Dambuilders

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The Dambuilders in 1997Photo:Michael Miller
The Dambuilders in 1997
Photo:Michael Miller

The Dambuilders were one of the more innovative bands in the early 1990s Boston rock scene. The founding members - Dave Derby and Eric Masunaga - both hail from Hawaii and had played in a number of bands before moving to Boston in 1990 and forming The Dambuilders. One of the more unique bands of the early to mid 1990s due to their use of violin on nearly all of their songs. After a few personnel changes the "classic lineup" consisted of Derby (bass and lead vocals); Masunaga (guitar); Kevin March (drums); and Joan Wasser (violin). Currently Dave Derby is performing as a solo artist, based in NYC. After two releases under the "Brilliantine" name, he released 'Even Further Behind' in 2003 and released his second solo record "Dave Derby and the Norfolk Downs" in February 2007. Wasser is now performing under the name "Joan As Police Woman" and released her solo debut ep. 'JOAN AS POLICEWOMAN' in June 2005. March was also a member of Guided by Voices for several years and continues to do seesion work and tours with various artists. He is currently putting together a new group with his old friend, Nathan Larson of Shudder To Think. Masunaga now runs Modulus DVD, a mastering and DVD authoring studio, in Boston.

Their first single was Pop Song = Food. Other albums include Geek Lust, Islington Porn Tapes, God Dambuilders Bless America, A Young Person's Guide..., Encendedor, Ruby Red and Against The Stars.

[edit] Commercial Success

While The Dambuilders are generally considered to be an "indie" band, they have received some commercial airplay with their single "Shrine" from 1994's "Encendedor". Although the song has no viable chorus, The Dambuilders manage to create an appealing and memorable single using a distinctly melodic verse and an innovative instrumental section used as an intro, outro, and bridge. In this section, the bass guitar plays a percussive yet melodic riff using two bass strings simultaneously, as opposed to the more conventional method, in which the bass player plays one string at a time. The song tells of a cross-cultural romantic courtship between the singer and a girl who "doesn't speak much english" but is hip to the American music scene. In the song, the singer is willing to conform to traditional religious practices outside his own cultural sphere ("...if I stay with her I'll lose track of all time, so I light a candle to the shrine..."), but seemingly manages to stay true to his roots by redefining the acts as an aspect of his own a-religious, culturally inclusive belief system ("...and call it Rock n' Roll").