Double Star

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This page is about a novel by Robert Heinlein. For other uses, see double star (disambiguation).

**Title** **Double Star**
First Edition cover of Double Star
Author	Robert A. Heinlein
Country	United States
Language	English
Genre(s)	Science fiction novel
Publisher	Doubleday
Released	1956
Media type	Print (Hardcover & Paperback)
ISBN	NA

Double Star is a science fiction novel by Robert A. Heinlein, first serialized in Astounding Science Fiction (February, March, April 1956) and published in hardcover the same year. At the 1957 Worldcon it received the Hugo Award for Best Novel of the previous year.

1 Plot summary
2 Critical Reaction
3 Political system
4 Trivia
5 Sources
6 References
7 External links

[edit] Plot summary

Spoiler warning: Plot and/or ending details follow.

The story, which is told in the first person, centers on a down-and-out actor. Lawrence Smith (stage name Lorenzo Smythe, a.k.a. "The Great Lorenzo") might have been another Charlie Chaplin had not his poisonous self-centeredness kept him socially isolated. Reduced to sleeping in a coin-operated cubicle, he is down to his last coin when a spaceman hires him to double for a public figure. It is only when he reviews the tapes for his impersonation that he realizes how deeply he has been deceived: he will have to impersonate one of the most prominent politicians in the solar system (and one with whose views Smythe deeply disagrees)—John Joseph Bonforte, leader of the Expansionist coalition, currently in opposition but with a good chance of taking power at the next general election.

Lorenzo grows tremendously as a person during the story, as he takes on not only Bonforte's appearance, but some aspects of his personality. Bonforte is literally a "good and strong" political leader (similar in personality and leadership style to Franklin D. Roosevelt). When the role he assumes becomes extended due to the incapacity of Bonforte (who had been kidnapped and drugged into insensibility by people believed to be linked to Bonforte's political opponents), Smythe takes on more and more of Bonforte's persona. Though the politician is recovered, he is in poor health, forcing Smythe to extend the role, even to becoming temporary Supreme Minister and fighting an election campaign. The impersonation is noticed by the Emperor, but the ruler is sympathetic and keeps mum. At the moment of victory, Bonforte dies of the aftereffects of the drug overdose, Smythe realizes he has little choice but to assume the role for life. In a retrospective conclusion set twenty-five years later, we learn that he has been generally successful and has carried forward Bonforte's ideals to the best of his ability. Penny (Bonforte's adoring secretary; now his wife) says, "I never loved anyone else." Smythe has transformed from self-centeredness to nobility and almost literal self-sacrifice.

The central political issue in the plot is the granting of the vote to Martians in the human-dominated Solar System. Lorenzo shares the anti-Martian prejudice prevalent among large parts of Earth's population, but he is called upon to assume the persona of the most prominent advocate for Martian enfranchisement—which he does successfully. At the end of the book his former life, including the prejudice he used to hold, seem to him like things that happened to someone else.

[edit] Critical Reaction

The noted science-fiction writer and critic James Blish was no fan of Heinlein's treatment of his first-person protagonists in a number of his novels. Writing in 1957, however, Blish says that "The only first-person narrator Heinlein has created who is a living, completely independent human being is The Great Lorenzo of Double Star. Lorenzo is complete all the way back to his childhood — the influence of his father upon what he thinks is one of the strongest motives in the story — and his growth under pressure is consistent with his character and no-one else's." ^[1]

[edit] Political system

The political system depicted in the book is a constitutional monarchy, with the House of Orange elevated to the role of providing an Emperor of the Solar System. The Emperor reigns (but does not rule) from a palace on the Moon, with the real power in the hands of a Supreme Minister, who must command the support of the Grand Assembly. Elections for the Assembly are held as in the British system — there is an upper time limit (five years) between elections, but they can be called more frequently if the Prime Minister so decides, or if he is forced to it by the loss of a vote of confidence.

Presumably, this is an example of Heinlein's love of startling his readers with provocative ideas that he didn't necessarily agree with: in this case, presenting American readers with the prospect of their once again being the subjects of a monarch (and the notion that this would not, in fact, be so terrible). Heinlein makes it clear, though, that the U.S. maintains full internal autonomy and is obviously a powerful voice in Empire affairs—Bonforte himself is an American.

This idea appears in other Heinlein books. In Job: a Comedy of Justice, one of the many alternative realities through which the hero wanders is a history in which the US has a monarch (called "Hereditary President"). Similarly, in The Number of the Beast, the characters briefly visit an alternate universe and consult a World Almanac to find that the U.S. has had a long list of recent presidents, all named Kennedy. In The Moon Is a Harsh Mistress one of the characters suggests that the Moon's citizens set up a monarchy after they secure their independence from Earth.

The legislative power rests with a Grand Assembly, which also meets on the Moon (where the Imperial bureaucracy is also located), most members representing an area of Earth or another planet, with other members representing constituencies not tied to any geographic place; one represents space pilots, for instance, and another districtless university women. As in the British system, representatives need not live in their district or be an actual member of the non-geographical constituency. Candidates for "safe districts" are determined by the central party office. At the time depicted in the novel, extraterrestrials are not permitted to be members of the Assembly — although they may vote in elections for representatives — and Bonforte has pledged himself to remove this exclusion. An afterword makes clear that he eventually does so, though his party loses power. He later regains office.

It is somewhat questionable how a Grand Assembly of perhaps a thousand members (and thus averaging, per representative, perhaps 5,000,000-10,000,000 people) can have room for members representing such groups as space pilots and other professions. However, every political system has its quirks and Heinlein is no doubt illustrating one of this system's.

Spoilers end here.

[edit] Trivia

Double Star expands on an earlier description of the waterbed in Beyond This Horizon. Heinlein's detailed descriptions made it impossible for the waterbed to be patented later, when waterbeds actually began to be manufactured. The waterbed is used to alleviate the effects of high-G acceleration in a torchship.
The cover illustration for the 1970s UK edition of Double Star (artist: Anthony Roberts) was the subject of an unlikely controversy when it was used as the basis of an entry for the 2000 Turner Prize for modern art. The artist in question, Glenn Brown, was accused by some people of plagiarism.