990). Emily Carr. Vancouver: Douglas & McIntyre; Seattle: University of Washington Press. ISBN 0295970030.
- Tippett, Maria. (1979). Emily Carr: a Biography. Toronto: Oxford Univ. Press. ISBN 0195403142.
