Café Society

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Café society was the collective description for the so-called "beautiful people" and "bright young things" who gathered in fashionable cafes and restaurants in Paris, London, Rome or New York, beginning in the late 1800s. Although members of café society were not necessarily members of The Establishment or other ruling class groups, they were people who attended each other's private dinners and balls, took holidays in exotic locations or at elegant resorts, and whose children tended to marry the children of other café society members.

In the United States, café society came to the fore with the end of Prohibition in December 1933 and the rise of photo journalism, to describe the set of people who tended to do their entertaining semi-publicly, in restaurants and night clubs and who would include among them movie stars and sports celebrities.

In the late 1950s the term "Jet Set" began to take the place of "café society", but "café society" may still be used informally in some countries to describe people who habitually visit coffeehouses and give their parties in restaurants rather than at home.

[edit] The nightclub

Café Society was also a New York City nightclub opened in 1938 in Greenwich Village by Barney Josephson to showcase African American talent and to be an American version of the political cabarets he had seen in Europe before the war. Josephson also intended the club to defy the pretensions of the rich; he chose the name to mock Clare Booth Luce and what she referred to as "café society", the habitués of more upscale nightclubs. Josephson not only trademarked the name, which had not been trademarked by the gossip columnist for the New York Journal American M, who wrote as the first "Cholly Knickerbocker". but advertised the club as "The Wrong Place for the Right People." Josephson opened a second branch on 58th Street, between Lexington and Park Avenue, in 1940.

The club also prided itself on treating both black and white customers equally, unlike many venues, such as the Cotton Club, that featured black performers but barred black customers. The club featured many of the greatest black musicians of the day, from a wide range of backgrounds, often presented with a strongly political bent. Billie Holiday first sang "Strange Fruit" there; at Josephson's insistence, she closed her set with this song, leaving the stage without taking any encores, so that the audience would be left to think about the meaning of the song.

Relying on the keen musical judgment of John Hammond, Josephson helped launch the careers of Lena Horne and Hazel Scott and popularized gospel groups such as the Golden Gate Quartet and the Dixie Hummingbirds among white audiences. The club was also a regular venue for such artists as the boogie woogie pianists Meade Lux Lewis, Albert Ammons and Pete Johnson, blues shouter Big Joe Turner, singer and activist Paul Robeson, country blues singers Josh White and Big Bill Broonzy, and jazz giants Lester Young, Billie Holiday, Art Tatum, James P. Johnson, Sarah Vaughan, and Mary Lou Williams. The club also served as a place for musical interchange and development: the Dixie Hummingbirds, performing under the name "The Jericho Quintet", sang with Lester Young's combo, while adopting some of the stage moves that their more popular rivals, the Golden Gate Quartet, had perfected.

Many of these acts had first been presented at Hammond's Carnegie Hall concerts, From Spirituals to Swing, in 1938 and 1939.

The club was the scene of numerous political events and fundraisers, often for left-wing causes, both during and after World War Two. In 1947 Josephson's brother Leon Josephson was subpoenaed by the House Committee on Un-American Activities, which led to hostile comments from columnists Westbrook Pegler and Walter Winchell. Business dropped sharply as a result and the club closed the following year.