Eli Lotar

From Wikipedia, the free encyclopedia

Eli Lotar (1905-1969), was a French photographer. Lotar (full name Eliazar Lotar Teodoresco) was born the son of a celebrated poet in Romania in 1905. He became a French citizen in 1926 and met the German photographer Germaine Krull. He took part in many exhibitions with Krull and photographer André Kertész. Lotar published his photographs in reviews such as Jazz, Variétés, Bifur, and Documents. His reportage on the Parisian La Villette's slaughterhouses (1929, issue 6) was a theme very much in line with Georges Bataille's interests in sacrificial rituals and became one of his best-known works.

Lotar also frequented cinematic and theatrical circles, through which he met filmmakers René Clair and Luis Buñuel, theater director Antonin Artaud and playwright Roger Vitrac. Lotar was the cinematographer on Bunuel's Las Hurdes: Tierra Sin Pan. A member of the October group, Lotar worked with filmmakers such as Jacques Brunius, Joris Ivens, Jean Painlevé and Jean Renoir, as a set photographer or as a cameraman. He assisted Marc Allégret and directed three films, one of which, Aubervilliers (1946), was selected for the Cannes film festival in 1946. During his last years, which were particularly somber, he became close friends with Alberto Giacometti and posed for several of his sculptures.