Donskoy Monastery
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Donskoy Monastery (Russian: Донско́й монасты́рь) is a major male monastery in Moscow, founded in 1591 in commemoration of Moscow's deliverance from an imminent threat of Khan Kazy-Girey’s invasion. Commanding a highway to the Crimea, the monastery was intended to defend southern approaches to the Moscow Kremlin.
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[edit] Muscovite period
The monastery was built on the spot where Boris Godunov's mobile fortress and Sergii Radonezhsky's field church with Feofan Grek's icon Our Lady of the Don had been located. The legend has it that Dmitry Donskoy had taken this icon with him to the Battle of Kulikovo in 1380. The Tatars left without a fight and were defeated during their retreat.
Initially, the cloister was rather poor and numbered only a few monks. As of 1629, the Donskoy Monastery possessed 20 wastelands and 16 peasant households (20 peasants altogether). In 1612, it was taken just for one day by the Polish-Lithuanian commander Jan Karol Chodkiewicz. In 1618, Russian Streltsy defeated the Ukrainian Cossacks of Petro Konashevych under monastery walls.
In the mid-17th century the monastery was attached to the Andreyevsky Monastery. In 1678, however, its independence was reinstated and the cloister received rich donations, including more than 1,400 peasant households. In 1683, the Donskoy Monastery was elevated to the archmandrite level and given 20 desyatinas of the nearby pasturelands. Vidogoshchsky, Zhizdrinsky, Sharovkin, and Zheleznoborovsky monasteries were attached to the Donskoy Monastery between 1683 and 1685.
[edit] Imperial period
Since 1711, the Great Cathedral's vault was used for burials of Georgian tsarevichs of the Bagrationi family and Mingrelian dukes of the Dadiani family.
In 1724, the monks and the property of the Andreyevsky Monastery were transferred to the Donskoy Monastery. By 1739, it had already possessed 880 households with 6,716 peasants, 14 windmills, and a few fisheries. In 1747, the authorities wanted to transfer the Slavic Greek Latin Academy to the Donskoy Monastery, but the cloister confined itself to paying salaries to the academic staff from its own treasury.
Archbishop Ambrosius was killed within the monastery walls during the Plague Riot in 1771. In 1812, the French army ransacked the Donskoy Monastery, the most valuable things having been moved to Vologda prior to that. There had been 48 monks and 2 novices in the monastery by 1917.
[edit] Soviet period and beyond
After the October Revolution, the Donskoy Monastery was closed. In 1922–1925, Patriarch Tikhon was detained in this cloister after his arrest. He chose to remain in this monastery after his release. Saint Tikhon's relics were discovered following his canonization in 1989. They are exhibited for veneration in the Great Cathedral in summer and in the Old Cathedral in winter.
In 1924, some of the facilities of the Donskoy Monastery were occupied by a penal colony for children. In 1934, the Donskoy Monastery was transferred under the care of the Museum of Architecture of the Soviet Academy of Architecture. In 1964, the cloister became an affiliate of the Shchusev's Museum of Architecture.
The Soviets moved the remnants of many demolished monasteries and cathedrals to the Donskoy Monastery, including the Cathedral of Christ the Savior, Church of Saint Nicholas the Wonderworker in Stolpy, Church of the Assumption on Pokrovka Street in Moscow, Sukharev Tower, and others.
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[edit] Architecture
When the monastery was established, Boris Godunov personally laid the foundation stone of its cathedral, consecrated in 1593 to the holy image of Our Lady of the Don. This dimunitive structure, quite typical for Godunov's reign, has a single dome crowning three tiers of zakomara. In the 1670s, they added two symmetrical annexes, and a refectory leading to a tented belltower. Its iconostasis, executed in 1662, formerly adorned one of Moscow churches demolished by the Communists. From 1930 to 1946, the cathedral was closed for services and housed a factory.
The New (or the Great) Cathedral, also dedicated to the Virgin of the Don, was started in 1684 as a votive church of Tsarevna Sophia Alekseyevna. After she fell into disgrace, its construction was funded by private donations. The masons and artisans were invited from Ukraine, which explains some of the cathedral's unusual features. For the first time in Moscow, the five domes were arranged according to the four corners of the Earth (as was the Ukrainian custom). The Old Believers felt offended by this and called the cathedral "Antichrist's Altar". Eight tiers of its ornate baroque iconostasis were carved by Kremlin masters in 1688–1698. The iconostasis' central piece is a copy of the Virgin of the Don, as painted in the mid-16th century. The cathedral frescoes are the first in Moscow to be painted by a foreigner. They were executed by Antonio Claudio in 1782–1785.
After the monastery lost its defensive importance, its walls were reshaped in the red-and-white Muscovite baroque style, reminiscent of the Novodevichy Convent. Eight square and four circular towers with red-blood crowns were put up in 1686–1711. The Holy Gates of the monastery (1693) are topped with the Tikhvin church (1713–1714), noted for its wrought iron grille. A lofty belfry was erected over the western gates from 1730–1753 after designs by Pietro Antonio Trezzini and other prominent architects.
[edit] Necropolis
Several families of high aristocracy chose the Donskoy monastery as location of their burial vaults. The Alexander Svirsky Church, for instance, was constructed in 1796–1798 as a sepulchre of Princes Zubov. Princes Galitzine were buried in the Archangel Church (1714–1809), whereas the Church of St. John Chrysostom (1881–1891) marks the Petrushin family vault.
An old necropolis in the south-eastern part of the cloister is remarkable for its ornate tombs, executed by some of the best Russian sculptors. They mark the graves of the poets Mikhail Kheraskov and Alexander Sumarokov, the philosophers Pyotr Chaadaev and Ivan Ilyin, the historians Mikhail Shcherbatov and Vasily Klyuchevsky, the critic Vladimir Odoyevsky, the architect Osip Bove, the painter Vasily Perov, the courtier Alexander Dmitriev-Mamonov, the actress Faina Ranevskaya, the general Anton Denikin, and the aviator Nikolay Zhukovsky. Some of the tombs were transferred by Soviet authorities to the Tretyakov Gallery, where no one can see them now.
A new necropolis was inaugurated in the 20th century outside monastery walls. Valentin Serov and Sergey Muromtsev were among the first notables to be interred there. After the Revolution, scores of Soviet soldiers killed during the Battle of Moscow and people executed by NKVD were secretly buried as well. The former church of St. Seraphim, situated at this cemetery, was reconstructed into the first crematorium in Moscow in 1927.
[edit] External link
- How to get there (in Russian)
Monasteries of Moscow  |
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Andronikov | Bogoyavlensky | Chudov | Conception | Danilov | Donskoy | Krutitsy | Marfo-Mariinsky | Nikolsky | Novodevichy | Novospassky | Perervinsky | Simonov | Sretensky | Ugreshi | Voznesensky | Vysokopetrovsky | Zaikonospassky | Zlatoustovsky |
