Dermot Bolger
From Wikipedia, the free encyclopedia
Dermot Bolger (born 1959) is an Irish novelist, playwright and poet born in Finglas, a suburb of Dublin.
His work is quite often concerned with the articulation of the experiences of working-class characters who, for various reasons, feel alienated from society. Bolger questions the relevance of traditional nationalist concepts of Irishness, arguing for a more plural and inclusive society.
Contents |
[edit] Bolger's novels
- Night Shift (1985)
- The Woman’s Daughter (1987 &1991)
- The Journey Home (1990)
- Emily’s Shoes (1992)
- A Second Life (1994)
- Father’s Music (1997)
- Temptation (2000)
- The Valparaiso Voyage (2001)
- The Family on Paradise Pier (2005)
[edit] Bolger's plays
- The Lament for Arthur Cleary (1989)
- Blinded by the Light (1990)
- In High Germany (1990)
- The Holy Ground (1990)
- One Last White Horse (1991)
- A Dublin Bloom (1994)
- April Bright (1995)
- The Passion of Jerome (1999)
- Consenting Adults (2000)
- From these Green Heights (2005)
- The Townlands of Brazil (2006)
[edit] Bolger's poetry
- The Habit of Flesh (1980)
- Finglas Lilies (1981)
- No Waiting America (1982)
- Internal Exiles (1986)
- Leinster Street Ghosts (1989)
- Taking my Letters Back (1998)
- The Chosen Moment (2004)
[edit] Research work about the author
- La réécriture de l'histoire dans les Romans de Roddy Doyle, Dermot Bolger et Patrick McCabe by Alain Mouchel-Vallon (PhD thesis, 2005, Reims University, France). http://www.sudoc.abes.fr
- The State of the Nation: Paradigms of Irishness in the Drama and Fiction of Dermot Bolger by Damien Shortt (PhD thesis, 2006, Mary Immaculate College, University of Limerick, Ireland)
- Ryan, Ray. Ireland and Scotland: Literature and Culture, State and Nation, 1966-2000. Oxford University Press, 2002.
- Paschel, Ulrike: No mean city? : the image of Dublin in the novels of Dermot Bolger, Roddy Doyle and Val Mulkerns. - Frankfurt am Main [u.a.] : Lang, 1998. – X, 170 S. - (Aachen British and American studies ; 1). - ISBN 3-631-33530-X
- Merriman, Vic: Staging contemporary Ireland : heartsickness and hopes deferred. In: The Cambridge companion to contemporary Irish drama / Shaun Richards, ed. - Cambridge : Cambridge Univ. Pr., 2004 ; pp. 244-257 (On The lament for Arthur Cleary, 1989)
- Murphy, Paul: Inside the immigrant mind : nostalgic versus nomadic subjectivities in late twentieth-century Irish drama. In: Australasian drama studies, 43 (2003, Oct), pp. 128-147 (On A Dublin quartet)
- Tew, Philip: The lexicon of youth in Mac Laverty, Bolger, and Doyle : Theorizing contemporary Irish fiction via Lefebvre's Tenth Prelude. In: Hungarian Journal of English and American Studies, 5:1 (1999), pp. 181-197
- Harte, Liam: A kind of scab : Irish identity in the writings of Dermot Bolger and Joseph O'Connor. In: Irish studies review, 20 (1997 autumn), pp. 17-22
- MacCarthy, Conor: Ideology and geography in Dermot Bolger's The Journey home. In: Irish university review: A journal of Irish studies, 27:1 (1997 Spring-Summer), pp. 98-110
- Merriman, Vic: Centring the wanderer : Europe as active imaginary in contemporary Irish theatre. In: Irish university review: a journal of Irish studies, 27:1 (1997Spring-Summer), pp. 166-181 (On The Lament of Arthur Cleary)
- Aragay, Mireia: Reading Dermot Bolger's The Holy Ground : national identity, gender and sexuality in post-colonial Ireland. In: Links and letters, 4 (1997), pp. 53-64
- Turner, Tramble T.: Staging signs of gender. In: Semiotics 1994: Annual proceedings volumes of the Semiotic Society of America. 19 / John Deely (ed.) ... New York <NY> : Lang, 1995. pp. 335-344 (On The lament for Arthur Cleary, 1989)
