Image:Daniel Huntington Philosophy and Christian Art.jpg

[edit] Summary

An engraving by W. Ridgway (published in 1878) after Daniel Huntington's 1868 painting Philosophy and Christian Art. A attractive young woman attempts to persuade a wizened natural philosopher of the virtue of Christian art (in the form of an adoration scene), while he resolutely points to his book, the pages of which read "SCIENTIA" and "MECHANICA", in answer. In addition to youth and beauty, the young woman has nature itself, seen through the window, on her side. (In the original painting, the landscape is somewhat wilder Romantic scene, meant to emphasize the power of nature.)^[1]

[edit] Reference

1. ↑ Wendy Greenhouse, "Daniel Huntington and the Ideal of Christian Art", Winterthur Portfolio, Vol. 31, No. 2/3. (Summer - Autumn, 1996), pp. 103-140. pp. 115, 118.

[edit] Licensing

This image (or other media file) is in the public domain because its copyright has expired. This applies to the United States, Canada, the European Union and those countries with a copyright term of life of the author plus 70 years. العربية ǀ Български ǀ Català ǀ Česky ǀ Dansk ǀ Deutsch ǀ English ǀ Ελληνικά ǀ Esperanto ǀ Español ǀ Euskara ǀ فارسی ǀ Français ǀ Galego ǀ עברית ǀ हिन्दी ǀ Bahasa Indonesia ǀ Italiano ǀ 日本語 ǀ 한국어 ǀ Kurdî / كوردي ǀ Nederlands ǀ Norsk (nynorsk) ǀ Bahasa Melayu ǀ Polski ǀ Português ǀ Русский ǀ Slovenščina ǀ Shqip ǀ Suomi ǀ Svenska ǀ Türkçe ǀ 简体中文 ǀ 正體中文 ǀ +/-