Dudu Pukwana

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Mtutuzel Dudu Pukwana (18 July 193830 June 1990) was a South African saxophone player, pianist and composer.

Along with Chris McGregor, Mongezi Feza, Nikele Moyake, Johnny Dyani and Louis Moholo, he was a member of The Blue Notes, the pioneering mid 1960s South African sextet. As mixed-race groups were illegal under apartheid, the Blue Notes emigrated to Europe in 1964, and eventually settled in London. Although The Blue Notes are often considered McGregor's group, Pukwana was initially the principle composer and nearly always the leading soloist.

After The Blue Notes split in the late '60s, Pukwana joined McGregor's Brotherhood of Breath big band, which again featured his compositions and soloing heavily. He also went on to form two groups with Feza and Moholo. The first was Assagai an afro-rock band who recorded for the Vertigo label. The second was Spear, with whom he recorded the seminal afro-jazz album In The Townships in 1973. He later formed the group Zila, releasing albums on his own Label, Jika Records. He also guested on albums with his former Blue Notes colleague, Johnny Dyani and played extensively with the drummer John Stevens.

Dudu Pukwana grew up studying piano in his family but in 1956, he switched to alto sax after meeting tenor sax player Nick Moyake. In 1962, he won first prize at the Johannesburg Jazz Festival with Moyake's Jazz Giants (1962 Gallo/Teal). Chris McGregor then invited him to join the Blue Notes; the interracial sextet, increasingly harassed by authorities, went into exile in 1964, playing in France, Zurich, and London. Pukwana's fiery voice was heard not only in the Blue Notes and in McGregor's Brotherhood of Breath, but in many diverse settings ranging from the Incredible String Band to improvising with Misha Mengelberg and Han Bennink (Yi Yo Le, ICP 1978). As a composer, Pukwana wrote "Mra," one of the best-loved tunes by the Brotherhood. His own groups, Assagai and Spear, which recorded a few albums in the early '70s, blended kwela rhythms, rocking guitars, and jazz solos. With Mongezi Feza, Elton Dean, Keith Tippett, and Louis Moholo, Pukwana recorded two masterful acoustic tracks on the mostly electric album Diamond Express (Freedom 1977). His presence was also hugely felt in Moholo's Spirits Rejoice!, and in Harry Miller's Isipingo. Several African leaders invited him into their groups, including Hugh Masekela and trombonist Jonas Gwangwa's African Explosion (Who, Ngubani 1969). In 1978, Pukwana founded Jika Records and formed his own band, Zila, featuring South Africans Lucky Ranku on guitar and powerful vocalist Miss Pinise Saul. Zila recorded Zila Sounds (1981), Live in Bracknell and Willisau (1983), and Zila (1986), the last with keyboardist Django Bates and Pukwana increasingly using soprano sax. In duo with John Stevens, he recorded the free session They Shoot to Kill (Affinity 1987), dedicated to Johnny Dyani. Dudu Pukwana died of liver failure in June 1990, not long after his longtime friend and colleague McGregor.

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