Edward Steichen
From Wikipedia, the free encyclopedia
Edward Steichen (March 27, 1879–March 25, 1973) was an American photographer, painter, and art gallery and museum curator, born in Bivange, Luxembourg. His family moved to the United States in 1881 and he became a naturalized citizen in 1900.
Having established himself as a fine art painter in the beginning of the 20th century, Steichen assumed the pictorialist approach in photography and proved himself a master of it. In 1905, Steichen helped create the Little Galleries of the Photo-Secession with Alfred Stieglitz. After World War I, during which he commanded the photographic division of the American Expeditionary Forces, he reverted to straight photography, gradually moving into fashion photography. Steichen's photo of Greta Garbo (at right, featured on a Life cover) is recognized as one of the definitive portraits of the actress.
In World War II he served as Director of the Naval Photographic Institute. His war documentary The Fighting Lady won the 1945 Academy Award for Best Documentary. After the war, Steichen served until 1962 as the Director of Photography at New York's Museum of Modern Art.
Among other accomplishments, Steichen is appreciated for creating The Family of Man in 1955, a vast exhibition consisting of over 500 photos that depicted life, love and death in 68 countries. Steichen's brother-in-law, Carl Sandburg, wrote the introduction for the exhibition catalog (ISBN 0-8109-6169-5). As had been Steichen's wish, the exhibition was donated to the Grand-Duchy of Luxembourg. It is now permanently housed in the Luxembourg town of Clervaux. [1]
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[edit] The Pond-Moonlight
In February of 2006, a copy of Steichen's early pictorialist photograph, The Pond-Moonlight (1904), reached the highest price ever paid for a photograph at auction at U.S. $2.9 million.
The photograph was taken in Mamaroneck, New York, in Westchester County, and features a wooded area and pond, with moonlight appearing between the trees and reflecting on the pond. Part of the reason for its value and rarity is that it is a very early example of colour photography, produced using the autochrome process. Contributing to its high price is that there are only three known copies in existence; there are two in museum collections in addition to the print sold at auction in 2006.[2]
[edit] References
[edit] Further reading
- Edward Steichen (1955). The family of man: the greatest photographic exhibition of all time. New York: Published for the Museum of Modern Art by Maco Pub. Co.
- Anne Cohen DePietro and Mary Anne Goley (2003). Eduard Steichen: Four Paintings in Context. New York: Hollis Taggart Galleries.
