Chester Brown

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Chester Brown (born May 16, 1960) is a Canadian independent cartoonist. His underground work was initially self-published, then released by the independent publishing company Vortex. Most of his output is now published by Drawn and Quarterly.

1 Early years
2 Autobiographical nature
3 Thematic subjects
4 Recent work
5 Comic book series
6 Graphic novels and collections
7 Awards
8 External links

[edit] Early years

He made his debut in comics with a self-published mini-comic called Yummy Fur, later published as a full size comic from Vortex Comics, initially reprinting the contents of the earlier mini. Its contents included the surreal black comedy strip Ed the Happy Clown, collected in graphic novel form by Vortex in 1986 and later in a somewhat different edition by Drawn & Quarterly. The bizarre misfortunes of the title character include being chased by cannibalistic pygmies and having the tip of his penis replaced by the head of a miniature Ronald Reagan from another universe.

Brown explained later that "the Ed story came automatically, without any thought." Throughout his early years as a cartoonist he mostly experimented with drawing on the darker side of his subconscious, basing his comedy on free-form association (much like the surrealist technique Automatism). An example of such methods in Brown's work can be found in short one-pagers where he randomly selects comic panels from other sources and then mixes them up, often altering the dialogue. This produced a very experimental absurdist effect in his early strips.

[edit] Autobiographical nature

In later Vortex editions of Yummy Fur, Brown experimented with autobiography, and in 1990 produced highly structured narratives about his childhood in serialized form. These stories were later collected as graphic novels, The Playboy (Drawn and Quarterly, 1992) and I Never Liked You (Drawn and Quarterly, 1994). The former deals with the his addiction to Playboy magazines in his youth, and is promoted as "[a]n autobiographical look at how pornography has affected my life" by the author. I Never Liked You (originally titled Fuck) is an often grim coming-of-age tale, which depicts the author as an introvert who is constantly picked on by his schoolmates and cannot relate to the opposite sex. It also deals with his mother's bout with schizophrenia.

Brown discusses his mother more academically in his strip "My Mother Was A Schizophrenic". In it, he puts forward the idea that what we call "schizophrenia" isn't a real disease at all, but instead a tool our society uses to deal with people who display socially unacceptable beliefs and behaviour. Inspired by the evangelical tracts of Jack T. Chick, Brown left Xeroxes of these strips at bus stops and stations around Montreal so its message would reach a wider audience. This strip was eventually reproduced in a journal of psychiatry; it first appeared as a backup feature in Underwater, and is also reprinted in the collection The Little Man.

[edit] Thematic subjects

Underwater, Brown's first series after Yummy Fur, is an experimental work that attempts to portray life from the point of view of an infant, starting with entirely incomprehensible events and dialogue and gradually developing a coherent narrative as the child matures. The series was not well received by critics and sold poorly, and Brown abandoned it in an unfinished state.

Brown's longest-running work is a series of adaptations of the Christian gospels: he finished the Gospel of Mark as a backup feature in Yummy Fur, and the still unfinished Gospel of Matthew appeared in Yummy Fur and Underwater. These adaptations adhere closely to Biblical events but use colloquial language and often grotesque caricature; Brown's portrayal of Jesus not only is idiosyncratic and often harsh, but varies considerably between the two books, reflecting the differences in emphasis between gospels. The gospel strips have not been reprinted; Brown says he intends to finish them. Recently Chester was asked by Cerebus comic book creator Dave Sim if he'd be interested in letting him publish the unpublished material as part of his proposed possible publication or free print-on-demand from off of the internet of his commentaries of the gospels and The Book of Revelations out of Brooke Foss Westcott and Fenton John Anthony Hort's 1881 interlinear Greek to English translation of The New Testament. At last mention Chester hadn't said yes or no.

[edit] Recent work

Brown's most recent work is a biography in graphic novel form of Louis Riel, published by Drawn and Quarterly in both serialized and collected (Louis Riel: A Comic-Strip Biography) form. It was selected as one of the best comics of 2003 by Time columnist Andrew D. Arnold, and was nominated for a 2004 Eisner Award. Brown has begun to re-print the original, un-altered versions of the Ed stories with the publisher Drawn & Quarterly. They plan to eventually publish a revised, third and definitive book length version of the saga.