Bunny Berigan
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Bunny Berigan (b. Rowland Bernard Berigan, Hilbert, Wisconsin,November 2, 1908; d. New York City, June 2, 1942) was a signature jazz trumpeter who rose to fame during the Swing Era but whose virtuosity and influence were shortened by a losing battle with alcoholism that ended in his early death.
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[edit] Early life
Berigan was born in Hilbert [1] but raised in what he later considered his real home town, Fox Lake, Wisconsin. A musical prodigy, having learned the violin and trumpet at an early age, Berigan played in local orchestras by his late teens before auditioning for the successful Hal Kemp orchestra in 1928 or 1929.
[edit] Early Career
Kemp first spurned the young trumpeter, reputedly because Berigan at the time had an uncertain tone, but any deficiencies were apparently resolved a year and a half later: this time, Kemp hired Berigan, in mid-1930. Berigan's first recorded trumpet solos came with the Kemp orchestra, and he was with the unit when they toured England later in the year.
By the time the Kemp unit returned to the U.S. in 1931, Berigan, like fellow trumpeter Manny Klein, became a sought-after studio musician; Fred Rich, Freddy Martin and Ben Selvin were just some who sought his services for record dates. Berigan recorded his first vocal, "At Your Command", with Rich that year. From late 1932 through 1933, Berigan was also employed by Paul Whiteman, before playing with Abe Lyman's band in 1934.
He continued freelancing in the recording and radio studios, most notably with the Dorsey Brothers and on Glenn Miller's earliest recording date as a leader in 1935. At the same time, however, Berigan made the association that graduated him to fame in his own right: he joined Benny Goodman's re-forming band. Legendary jazz talent scout and producer John Hammond, who also became Goodman's brother-in-law in due course, later wrote that he helped persuade Gene Krupa to re-join Goodman, with whom he'd had an earlier falling-out, by mentioning that Berigan, whom Krupa admired, was already committed to the new ensemble. With Berigan and Krupa both on-board, the Goodman band made the legendary, often disheartening tour that ended with their unexpectedly headline-making stand at Los Angeles's Palomar Ballroom, the stand often credited with the "formal" launch of the Swing Era.
[edit] Fame
Berigan left Goodman to spend some time with Tommy Dorsey's orchestra; his solo on the Dorsey hit "Marie" became considered one of his signaturep erformances. Then, in 1937, Berigan assembled a band to record under his name, picking the then-little known Ira Gershwin-Vernon Duke composition "I Can't Get Started." Berigan's crisp trumpet work--modeled in part on Louis Armstrong's style; Berigan often acknowledged Armstrong as his own idol--and passable vocal made the song the biggest hit of his career and his theme for the rest of his life. Armstrong, for his part, returned the compliment after Berigan's death, saying the only thing wrong with Berigan was that he died too young.
[edit] Bandleader
Berigan got the itch to lead his own band full-time and did so for about three years. Some of their records were equal in standard to the sides he cut with Goodman and Dorsey, but they weren't financially successful and Berigan was known to fret over a business sense that wasn't quite equal to his musical talent. Already a heavy drinker, the business stress of bandleading drove Berigan to drink even more heavily. Nevertheless, musicians considered him an excellent bandleader; several notable players came into and out of the Berigan orchestra during its short life: Buddy Rich (a fellow Dorsey alumnus), Gus Bivona, Davie Tough, Danny Richards, Joe Bushkin, Ray Conniff, Ruth Bradley, Hank Wayland, Bama Warwick, Helen Ward, Sid Weiss, Morty Stuhlmaker, Hymie Shertzer, Bob Jenney, Al Jennings, Buddy Koss, Steve Lipkins, Kathleen Lane, Joe Dixon, Georgie Auld, Joe Lipman, George Wettling, Clyde Rounds, and Tommy Morgan.
Berigan was also a fixture on CBS Radio's Saturday Night Swing Club broadcasts from 1937 to 1940, a coast-to-coast broadcast that helped further popularise jazz as the Swing Era climbed to its peak.
[edit] Last years
Berigan's business troubles drove him to declare bankruptcy in 1940 and re-join Tommy Dorsey for a brief period before leaving to form a new small group to play mostly one-night stands. By this time, however, the touring grind became too much---during one such tour, Berigan was hospitalised with pneumonia in Pittsburgh, Pennsylvania. But his doctors discovered worse news: Berigan by now was stricken with cirrhosis of the liver. His doctors advised him to stop drinking and to stop playing the trumpet for an undetermined length of time.
Berigan couldn't do either one. He returned to New York and suffered a massive hemorrhage May 30, 1942. He died two days later in hospital---at age 33. He was survived by his wife, Donna, and his two young daughters, Patricia and Joyce.
[edit] Iconic figure
His 1937 recording of 'I Can't Get Started' was used in the 1973 film Save the Tiger, the Roman Polanski film Chinatown, and a Martin Scorsese short film,The Big Shave, made in 1967. Fox Lake, Wisconsin has kept his memory and influence alive with an annual Bunny Berigan Jazz Jubilee since the early 1970s. At least one of Berigan's Saturday Night Swing Club, a performance from Manhattan Center in New York 26 September 1939, has survived to circulate among jazz and old-time radio collectors alike.
