Documentary theatre
From Wikipedia, the free encyclopedia
Documentary theatre, or theatre of fact, is leftist political theatre which challenges people to consider the political power system which rules over them. Documentary theatre is characterised by the use of objectivity to promote a particular political statement.
[edit] History
It was pioneered by two famous German authors– Bertolt Brecht and Erwin Piscator in the 1920s, focusing on issues of social conflict, class tensions and power structures. The father of documentary theatre in the UK is Peter Cheeseman, with his work at the Victoria Theatre and New Victoria Theatre in North Staffordshire, using local issues with national reverberations as the source for the theate pieces. The most famous being The Fight for Shelton Bar (1974).
Documentary theatre has existed as a genre for as long as theatre itself has existed.Attilio Favorini, professor of Theater Arts at the University of Pittsburgh, dates the first dramatic documentary impulse back to 492 BC when the ancient Greek playwright Phrynicus produced his play The Capture of Miletus about the Persian War. He traces the genre through to European medieval mystery plays, Elizabethan England and Shakespeare's historical tragedies, French revolutionary patriotic dramas, British and American World War II Living Newspapers and German plays about the Holocaust.
In his documentary anthology, Voicings: Ten Plays from the Documentary Theater, Favorini collects the most important 20th century examples of the genre and demonstrates that documentary theatre is highly relevant and resonant in societies that create and consume contemporary news as aggressively as we do.
