Dambulla cave temple

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Golden Temple of Dambulla1
UNESCO World Heritage Site
Seated Buddha statue at Dambulla cave temple
State Party Flag of Sri Lanka Sri Lanka
Type Cultural
Criteria i, vi
Identification #561
Region2 Asia-Pacific
Inscription History
Formal Inscription: 1991
15th WH Committee Session
WH link: http://whc.unesco.org/en/list/561

1 Name as officially inscribed on the WH List
2 As classified officially by UNESCO

Dambulla Cave Temple (also known as the Golden Temple of Dambulla) is a world heritage site (1991) in Sri Lanka, situated in the central part of the country. This site is situated 148 km east of Colombo and 72 km north of Kandy. It is the largest and best-preserved cave temple complex in Sri Lanka. The rock towers 160 m over the surrounding plains.There are more than 80 documented caves in the surrounding. Major attractions are spread over 5 caves, which contain statues and paintings. This paintings and statues are related to Lord Buddha and his life. There are total of 153 Buddha statues, 3 statues of Sri Lankan kings and 4 statues of gods and goddesses. The later 4 include two statues of Hindu gods, god Vishnu and god Ganesh. The murals, covers an area of 2,100 square meters. Depictions in the walls of the caves include Buddha's temptation by Mara (demon) and Buddha's first sermon.

Contents

[edit] History

Dating back to the 1st century BC, this is the most impressive cave temple in Sri Lanka. It has five caves under a vast overhanging rock, carved with a drip line to keep the interiors dry. In 1938 the architecture was embellished with arched colonnades and gabled entrances. Inside the caves, the ceilings are painted with intricate patterns of religious images following the contours of the rock. There are images of the Lord Buddha and bodhisattvas, as well as various gods and goddesses.

The Dambulla cave monastery is still functional and remains the best-preserved ancient edifice in Sri Lanka. This complex dates from the 3rd and 2nd centuries BC, when it was already established as one of the largest and most important monasteries. King Valagambahu is traditionally thought to have converted the caves into a temple in the 1st century BC. Exiled from Anuradhapura, he sought refuge here from South Indian usurpers for 15 years. After reclaiming his capital, the King built a temple in thankful worship. Many other kings added to it later and by the 11th century, the caves had become a major religious centre and still are. King Nissanka Malla gilded the caves and added about 70 Buddha statues in 1190. During the 18th century, the caves were restored and painted by the Kandyan Kings.


[edit] The five caves

The temple is composed of five caves, which have been converted into shrine rooms. The caves, built at the base of a 150m high rock during the Anuradhapura (1st Century BC to 993 AD) and Polonnaruwa times (1073 to 1250), are by far the most impressive of the many cave temples found in Sri Lanka. Access is along the gentle slope of the Dambulla Rock, offering a panoramic view of the surrounding flat lands, which includes the rock fortress Sigiriya, 19kms away. Dusk brings hundreds of swooping swallows to the cave entrance. The largest cave measures about 52m from east to west, and 23m from the entrance to the back, this spectacular cave is 7m tall at its highest point. Hindu deities are also represented here, as are the kings Valgamba and Nissankamalla, and Ananda - the Buddha's most devoted disciple.

[edit] Cave of the Divine King

The first cave is called Devaraja lena (lena in sinhalese meaning cave), or "Cave of the Divine King." An account of the founding of the monastery is recorded in a first-century Brahmi inscription over the entrance to the first cave. This cave is dominated by the 14-meter statue of the Buddha, hewn out of the rock. It has been repainted countless times in the course of its history, and probably received its last coat of paint in the 20th century. At his feet is Buddha's favorite pupil, Ananda; at his head, Vishnu, said to have used his divine powers to create the caves.

[edit] Cave of the Great Kings

In the second and largest cave, in addition to 16 standing and 40 seated statues of Buddha, are the gods Saman and Vishnu, which pilgrims often decorate with garlands, and finally statues of King Vattagamani, who honored the monastery in the first century B.C., and King Nissanka Malla, responsible in the 12th century for the gilding of 50 statues, as indicated by a stone inscription near the monastery entrance. This cave is accordingly called Maharaja lena, "Cave of the Great Kings." The Buddha statue hewn out of the rock on the left side of the room is escorted by wooden figures of the Bodhisattvas Maitreya and Avalokiteshvara or Natha. There is also a dagoba and a spring which drips its water, said to have healing powers, out of a crack in the ceiling. Valuable tempera paintings on the cave ceiling dating from the 18th century depict scenes from Buddha's life, from the dream of Mahamaya to temptation by the demon Mara. Further pictures relate important events from the country's history.

[edit] Great New Monastery

The third cave, the Maha Alut Vihara, the "Great New Monastery" acquired ceiling and wall paintings in the typical Kandy style during the reign of King Kirti Sri Rajasinha (1747-1782), the famous Buddhist revivalist. In addition to the 50 Buddha statues, there is also a statue of the king.

[edit] Fourth and fifth caves

The fourth and fifth caves are smaller; they date from a later period and are not of such high quality. A small Vishnu Devale between the first and second caves attracts many worshipers.

[edit] Statues

Within these shrine rooms is housed a collection of one hundred and fifty statues of the Buddhist Order and the country's history. These statues and paintings are representative of many epochs of Sinhala sculpture and Sinhala art. The Buddha statues are in varying sizes and attitudes - the largest is 15 metres long. One cave has over 1,500 paintings of Buddha covering the ceiling.

[edit] Paintings and Statues in the caves


  • This page incorporates content from Dr. Rohan Hettiarachchi's [1] used with permission of website owner.
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