Warhammer: Dark Omen
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| Warhammer: Dark Omen | |
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| Developer(s) | Mindscape |
| Publisher(s) | Electronic Arts |
| Release date(s) | May 6, 1998 |
| Genre(s) | Real-time tactics |
| Mode(s) | Single player, Multiplayer |
| Platform(s) | Windows, PlayStation |
| Media | CD-ROM |
| System requirements | Pentium 166 MHz, 32 MB RAM, 265 MB disk space |
| Input | Mouse, Keyboard |
Warhammer: Dark Omen, the sequel to Warhammer: Shadow of the Horned Rat (1995), is a real-time tactical wargame and is considered one of the first real-time tactical (RTT) games.
Rendered entirely in a freely rotatable- and zoomable steep isometric 3D overhead perspective, the game features for its time remarkable 3D graphics of terrain, terrain features and buildings, and advanced support of the first-generation Voodoo 3dfx 3D accelerator card effects. The 3D terrain and features are combined with 2D sprites ("billboarding") to render the hundreds of individual units simultaneously on-screen on the limited hardware of 1998; a technique still employed in games many years later, a good example being the essentially similar game Shogun: Total War (2000). Warhammer: Dark Omen is based on the Warhammer Fantasy Battle miniature tabletop wargame rules and situated in the Old World in the Warhammer Fantasy world (particularly in The Empire's southern regions) and makes good use of the vast background, creating a deeply engrossing storyline that develops over the course of the game through illustrations and voice acted conversations. The enemy AI is poor, relying on scripts rather than adaptive logic, something which is attempted to be compensated by the player's forces being heavily outnumbered throughout the game.
First released for the PC platform, it was later released in a simplified version for the Sony Playstation. An expansion was scheduled and advertised but never released.
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[edit] Gameplay
The gameplay is one of unit-oriented operational battlefield tactics with infantry, cavalry, and archer squads and artillery pieces as well as supporting hero and wizard units as the fundamental unit to command; that is, beyond rare and special hero characters, no individuals can ever be given orders. The Warhammer Fantasy world is comparatively eclectic and the game freely mixes cannons, arquebuses and steam-powered tanks with bows, cavalry and magic. Except for heroes, which are always by themselves, units consist of as few as four or five individual members for stationary artillery pieces to up to 50 members for larger ordinary units, but are usually of ten to 20 individual members in size. Units suffer from psychological effects and can be routed, and individuals in units may be lost (but can be replaced between missions unless the entire unit is lost). Units advance in experience as the game progresses, and between battles (although not within a 'mission', unlike contemporary RTS games such as Command & Conquer) the player's forces can be brought up to strength, replacing losses, and upgraded by adding armour and equipment using money gained by killing enemies and accomplishing objectives within the mission. New units, including allied Elven and Dwarf units, can also be added at certain points in the campaign, often as rewards for successful completion of critical missions.
While the army can consist of many units only ten may be employed simultaneousy in one battle - selected before the battle commences - making the scope of the battles more of skirmishes than of epic army confrontations, a scale of theatres cemented by the relatively confined maps. Though thus of smaller scope than, for instance, games in the Total War series, in consequence it does afford the commander (player) better overview and more meticulous control over unit formation, orientation and positioning.
Choosing the optimal initial dispoisition, arrangement and position objectives for the army as well as suitable unit formation and depth when engaging the opponents is of paramount importance to the unfurling and outcome of the battle. Archers and artillery should not be in direct mêlée with opposing troops and cavalry is best employed to outflank and shock engaged or harrying fleeing opponents. Care must be taken to avoid friendly fire from artillery. Terrain and elevation must be taken into consideration for attack and defense. Predicting enemy entry and ambush points and movement routes is highly important for a player's tactics. Most real-world medieval or Napoleonic tactics can be employed, including ambushing and outflanking (see list of military tactics). Movement likewise reflects historical reality in that units must rotate or "wheel" from the centre or edges when changing facing.
Dark Omen also has a multiplayer component, where both players 'purchase' an army with a predefined amount of money before facing each other in battle, and can choose to play as the Imperial, Orcish or Undead forces.
[edit] Background story
The game's introduction movie shows the resurrection of an evil undead King in lands far to the South of the Empire. Meanwhile to the North, the player (as mercenary commander Morgan Bernhardt, the main character from Warhammer: Shadow of the Horned Rat) is defending a small trading post from attack by goblins. The army is soon recalled to Altdorf where you are told that Orcs are invading the Empire from the South.
After fighting a number of battles against the orcs, it becomes clear that something is making them flee into the Empire. The player returns to Altdorf to make his report, and is assigned to a series of expeditions to fight the imminent undead threat. These campaigns consist of several battles each, and there are a number of occasions where the player is required to choose between alternative paths, with consequences in the battles ahead. Along the way you meet many friends and enemies, including several from the previous game in the series.
Eventually, after defeating undead incursions in Kislev, Bretonnia and within the Empire itself, the location of the Undead king is discovered and the final battle is pitched. Throughout the game, the player character Bernhardt changes from a mercenary who only cares about money to a hero willing to lay down his life to save others.
The dialogue script was written by dark fantasy and science fiction novelist, Stephen Marley and works well within the constraints of the storyline.
[edit] Running WH:DO on modern hardware
Unfortunately, it is very difficult to get WH:DO to run under OS versions newer than Windows 98. However, the game runs perfectly well under a Win98 virtual machine running on Windows XP. 3D accelerated graphics, though, will be difficult to achieve unless running a true Win98 OS with an authentic 3dfx Voodoo Graphics card.
It has been reported that WH:DO can be run on post-Win9x operating systems: [1]
First you need to set the program to run in windows 98 compatibility mode. Then you need to make sure you don't use hardware cursor, and you need to force a software renderer. If you try to use a modern 3d card it is flickery.
There have also been reports that reducing the Microsoft Windows hardware acceleration from full may allow the game to run.
[edit] Production credits
[edit] Mindscape
[edit] Main
Production Team: Jeff Gamon, Nick Goldsworthy, Andy Kerridge, Jonathan Taylor
Assistant Producers: Julian Glover, Graham Harbour
Design Team: Steve Brown, Richard Castle, Karl Fitzhugh, Jeff Gamon, Steve Leney
Additional Design: Matt Dean, Trevor Gamon, Simon Tresadern
Development Team - Art: Simon Britnell, Richard Castle, Steve Leney, Mark Machin, Nick Tresadern
Animated Sequences: Adrian Crofts, John McCormack
Additional Art: Tina Bradley, Jason Lord
Development Team - Programming: Anthony Bowyer-Lowe, Paul Brooke, Andy Buchanan, Michael A. Carr, Karl Fitzhugh, Jeff Gamon, Andy Kerridge, William Leach, Colin Moore, Jonathan Taylor
Video Player: Martin Griffiths
[edit] Sound & voice
Sound Design: Anthony Bowyer-Lowe, Mark Knight
Additional Sound Design: Adele Kellet, Bill Lusty
Music: Mark Knight
Speech Recording: Audio Interactive
Voice Actors (English Language): Marc Finn, Tessa Gallagher, Gavin Naylor, Jonathan Owen, Larry Rew
Voice Actors (French Language): Tony Beck, Patricia Benadiba, Stephane Cornicard, Pierre Maubouche, Sam Spiegel
Voice Actors (German Language): Steffan Boje, Lutz Liebelt, Martin Muller, Peter Schaufler, Gertrude Thoma Localization: Carol Aggett, Patrick Baroni, Noise! Localisation, SDL Ltd.
Dialogue Script: Stephen Marley
[edit] Testing and marketing
Manual: Richard Hewison, James Lenoel, Ian McClelland
Testers: Oliver Byrne, Antony Carr, Rob Charlish, Matt Dean, Lawrence Doyle, Trevor Gamon, Mia Garside, Paul Gellatly, Matthew Howells, Darren King, Jake May, Martin Newing, Darren Potter, Ashley Powell, Matt Price, Simon Tresadern, Darren Tuckey, Ian White, Adrian Wood-Jones
Quality Assurance Team: European QA, Jason Berisford, Peter Hill, Danny Passey
Marketing Team: UK- Clive Downie, USA- Lisa Kindred
Public Relations: Simi Belo, Simon Callaghan, Karine Dognin, Oscar Del Moral, Niclas Nordlander, MArc Trennheuser, David Wilson
Games Workshop: Jon Gillard, Andy Jones
[edit] Electronic Arts San Mateo
Compatibility Technicians: Jesse Abney, David Koerner
Manual Localization: Bill Scheppler, David Lee
QA: Rico Sablan, Lambert Doria, Jamil Dawsari
Package Layout: Maia Graff
Documentation Design: Tom Peters ~ Joe Lamb, All Game Guide
[edit] See also
[edit] External links
[edit] Reviews
- Review of PC version Very positive reviews of PC version of Dark Omen at Answers.com
- Review of PlayStation version Very negative reviews of PlayStation version of Dark Omen at Answers.com
- Review of Warhammer: Dark Omen at Gamespot
[edit] Information
- Review of Warhammer: Dark Omen at Home of the Underdogs
- Dark Omen at Mobygames at MobyGames
- Mark Knight's Gamesounds Download the Dark Omen music from the composers website
[edit] Active fansites
- Wirtualny Warhammer Polish Warhammer: Dark Omen fan page with a great deal of information about the game, tips and big Download section. The website is in Polish.
- Dark Omen Fansite German Warhammer: Dark Omen fan page with informations about the campaign, the units and the spells.
