Disney Digital 3-D
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Disney Digital 3-D is a brand used by the The Walt Disney Company to describe digitally animated three-dimensional films shown exclusively using digital projection. It is essentially a Disney brand of REAL D Cinema technology.
The first film released using this technology was 2005's Chicken Little. For this release, the computer-animated film was re-rendered in 3-D by Industrial Light and Magic and exhibited in Real D Cinema format using Dolby Digital Cinema projection systems.
Disney re-released The Nightmare Before Christmas in a remastered 3-D version on October 20, 2006, which will be re-released once more on October 19, 2007. Disney also released a 3-D version of its computer-animated feature Meet the Robinsons.
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[edit] How it works
Audiences viewing a film presented in Disney Digital 3D are given a pair of plastic 3d glasses that may or may not be disposable. The glasses have circular polarized lenses, each polarized differently. Circular polarization allows much greater head movement than linear polarization without loss of 3-D effect or ghost images. This increases audience comfort and reduces or eliminates "3-D headache" present in other 3-D systems, especially those relying on film projection.
The movie is projected digitally, with a single Christie, Barco or NEC DLP projector (other digital projection technologies would work as well if fitted with the proper equipment) at 144 frames per second, six times as fast as a normal movie. Every 1/24th of a second (the projection frame rate for normal 2-D movies on film) the two scene views called "right eye" and "left eye" are each shown 3 times (6 flashes of image on the screen matching the 6-times-higher projection rate), giving each eye a flicker-free image.
In front of the projector lens, an electronic device, the Z-Screen, developed by Lenny Lipton, from Stereographics, inserts a polarizing screen that matches the polarization of either the right lens or left lens of the glasses worn by the audience. When the left-eye-matching Z-Screen is in place, the viewer's right eye sees nothing at all (or almost nothing) while the left eye sees a normal looking frame. For the next frame of the movie, the Z-Screen swaps the polarizing screen to match the right eye lens in the glasses worn by the audience. Now the audience sees nothing (or nearly nothing) with the left eye and a normal but slightly shifted version of the frame in the right eye. The brain knits together the alternating left-right perspectives into a seamless 3-D view of the movie scene.
The single projector setup has a number of advantages over previous 3-D systems:
- It produces full-range color unlike red/cyan 3-D that relies on cardboard glasses with red and cyan color filters. The red and cyan filters cause a huge loss of available colors that makes watching red/cyan 3-D movies annoying and disappointing.
- It eliminates most "ghost images" caused by the left eye seeing a bit of the right-eye frames and vice versa.
- It eliminates any form of temporal (time) or spatial misalignment of the left-eye and right-eye frames that plagued previous 3-D projection systems relying on movie film. The mechanical jitter of the film in the projector and the poor frame-to-frame match-up generated most of the dull headache 3-D side effect caused by the eye muscle strain -- along with the red/cyan 3-D system and the much improved, but still slightly flawed horizontal/vertical polarization system seen for the last 20 years or so in motion simulation amusement rides, IMAX 3-D and in limited other venues (EPCOT Center, Disney World, etc.).
The main fault of polarized 3-D systems for movies is a barely noticeable loss of screen brightness that perhaps 98% of the audience will accept, given the 3D experience, especially with the modern powerful digital projector systems that are used.
[edit] Confusion
Less than 100 theaters across the US were equipped to show the movie 'Chicken Little' in 3D. Many viewers were not even aware of the 3D version because many people assumed "Disney Digital 3D" refers to the 3D modelling of the CG characters, not the 3D stereoscopic presentation of the movie.[citation needed] For the Easter 2007 release of Disney's Meet the Robinsons (2007), 600 U.S. theaters will be showing the film in 3D.
[edit] Titles
| Title | Year of 3-D release | Notes |
|---|---|---|
| Chicken Little | 2005 | digitally animated film re-rendered for 3-D |
| The Nightmare Before Christmas | 2006 | stop-motion animated film remastered and converted to 3-D |
| Knick Knack | 2006 | Pixar 3-D animated short film remastered and converted to 3-D |
| Meet the Robinsons | 2007 | digitally animated film re-rendered for 3-D |
| The Nightmare Before Christmas | 2007 | stop-motion animated 3-D version to be re-released |
| Working for Peanuts | 2007 | traditionally animated short film from 1953, originally created in 3D |
