Caterina Cornaro (opera)

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Caterina Cornaro ossìa La Regina di Cipro (Caterina Cornaro or The Queen of Cyprus) is a tragedia lirica, or opera, in a prologue and two acts by Gaetano Donizetti. Giacomo Sacchèro wrote the Italian libretto after Jules-Henri Vernoy de Saint-Georges' libretto for Halévy's La reine de Chypre (1841). It is based on the life of Caterina Cornaro, (1454 - 1510), Queen of Cyprus from 1474 to 1489. It premiered at the Teatro San Carlo, Naples on January 18, 1844.

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[edit] Background

Following the success of Linda di Chamounix, Caterina Cornaro was commissioned by Bartolomeo Merelli, impresario of the Kaertnerthortheater in Vienna, and was partly composed in 1842, just before Don Pasquale, and completed during the following summer. The Viennese realised that the same subject had been set to music the preceding year by Franz Lachner and the debut was cancelled. Donizetti dedicated himself instead to Maria di Rohan, presented at the Kaertnerthortheater in June 1843, and searched for a suitable theatre for Caterina. Two months after the triumph of Dom Sébastien in Paris, Caterina was booed at the San Carlo in Naples. The composer, who had been unable to be present at rehearsals or to oversee the orchestration, had clearly predicted the opera's failure:

I am anxiously awaiting news of the fiasco of Caterina Cornaro in Naples. La Goldberg as a primadonna is my first disaster without knowing it. I wrote for a soprano, they give me a mezzo! God knows if Coletti, if Fraschini intend their roles as I intend them. God knows what a catastrophe censorship has brought.

he wrote to his brother-in-law in January 1844. In the winter of 1844-45 he devoted himself to a revision which provided a different ending. The new version was presented in Parma in February 1845, with Marianna Barbieri-Nini in the title role.

It was the last of Donizetti’s operas to have its première during his lifetime[1].

A contemporary revival took place at the Teatro San Carlo, Naples in 1972, with Leyla Gencer, Renato Bruson and Giacomo Aragall. Gencer sang a concert version the following year at Carnegie Hall, New York. In the same year, Montserrat Caballé sang Caterina in Paris at the Salle Pleyel and followed it with concert performances in London, Barcelona and Nice, some of which have been preserved on record.



[edit] Roles

Premiere, January 1, 1844
Caterina Cornaro soprano Fanny Goldberg
Matilde, Caterina's friend mezzo-soprano Anna Salvetti
Geraldo tenor Gaetano Fraschini
Lusignano, King of Cyprus baritone Filippo Coletti
Mocenigo, ambassador of Venice bass Nicola Benevento
Andrea Cornaro, Caterina's father bass Marco Arati
Strozzi, head of the Sgherri tenor Anafesto Rossi
A knight of the King tenor Domenico Ceci

[edit] Synopsis

The action takes place in Venice and Cyprus in 1472.

The wedding of Caterina, daughter of Andrea Cornaro, to a young Frenchman, Gerardo, is postponed when Mocenigo brings word that Lusignano, King of Cyprus, wishes to marry her. After much intrigue, involving Lusignano being slowly poisoned by Mocenigo, Gerardo joins the Knights of the Cross to help Lusignano defend Cyprus against the Venetians. Lusignano is mortally wounded; as he dies he entrusts his people to Caterina's care. Gerardo then returns to Rhodes. (In the revised finale for the Parma production, Lusignano informs Caterina that Gerardo has been killed in battle.)

[edit] Recording

Live recording of Caterina Cornaro from London 1972
Live recording of Caterina Cornaro from London 1972

[edit] References

  1. ^ Enel

[edit] External link