Dancing procession of Echternach

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The dancing procession of Echternach is an annual Roman Catholic dancing procession held at Echternach, in eastern Luxembourg. Echternach's is the last traditional dancing procession in Europe.

The procession is held every Whit Tuesday around the streets of the city of Echternach. It honours Willibrord, the patron saint of Luxembourg, who established the Abbey of Echternach. Echternach has developed a strong tourism industry centred around the procession, which draws many thousands of tourists and pilgrims from around the world.

[edit] The procession

The event begins in the morning at the bridge over the River Sauer, with a sermon delivered by the parish priest (formerly by the abbot of the monastery); after this, the procession moves towards the basilica, through the town's streets, a distance of about 1.5 kilometres. Three steps forward are taken, then two back, so that five steps are required in order to advance one pace. The results is that it is well after midday before the last of the dancers has reached the church. They dance four or five abreast, holding each other by the hand or arm. Many bands accompany the dancers, playing a traditional melody that has been handed down for centuries. A large number of priests and religious also accompany the procession, and, not infrequently, there are several bishops as well. On arrival at the church, the dance is continued around the tomb of Saint Willibrord, which stands in the crypt beneath the high altar. Litanies and prayers in his honour are recited, and the whole concludes with a benediction of the sacrament.

In the past, the dancing procession has adopted other forms. At one time, the pilgrims would repeatedly stop at the sound of the bell donated by Emperor Maximilian, falling to their knees before moving forward a few more steps. At another time, pilgrims would crawl under a stone, facing the cross of St. Willibrord. A 'cattle-bell dance' used to take place in front of the cross, which was erected on the marketplace; this dance was prohibited in 1664.

[edit] History

Willibrord's Abbey of Echternach was a major Christian centre in the Middle Ages, and maintained a famous library and scriptorium. However, it owes its modern fame to the quaint dancing procession. This aspect of the cult of the saint may be traced back almost to the date of his death; among the stream of pilgrims to his tomb in the abbey church have been Emperors Charlemagne, Lothair I, Conrad, and later Maximilian (in 1512).

Catholic historians are reluctant to ascribe any pre-Christian antecedents to the dancing procession, and claim only that its origin cannot be stated with certainty. A neutral observer, without denigrating the event in the least, may recognise elements of pagan cult, such as the ones that were criticised by Saint Eligius in the 7th century. Documents of the fifteenth century speak of it as a long-established custom at that time, and a similar "dancing" procession, which used to take place in the small town of Prüm, in the Eifel, was documented as early as 1342. Legends are told that relate the dancing procession to an averted plague or offer a fable about a condemned fiddler, but the dancing procession to the saint's tomb is an annual ceremony done as an act of penance on behalf of afflicted relations and especially in order to avert epilepsy, Saint Vitus Dance, or convulsions.

The procession took place annually without intermission until 1777. There has been an uneasy relationship with the church hierarchy; in 1777, the music and dancing of the 'dancing saints' were forbidden by Archbishop Wenceslas, who declared that there should only be a pilgrim's procession, and, in 1786, Emperor Joseph II abolished the procession altogether. Attempts were made to revive it ten years later, and, although the French Revolution effectually prevented it, it was recommenced in 1802, and has continued ever since. In 1826, the government tried to change the day to a Sunday, but, since 1830, it has always taken place on Whit Tuesday, a traditional day that, significantly, bears no direct relation to St. Willibrord himself.