Ekatarina Velika
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Ekatarina Velika | |
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Country | Belgrade, Serbia |
Years active | 1982–1994 |
Genres | Rock Post-Punk New Wave |
Labels | Jugoton, PGP RTB |
Members | Milan Mladenović (vocals, guitar) Margita Stefanović (keyboards) Bojan Pečar (bass) |
Ekatarina Velika ("Catherine the Great", named after Catherine II of Russia, also called EKV for short) was a post-punk group from Belgrade, Serbia, and one of the most successful and influential music acts coming out of former Yugoslavia. Its still considered a cult band in the former Yugoslav countries.
The group's core consisted of singer and guitarist Milan Mladenović, keyboardist Margita Stefanović and bassist Bojan Pečar, with other members mostly remaining for shorter periods.
Contents |
[edit] Career
[edit] Beginning
Ekatarina Velika, initially called Katarina II, was formed in February 1982 following the breakup of Šarlo akrobata, the influential Yugoslav New Wave threepiece from Belgrade. Milan Mladenović and bassist Koja, driving forces behind Šarlo akrobata, had a falling-out that prompted the split. Koja formed Disciplina kičme, while Milan and guitarist Gagi Mihajlović assembled Katarina II with bassist Švaba Radomirović and drummer Dušan Dejanović. The band got its name after Gagi's unrequited love - a girl named Katarina.
Katarina II's rhythm section was the first to depart in late 1982, with Radomirović leaving to join Du Du A and Dejanović joining heated rivals Disciplina kičme. Mango Kuštrin became the new drummer. In an effort to expand the sound, the band also decided to add a keyboard player - position filled by eccentric, classically trained pianist Margita Stefanović. Since Kuštrin stuck around for barely a month, Vd (Milan's old mate from Šarlo Akrobata) replaced him in early 1983. At the same time, Bojan Pečar was brought in on bass.
So, after much wrangling and personnel changes, the fivepiece of Milan, Gagi, Margita, Bojan, and Vd began a more committed work towards the band's debut album.
[edit] 1980s
[edit] Katarina II
In the spring of 1983 they took part in Zagreb bienalle and received solid reviews. Their first recorded material featured actor Svetislav Goncić as guest, and was done in 'Druga maca' studio owned by Enco Lesić whom Milan knew well from Šarlo days. Unfortunately, it was unusable due to a variety of reasons having to do with studio's poor technical equipment, forcing the band to re-record. They then took an offer from fellow musician Srđan Marjanović and did so the following year in RTV Ljubljana studios.
Katarina II's self-titled debut album finally came out in 1984. Most of the lyrics were written by Milan except for songs "Vrt" ('The Garden') and "Platforme" ('The Platforms') (done by Gagi), while the music was a collaboration between the two. On tracks like "Aut" ('Out'), "Jesen" ('Fall'), "Radostan dan" ('Joyful Day'), "Treba da se cisti" ('It Needs To Be Cleaned'), "Ja znam" ('I Know') the band successfully linked Milan's descriptive lyrical sensibility with the energetic New Wave sound. Often considered one of the band's purest works, if not the best, the album never gained much main-stream popularity, mostly due to its inaccessible, artistic sound lacking commercial catchiness.
Soon after the album release, the band went through more lineup changes. Just like in Šarlo Akrobata and Limunovo drvo previously, Milan and Gagi never really got along and their personality issues continued. Furthermore, Gagi ran afoul of the law and even landed in jail. After getting out, he was informed by the bandmates he was no longer a Katarina II member. That was not the end of it, however. Since Gagi had the rights to the "Katarina II" name, he forced the band into using another one. Remaining members settled on - Ekatarina Velika ('Catherine the Great'), or EKV for short.
Additionally, drummer Vd left due to drug abuse problems, and eventually ended up in Du Du A. His replacement on drums was Ivan Fece "Firchie".
[edit] Ekatarina Velika
Due to constant SFR Yugoslavia-wide touring (with especially frequent stops in Belgrade, Zagreb and Ljubljana) and occasional TV spots, the band's following gradually grew.
In 1985, EKV released their second album, Ekatarina Velika, recorded by Milan, Magi, Bojan and Firchie in Zagreb's SIM studio. Produced by Vladimir Smolec and the band members, it featured Massimo Savić and Tomo in der Muhlen as guests. The new material presented a certain change in sound as it was a bit faster and noticeably more energetic compared to the debut album. Nevertheless, it retained the band's trademark characteristics: subtle music and Milan's hermetic, introspective, and metaphorical lyrics. Artistic ambition was also shown on the Dušan Gerzić-arranged album cover that features band members painted in Indian body art.
The sophomore effort gave the band its first genuine hits, "Oči boje meda" ('Honey Colored Eyes'), "Tattoo", and "Modro i zeleno" ('Indigo and Green'). On March 22, 1985 they played outside of Yugoslavia for the first time, making a positive impression at Culture Days in Turin, Italy. Another memorable concert took place in Zagreb as part of Bolje vas našli Belgrade-Zagreb band exchange.
Towards the end of 1985 Firchie left to serve the mandatory Yugoslav People's Army service; his replacement on drums was Ivan Ranković from Tvrdo srce i velike usi.
[edit] S vetrom uz lice
In 1986, EKV's third studio release S vetrom uz lice ('Against the Wind') came out, proving to be the breakthrough album that turned them into bona fide stars. Produced by Milan, Magi, and Dragan Cacinovic, its sound is very polished and keyboard-based with extensive use of E-mu Emulator II 8-bit sampler. The hits included "Budi sam na ulici" ('Be Alone on the Street'), "Ti si sav moj bol" ('You Are All Of My Anguish'), "Novac u rukama" ('Money in the Hands'), and "Kao da je bilo nekad" ('As if It Once Was'). In addition to wider main-stream acceptance, S vetrom u lice also got some lukwarm reviews from critics complaining it sounds too much like Simple Minds.
The band toured extensively all over SFR Yugoslavia. Live album was recorded at EKV gig in Zagreb's Kulusić club on November 2, 1986, and consequently released in early 1987 as EKV 19LIVE!86. The band finally made it home to Belgrade in January 1987 and triumphed at Dom omladine with six sold-out shows.
During spring of the same year, Ivan Ranković decided to leave EKV in order to form a new group Ulica od meseca with old mates from Tvrdo srce i velike usi. Srđan Todorović became the new drummer, playing his first show at the Parisian club La Locomotive.
[edit] Ljubav
After the lineup change, the band recorded and released Ljubav ('Love') in the second part of 1987, which is often considered the best EKV album as well as one of the best ever rock releases recorded in Yugoslavia. It displayed a more guitar-oriented, polished sound, partly because of new producer Theodore Yanni, along with stylized sleeve done by Magi and artist Vuk Vidor. Hits from this album include "Zemlja" ('Earth'), "7 Dana" ('7 Days'), "Pored mene" ('Beside Me'), "Ljudi iz gradova" ('People From The Cities'), and "Ljubav" ('Love'). It also showed the first signs of Milan's depressive lyrics, as exemplified by song "Tonemo" ('We're Sinking').
The band confirmed their newfound star status with two consecutive sold out shows at Belgrade's Hala Pionir sports arena. New extensive tour commenced in early 1988, and EKV enlisted help from experienced musicians Tanja Jovićević and Zvonko Djukić to fill out the live sound. Firci returned from the army, and promptly rejoined the band on tour, replacing Žika Todorović, if only for a few months before moving away to New York City in May 1988.
At that time Žika Todorović rejoined again, this time from Disciplina kičme. Koja was so enraged by this "betrayal" that he recorded an album consisting only of seven versions of the same song constantly repeating the line "Nije dobra Katarina" ('Catherine is no good').
[edit] Samo par godina za nas
In 1989, the band released Samo par godina za nas ('Just a Few Years for Us'). Critics regarded this album as a mere copy of Ljubav, but unlike Ljubav's general upbeatness and slight darkness, Samo par godina za nas was much gloomier in tone and downbeat, as if it was foreshadowing the fall of Yugoslavia, civil wars, sanctions, and general destruction of the world and the society where the band members grew up and lived.
Several hits from this album include "Krug" ('Circle'), "Par godina za nas" ('A Few Years for Us'), and "Srce" ('Heart').
In November 2006, "Par godina za nas" was voted the best (ex)Yugoslavian rock song, by audience of influential Belgrade B92 radio. Milan Mladenovic considered this song the best song Ekatarina Velika has done.
[edit] 1990s
[edit] Dum Dum
Extended hiatus followed the release of Samo par godina za nas. Srđan left the band, concentrating on his acting career. Bojan moved to London. And while Srđan's departure was just another in a long line of drummer changes, Bojan's departure was much more of a loss to the band, that had that way lost one of its key members.
Milan and Margita persevered, finding a new rhythm section: Dragiša Uskoković on bass and young Marko Milivojević on drums. Together, they released Dum Dum ('Bang Bang'), possibly the darkest EKV album ever. Its bleakness and sense of doom reflect the general atmosphere in Yugoslavia at the time, which was falling apart and slowly approaching civil war.
[edit] Neko nas posmatra
In 1993, the same lineup produced another album, entitled Neko nas posmatra ('Somebody's Watching Us'), featuring a more accessible, warmer sound. It was the only EKV album that had a covered song on it, "Istina Masina" (Truth Machine), which was originally performed by the Yugoslav rock band Time. Because of its simple musical arrangements and lyrical concepts, the album was at the time considered to be the weakest EKV record. Time has however changed the views about the record and its values became more appreciated through the years.
[edit] End
EKV was inactive in the first half of 1994. Milan was in Brazil, where he recorded a solo album, Angel's Breath, together with Rex Illusivi and a line-up of Brazilian musicians. The band resumed activity when he returned to Yugoslavia. There were plans to make a new album, tentatively titled Ponovo zajedno ('Together Again'), but the idea was shelved because of Milan's health problems; he discovered that he had pancreatic cancer. Barely few months later, on November 5, 1994, Milan Mladenović died in Belgrade, at the age of 36. EKV ceased to exist.
Bojan Pečar died in London as a result of a heart attack, on October 13, 1998, aged 37.
Margita Stefanović died on September 18, 2002, in Belgrade. The cause of death was never officially confirmed, but the sources indicate that she most likely died of the consequences of long time intravenous drug use. She was 43.
Ivan "Vd" Vdović had died in 1992, which in total makes the tragic fate of EKV and its members hard to match, not only on the (ex)Yugoslavian music scene but worldwide.
[edit] Influences and tributes
EKV is easily the most influential band of the Yugoslavian Novi talas movement of the '80s, despite other seminal (and at the time more popular) bands that appeared in the period, like Idoli, Električni orgazam, Azra and Disciplina kičme. Many bands have covered their songs over the years, but what is perhaps more important is the specific lyrical themes and imitation of Milan's unique poetic style that surfaces every now and then with many young bands.
Of the bands heavily influenced by EKV, by far the most important is Van Gogh, which has risen to the status of the most popular rock band in Serbia in the second half of the '90s, but is sometimes criticized for trying to mimic EKV too much, especially lyric-wise. Another band highly inspired by EKV is Block Out, who covered EKV's song Soba (Room) which they generally play very often on their gigs as a homage to this legendary band.
In 2003 a tribute album to Milan called Kao da je bilo nekad was released to mixed reception. The album consists of 15 covers of Milan's songs (14 EKV and one Šarlo Akrobata song) by a range of musicians spanning from EKV contemporaries like Električni Orgazam and Darko Rundek, to bands that have only emerged on to the scene at the turn of the millennium, like Vrooom and Jarboli. Interestingly, while even Koja put his past grievances aside, and appeared on the album (participating in the cover of 'Zemlja'), Van Gogh was absent.
Another tribute album released in 2003 was a live album, recorded on the tribute concert to Ekatarina Velika held on February 22, 2003, in the "Tvornica" club in Zagreb. The performers included Croatian bands Le Cinema, Vatra and Urban & 4, solo artists Massimo Savic with EKV tribute band Bijeli Slon, Darko Rundek with Cargo Orkestar, and Srdjan "Gile" Gojkovic, frontman of the Serbian rock band Elektricni orgazam, also with by Bijeli Slon. The album consists of 13 live covers, each artist performing several.
[edit] Members
- Milan Mladenović - vocals, guitar (Feb. 1982 - summer 1994)
- Dragomir "Gagi" Mihajlović - guitar (Feb. 1982 - sometime in 1984)
- Zoran "Švaba" Radomirović - bass guitar (Feb. 1982 - late 1982)
- Dušan Dejanović - drums (Feb. 1982 - late 1982)
- Margita "Magi" Stefanović - keyboards, backing vocals (late 1982 - summer 1994)
- Branko "Mango" Kuštrin - drums (late 1982 - early 1983)
- Bojan Pečar - bass guitar (early 1983 - early 1990)
- Ivan "Vd" Vdović - drums (early 1983 - fall 1984)
- Ivan "Firchie" Fece - drums (fall 1984 - late 1985), (early 1988 - May 1988)
- Ivan "Raka" Ranković - drums (late 1985 - early 1987)
- Srđan "Žika" Todorović - drums (early 1987 - early 1988), (May 1988 - early 1990)
- Marko Milivojević - drums (early 1990 - summer 1994)
- Miško Plavi - bass guitar (early 1990 - spring 1991)
- Dušan Petrović / Bata Bozanić - bass guitar (spring 1991 - fall 1991)
- Dragiša "Ćima" Uskoković - bass guitar (fall 1991 - summer 1994)
- Bole Stanojević - bass guitar (summer 1994)
[edit] Discography
- 1984 Katarina II
- 1985 Ekatarina Velika (Catherine the Great)
- 1986 S vetrom uz lice (Against the Wind)
- 1987 EKV 19LIVE!86
- 1987 Ljubav (Love)
- 1989 Samo par godina za nas (Just a Few Years for Us)
- 1991 Dum Dum (Bang Bang)
- 1993 Neko nas posmatra (Somebody's Watching Us)
- 1997 Live 88
- 2001 Kao u snu - EKV Live 1991 (Like in a Dream - EKV Live 1991)