Douglas Allanbrook

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Douglas Allanbrook (1921-2003) was an American composer, concert pianist and harpsichordist. He was associated with a group of mid-twentieth century Boston composers who were students of Nadia Boulanger.

[edit] Life and Work

Allanbrook was born on April 1, 1921 and raised in Melrose, Massachusetts, a suburb of Boston. He began taking piano lessons at eight. Within two years he was playing Bach, Haydn and Czerny. By thirteen, he started composing; his first serious piece was entitled On the Death of a Beautiful White Cat. While in high school, he was composing sonatas for violin and piano and writing sketches for a "Symphony in G Minor."

After high school, Allanbrook studied at Boston University for one year. In 1939 he was hired as a music teacher at the Mary Wheeler finishing school in Providence where Gloria Vanderbilt was among his piano students. But the chief attraction for the young composer was the proximity of the WPA-funded Rhode Island Symphony, which in 1941 played his student orchestral work "Music for a Tragedy."

In 1941, the exiled teacher Nadia Boulanger came to Providence to accept an honorary degree from Brown University. She heard some of Allanbrook's music and immediately took him under her wing. He began commuting regularly to Cambridge to study with her and to become part of her coterie of Boston composers, which included Harold Shapiro, Irving Fine, Paul Desmarais, and Daniel Pinkham.

In the fall of 1942, the Army drafted Allanbrook. Serving as an infantryman for three years, he fought his way up the Italian peninsula, in the process earning a Bronze Star and starting his lifelong love affair with Italy. His time in Italy is recounted in his 1995 book, See Naples: A Memoir.

When the war ended, he returned to Boston to enter Harvard on the G.I. bill. His major professor was composer Walter Piston, with whom he studied harmony, counterpoint, and orchestration. Among his fellow students were Peter Davison, who was to become a poet and publisher, and John Clinton Hunt, also to become a writer. Allanbrook composed prolifically, including his first three-movement piano sonata, and a cantata to T.S. Eliot's poem "Ash Wednesday." He completed his B.A. degree in May 1948. He was awarded a Paine Traveling Fellowship from Harvard, which he used to spend the next two years (1948-1950) in Paris honing his composing and performing skills, once again studying under Nadia Boulanger. There hHe formed close musical friendships with composers Ned Rorem, Noel Lee, Leo Preger and Georges Auric.

In the summer 1950 on a Fulbright scholarship, he returned to Italy to study harpsichord under the great Ruggero Gerlin, longtime associate of Wanda Landowska, at the Naples Conservatory. Under Gerlin's tutelage, he learned to perform the partitas and the two books of the Well-Tempered Clavier of J.S. Bach, the ordres of Francois Couperin, and various sonatas of Domenico Scarlatti. Allanbrook spent two extraordinarily creative years in Italy as composer and performer. His main work from this period is his first opera, Ethan Frome, a brilliant setting of Edith Wharton’s classic novel with a libretto by John Clinton Hunt.

In 1952 he returned to the U.S. to become a tutor at St. John’s College in Annapolis in its Great Books Program. Although he taught part-time at the Peabody Conservatory in Baltimore from 1953 through 1956, he chose to stay at St. John's for the duration of his teaching career. Although he retired from the college in May 1986, he continued to teach and perform there until his death. For many years, he was a member of the board at the Yaddo artists colony near Saratoga Springs, NY He died on January 29, 2003, from a heart attack at the age of 81.

His catalog contains 63 mature musical compositions, from his Te Deum (1942) to his String Quartet no. 6 (2002). His main works include seven symphonies, two operas, Ethan Frome and Nightmare Abbey (based on the novel by Thomas Love Peacock), choral works, four string quartets, numerous chamber pieces, and innumerable piano and harpsichord works. During his lifetime, his orchestral works were performed by orchestras across America and Europe, including the National Symphony Orchestra, Baltimore Symphony, Stuttgart Philharmonic, Munich Radio Orchestra. He had a warm and creative collaboration with the Annapolis Brass Quintet from 1975 until its disbandment in 1991. Other performers who gave premieres of his music under his supervision include harpsichordist Ralph Kirkpatrick, violinist Robert Gerle, and the Kronos Quartet.

[edit] Publications

See Naples: A Memoir, Houghton Mifflin, 1995. ISBN 0-395-74585-3

[edit] References

Douglas Allanbrook, "See Naples: A Memoir," New York: Houghton Mifflin, 1995. Edward Komara, "Douglas Allanbrook: A Classified List of Works," SUNY Buffalo, 1989, unpublished. "Douglas Allanbrook" entry in Laura Kuhn, editor, Baker's Biographical Dictionary of Musicians, Centennial Edition, New York: Schirmer, 2000. Publicity material (written by Allanbrook with Pierre Sprey) for Mapleshade Records, 1995-2003.