Cluj-Napoca Romanian Opera

From Wikipedia, the free encyclopedia

Building Information
Romanian Opera
Front view
Location	Cluj-Napoca
Country	Romania
Architect	Ferdinand Fellner and Hermann Helmer
Construction Start Date	1904
Completion Date	1906
Style	Neo-baroque

Cluj-Napoca Romanian Opera (Romanian: Opera Română din Cluj-Napoca) is a public opera house and ballet company institution in Cluj-Napoca, Romania. The Opera shares the same building with the National Theatre.

[edit] Building

The opera house was built between 1904 and 1906 by the famous Austrian architects Ferdinand Fellner and Hermann Helmer who designed several theatres and palaces across Europe in the late 19th century and early 20th century, including the theatres in Iaşi, Oradea, Timişoara and Chernivtsi (Romanian: Cernăuţi).

The building opened on 8 September 1906 with Ferenc Herczeg's Bujdosók and until 1919, as Cluj was part of the Kingdom of Hungary, it was home to the local Hungarian National Theatre (Hungarian: Nemzeti Színház).

Since 1919, the building has been home to the local Romanian National Theatre and Romanian Opera, while the local Hungarian Theatre and Opera received the theatre building in Emil Isac street, close to the Central Park and river Someş.

The hall initially had a capacity of 928 places, being conceived in the Neo-baroque style, with some inflexions inspired by the Secessionism in the decoration of the foyer. Between 1950 and 1956 the stage house was extended to 1200 seats.

[edit] History

The Romanian Opera was officially opened on 18 September 1919, simultaneously with the National Theatre and the Gheorghe Dima Music Academy. On 13 - 14 May 1920 the first two performances - 2 symphonic concerts - were conducted there by the Czech conductor Oskar Nebdal.

The first opera performance took place on 25 May 1920 with the Romanian version Giuseppe Verdi's Aida, with Alfred Novak as conductor, and Constantin Pavel as stage director. Famous artists of the early days of the institution include Constantin Pavel, the first director of the institution and the first tenor to sing the Radames role in the Cluj-Napoca Romanian Opera, the Italian conductor Egisto Tango, the composer Tiberiu Brediceanu, the baritone Dimitrie Popovici-Bayreuth.

The Romanian Opera managed to establish in a very short period of time a very good and prolific artistic team. In just its first 2 years (1919-1921), it staged 99 performances, including Giuseppe Verdi's Aida, Charles Gounod's Faust, de Giacomo Puccini's Madama Butterfly, Nicolae Bretan's Luceafărul, Pietro Mascagni's Cavalleria rusticana, Richard Wagner's Tannhäuser and 15 symphonic concerts of the Opera's own Orchestra.

In 1940, as a result of the Second Vienna Award, the Opera, like other Romanian institutions, had to move to the Romanian part of a divided Transylvania. While the local university moved to Sibiu, the Romanian Opera moved to Timişoara and became Cluj-Napoca Romanian State Opera at Timişoara (Romanian: Opera Româna de Stat din Cluj la Timişoara). In December 1945, at the end of World War II, as Cluj became again part of Romania, the Opera returns to Cluj and restarted its activity.

During its existence, the Cluj-Napoca Romanian Opera staged more than 200 operas, operettas and ballets from all over the world and more than 40 Romanian performance art-forms, including the premieres of George Enescu's Oedipe and Sigismund Toduţă's Meşterul Manole.

The Cluj-Napoca Romanian Opera established itself as an important European opera company, due to prestigious artistic tours in Italy (more than 22 tours starting from 1971), Holland, France, Germany, Belgium, Luxemburg, Austria, England, Switzerland, Turkey, Bulgaria, Ukraine, then-Czechoslovakia, etc.