Chūshingura

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This Toyokuni print depicts the actor Onoe Eisaburō I in the role of Hayano Kanpei.
This Toyokuni print depicts the actor Onoe Eisaburō I in the role of Hayano Kanpei.
Kunisada illustrated two of the ronin: Horibe Yahei and his adopted son, Horibe Yasubei.
Kunisada illustrated two of the ronin: Horibe Yahei and his adopted son, Horibe Yasubei.
The ronin break in to Kira's mansion in this Hokusai print.
The ronin break in to Kira's mansion in this Hokusai print.
Incense rises from the graves of the ronin at Sengaku-ji in Tokyo.
Incense rises from the graves of the ronin at Sengaku-ji in Tokyo.

Chūshingura (忠臣蔵?) is the fictional account of the revenge by the Forty-seven Ronin of the death of their master, Asano Naganori. The story has been told in kabuki, bunraku, stage plays, films, novels, television shows and other media. With ten different television productions in the years 1997–2007 alone, the Chūshingura ranks among the most familiar of all stories in Japan.

Contents

[edit] The Historic Events

The historic basis for the narrative begins in 1701. The ruling shogun Tokugawa Tsunayoshi placed the daimyo Asano Takumi-no-kami Naganori in charge of a reception of envoys from the Imperial Court in Kyoto. He also appointed the protocol official (kōke) Kira Kōzuke-no-suke Yoshinaka to instruct Asano in the ceremonies. On the day of the reception, at Edo Castle, Asano drew his short sword and attempted to kill Kira after he had insulted Asano. For this, he was sentenced to commit seppuku, but Kira went without punishment. The shogunate confiscated Asano's lands and dismissed the samurai who had served him, making them ronin.

Nearly two years later, Ōishi Kuranosuke Yoshio, who had been a high-ranking samurai in the service of Asano, led a group of forty-seven of the ronin. They broke into Kira's mansion in Edo, captured and executed Kira, and laid his head at the grave of Asano. Then they turned themselves in to the authorities, and were sentenced to commit seppuku, which they all did on the same day that year. Ōishi is the protagonist in most retellings of the Chūshingura.

See more at Forty-seven Ronin.

[edit] Literature

The bunraku puppet play Kanadehon Chūshingura by Takeda Izumo II, Namiki Senryū, and co-authors dramatized the events. It debuted in 1748 at the Takemoto-za theatre in the Dōtonbori entertainment district in Osaka, and a kabuki adaptation appeared later that year. The title means "Kana practice book Treasury of the loyal retainers." The "kana practice book" aspect refers to the coincidence that the number of ronin matches the number of kana, and the play portrayed the ronin as each prominently displaying one kana to identify him. The forty-seven ronin were the loyal few retainers of the hundreds who had served Asano; the title likened them to a warehouse full of treasure. To avoid censorship, the authors placed the action in the time of the Taiheiki (a few centuries earlier), changing the names of the principals. The play has continued to be in the repertory since its debut.

[edit] Films, TV Dramas, and Others

December is a popular time for performances of Chūshingura. Because the break-in occurred in December (according to the old calendar), the story is often retold in that month.

[edit] Films

The history of Chūshingura on film began in 1907, when one act of a kabuki play was released. The first original production followed in 1908. Onoe Matsunosuke played Ōishi in this ground-breaking work.

A Nikkatsu film retold the events to audiences in 1930. It featured the famous Ōkōchi Denjirō in the role of Ōishi. Since then, three generations of leading men have starred in the role. Younger actors play Asano, and the role of Aguri, wife (and later widow) of Asano, is reserved for the most beautiful actresses. Kira, who was over sixty at his death, requires an older actor. Ōkōchi reprised the role in 1934. Other actors who have portrayed Ōishi in film include Bandō Tsumasaburō (1938), and Kawarasaki Chōjūrō IV (1941).

During the Occupation of Japan, GHQ banned performances of the story, charging them with promoting feudal values. Under the influence of Faubion Bowers, the ban was lifted in 1947. In 1952, the first film portrayal of Ōishi by Chiezō Kataoka appeared; he took the part again in 1959 and 1961. Matsumoto Kōshirō VIII (later Hakuō), Ichikawa Utaemon, Ichikawa Ennosuke II, Kinnosuke Yorozuya Ken Takakura, and Masahiko Tsugawa are among the most noteworthy actors to portray Ōishi.

Setsuko Hara retired following her appearance as Riku, wife of Ōishi, in the 1962 Toho production with Kōshirō.

[edit] TV Dramas

The 1964 NHK Taiga drama Akō Rōshi was followed by no fewer than 21 television productions of Chūshingura. Toshiro Mifune starred in a 1971 show on TV Asahi, and Kinnosuke Yorozuya crossed over from film to play the same role in 1979, also on TV Asahi. Tōge no Gunzō, the third NHK Taiga drama on the subject, starred Ken Ogata, and renowned director Juzo Itami appeared as Kira. Kōtarō Satomi, Matsumoto Kōshirō IX, Beat Takeshi, Tatsuya Nakadai, Hiroki Matsukata, Kinya Kitaōji, Akira Emoto, Akira Nakao, Nakamura Kanzaburō XVIII, Ken Matsudaira, and Shinichi Tsutsumi are among the many stars to play Ōishi. Hisaya Morishige, Naoto Takenaka, and others have portrayed Kira. Izumi Inamori starred as Aguri (Yōzeiin), the central character in the ten-hour 2007 special Chūshingura Yōzeiin no Inbō.

The 1927 novel by Jirō Osaragi was the basis for the 1964 Taiga drama Akō Rōshi. Eiji Yoshikawa, Seiichi Funahashi, Futaro Yamada, Kōhei Tsuka, and Shōichirō Ikemiya have also published novels on the subject. Maruya Saiichi, Motohiko Izawa, and Kazuo Kumada have written criticisms of it.

[edit] Ballet

The ballet choreographer Maurice Béjart created a ballet work called "The Kabuki" based on the Chushingura legend in 1986, and it has been performed more than 140 times in 14 nations world wide by 2006.

[edit] References

  • Chūshingura (in Japanese) retrieved January 6, 2006
  • 新井政義(編集者)『日本史事典』。東京:旺文社1987(p. 87)
  • 竹内理三(編)『日本史小辞典』。東京:角川書店1985(pp. 349–350)
  • Chushingura at IMDB
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