Bullitt

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Bullitt
Bullitt movie poster
Directed by	Peter Yates
Produced by	Philip D'Antoni Robert E. Relyea
Written by	Novel: Robert L. Fish Screenplay: Alan Trustman Harry Kleiner
Starring	Steve McQueen Robert Vaughn Jacqueline Bisset
Music by	Lalo Schifrin
Cinematography	William A. Fraker
Editing by	Frank P. Keller
Distributed by	Warner Bros.
Release date(s)	October 17, 1968
Running time	113 min.
Country	United States
Language	English
Budget	$5,500,000
IMDb profile

Bullitt is a 1968 thriller film starring Steve McQueen, Robert Vaughn and Jacqueline Bisset, with Don Gordon, Robert Duvall, Carl Reindel, Felice Orlandi, Vic Tayback, Pat Renella, Paul Genge, Bill Hickman, Norman Fell and Brandy Carroll. It was distributed by Warner Bros.

The director was Peter Yates. The story was adapted for the screen by Alan Trustman and Harry Kleiner, based on the novel titled Mute Witness (1963) by Robert L. Fish (aka Robert L. Pike). Lalo Schifrin wrote the original music score, a memorable mix of jazz, brass and percussion.

The movie won the Academy Award for Best Film Editing (Frank P. Keller) and was nominated for Best Sound. Writers Trustman and Kleiner won a 1969 Edgar Award from the Mystery Writers of America for Best Motion Picture Screenplay.

Bullitt is most-remembered for its central car chase scene through the streets of downtown San Francisco, one of the earliest and most influential car chase sequences in movies. The scene had Bullitt in a dark "Highland Green" 1968 Ford Mustang G.T.390 Fastback, chasing two hit-men in a "Tuxedo Black" 1968 Dodge Charger R/T 440 Magnum. (In honor of the Mustang in the film, the Ford Motor Company produced a limited edition 2001 Ford Mustang GT "Bullitt Mustang," which took styling cues from the '68 movie car and even mimicked its exhaust note).

The movie is also considered highly influential in many other ways within its genre. The use of a rebellious and borderline-insubordinate police officer as a protagonist operating despite interference from higher-ups was followed in many later movies, notably Dirty Harry and The French Connection, both released in 1971 . The idea of making the officer fairly young and cool, and equipped with a sports car, was subsequently used by Starsky and Hutch and Miami Vice.

The movie as a whole, including the car chase, makes extensive use of the San Francisco Bay Area. However, San Francisco's most famous landmark, the Golden Gate Bridge, was not a part of the chase scene because the city's film commission refused to allow the filmmakers to close the bridge and film there.

Contents 1 Plot 2 Trivia 3 Quotes 4 External links

[edit] Plot

An ambitious California politician, Senator Walter Chalmers (played by Vaughn), is holding a Senate subcommittee hearing in San Francisco on Organized Crime in America and has a key witness whom he hopes will further his political aspirations as he brings down a powerful Mafia syndicate. The witness scheduled to testify, Johnny Ross, worked with his brother, Chicago mobster Pete Ross (played by Tayback). The story takes place the weekend before the hearing, from Friday night (during the opening credits) to Sunday night.

Ross stole $2,000,000 from his Mafia cronies and two attempts were made on his life before he left for San Francisco. Chalmers has the San Francisco Police Department place Johnny Ross (played by Orlandi) in protective custody for the weekend and requests that the detective unit headed by Lieutenant Frank Bullitt (played by McQueen) be assigned to guard him.

Bullitt and his men, Sergeant Delgetti (played by Gordon) and Inspector Stanton (played by Reindel), give Ross around-the-clock protection at a cheap hotel near an overhead freeway during separate shifts. Before Ross enters the hotel, he makes several phone calls. Saturday night, while Stanton is guarding him, the desk clerk calls and says Chalmers and a friend are there and want to come to the room. Stanton calls Bullitt at home, and is told not to let them in; Bullitt surmises that Chalmers would not show up at one in the morning. In the meantime, Ross walks over to the door and unlocks it. A pair of hit-men, Mike (played by Genge) and Phil (played by Hickman), then burst into the room and Mike shoots Detective Stanton in the leg with a shotgun blast. He then turns and shoots Ross, hitting him in the chest and face.

Stanton and Ross are both rushed to the hospital. Bullitt wants to get to the bottom of the case and catch who shot them, as well as the Mafia boss who ordered the hit. Chalmers is angered and blames Bullitt, threatening to ruin his career if Ross dies. Furthermore, Chalmers does not care about Bullitt's injured partner or the identities of the hitmen; he is only interested in the hearings that will launch his national political career. Chalmers attempts to shift the blame away from himself and make a patsy out of Bullitt and the San Francisco Police Department.

Stanton survives his wounds, and Ross comes out of surgery with a "fifty-fifty" chance at survival. The gunman, Mike, then appears at the hospital to finish Ross off, but is discovered and is chased by Bullitt through stairwells and the physical therapy rooms. After Mike escapes, Bullitt returns to discover Ross has died from his wounds. Bullitt suppresses news of the death, has the doctor misplace the chart and has the body placed in the morgue under a John Doe identity.

Chalmers increases the pressure on Bullitt Sunday morning by serving his boss, Captain Bennett (Simon Oakland), with a writ of habeas corpus to produce the witness as Bennett arrives at church with his family. Bullitt reconstructs Ross's movements with the cabbie (played by Robert Duvall) who brought him into the city, and investigates the phone calls made by Ross. He finds that one was to a hotel in San Mateo; to a woman registered under the name Dorothy Simmons. With the hearing the next day, Bullitt suspects that this dead mobster may not be who he seems. The scene is set for the legendary and exciting high-speed car chase through San Francisco.

The hit-men try to follow Bullitt to set him up for an ambush, but he evades them, backtracks, and comes up behind their car, surprising them. The driver takes a moment to fasten his seatbelt (which had been required by law that same year in the United States) before trying to get away. Bullitt gives chase through the hilly streets of San Francisco and the outlying highways. The chase comes to an end after Mike shoots at Bullitt's car with a 12-gauge shotgun and Phil loses control of the car. They careen from the highway and crash into a gas station. Both are killed in the fiery explosion.

Back at the police station, Bullitt begins to check out Dorothy Simmons, the woman Johnny Ross called in San Mateo. He needs a car, but one is not available at the station. His architect girlfriend, Cathy (played by Bisset), drives him to the suburban motel, where he discovers the woman has been murdered via strangulation. Cathy gets out of the car and wanders into the crime scene, where she sees the murder victim. She is upset as they leave. The two pull over to the side of a busy freeway and talk about Frank's cool attitude about the homicide investigation. She has trouble accepting his job, the true nature of police work, and Bullitt's apparent numbness to the horrors he sees on the job. "You're living in a sewer, Frank!" she says.

Bullitt and Delgetti check the luggage of the victim, which has arrived at the police evidence office. They learn that her true identity was Dorothy Renick (played by Carroll), and that she was scheduled on a flight from San Francisco International Airport to Rome, Italy, with her husband, Albert E. Renick. Bullitt then tells Delgetti to call immigration in Chicago and have them send Ross's passport application while he requests a fingerprint check. When he gets a copy of the passport photo, Bullitt realizes Chalmers has been conned. The man who was murdered was not Johnny Ross but was actually Dorothy's husband, Albert Renick, a used car salesman from Chicago with no Mafia connections. The real Johnny Ross must have paid Renick to impersonate him, while letting Ross use his passport and identity to leave the country. Ross must have also set Renick up to get the heat off him, then killed his wife to shut her up.

Bullitt has to stop Ross before he can make his getaway on the flight to Rome as Albert Renick. Having arrived at the airport with Delgetti, Chalmers counters Bullitt and makes him an offer that will help both their careers. But Bullitt quietly and sternly tells Chalmers he wants no part of it. He arrives at the airport just as the plane is about to take off and phones the plane and the pilot returns to the terminal. Bullitt enters the plane as the passengers are coming off and sees the real Johnny Ross (played by Renella). Ross jumps from the back door of the plane. Bullitt pursues Ross on foot across the runways as airliners take off around them. Inside the terminal, Bullitt finally corners Ross at a glass doorway; Ross kills a security guard shortly before he is shot down by Bullitt.

The movie ends with Bullitt returning home to find Cathy asleep. He enters the bathroom to wash his hands and looks into the mirror, quietly contemplating his future as a detective.

[edit] Trivia

• To appease the then vociferous Italian-American lobby there are no references to the Mafia, only to The Organization, and Johnny Rossi from the novel Mute Witness had his name truncated. The mafiosi are given non-Italian names, although Ross is clearly intended to look Italian and is fleeing to Rome.
• Steve McQueen based his character in the movie on SFPD homicide inspector Dave Toschi, who gained a modicum of fame for his work on the Zodiac killer case. (McQueen's preparation for the role included having a copy made of Toschi's custom fast-draw shoulder holster.)
• The Jargon Dictionary references this movie in regard to crash and burn. [1]
• The famous chase sequence from Bullitt has been voted the best car chase in film history [2][3][4], in front of The French Connection (1971) and the original Gone in 60 Seconds (1974). {Allegedly a parody of the chase scene is in the Clint Eastwood film The Dead Pool}.

• Two 1968 Mustangs and two 1968 Dodge Chargers were used for the chase scene. Both Mustangs were owned by Ford Motor Company and were part of a promotional loan agreement with Warner Bros. The Mustangs engines, brakes and suspensions were highly modified for the chase by veteran car racer Max Balchowsky. The Dodge Chargers were bought outright from Glendale Dodge in Glendale, California. The engines in both Chargers were left largely unmodified, but the suspensions were upgraded to cope with the demands of the stunt work.
• Though it is widely believed that Steve McQueen, an accomplished driver, did the bulk of the driving stunt work, the stunt coordinator, Carey Loftin, had famed stuntman and motorcycle racer Bud Ekins do most of the risky stunts in the Mustang (Ekins also doubled for McQueen in one sequence of The Great Escape, in which McQueen's character jumps over a barbed wire fence on a motorcycle).
• The Mustang's interior rearview mirror goes up and down depending on who is driving. When the mirror is up, visible, McQueen is behind the wheel, and when it is down, not visible, Ekin is in the car.
• The director called for speeds of about 75 to 80 mph (120 to 130 km/h), but the cars (including the ones containing the cameras) reached speeds of over 110 mph (175 km/h) on surface streets.
• Filming of the chase scene took three weeks, resulting in 9 minutes and 42 seconds of film.
• During the chase scene, Lt. Frank Bullitt upshifts 16 times without downshifting. A manual transmission in a 1968 Ford Mustang only has four forward gears.
• During the chase scene, the Charger loses six hubcaps and has different ones missing at different times.
• The production company was denied permission to film on the Golden Gate Bridge.
• This is the second of three films in which both Steve McQueen (Lt. Frank Bullitt) and Robert Vaughn (Walter Chalmers) appear. The other two are The Magnificent Seven and The Towering Inferno. In Steve McQueen: The Essence of Cool which is a documentary about McQueen's life and career, Vaughn recalled his casting in Bullitt, which he initially turned down because he didn't like the script. But thanks to McQueen's persuasion and an increasing paycheck from the studio, Vaughn agreed to sign onto the film.
• This is the first of three films in which both Steve McQueen and Don Gordon (Delgetti) appear. The other two are Papillon and The Towering Inferno.
• The use of a fax machine at the time the film is set (1968) may seem an anachronism to modern viewers, but fax machines have been used to transmit photographs since 1924.
• Scenes from the film were used in a 1997 commercial for the Ford Puma with CGI used to have McQueen drive the car through the streets of San Francisco instead of the Mustang. At the end of the ad, McQueen parks the car in his garage, glances at the Triumph motorcycle he used from The Great Escape and gives the car a loving tap as he walks away.
• A model of the Vaillancourt Fountain can be seen on Cathy's desk.
• In the 2003 movie S.W.A.T., a Bullitt poster can be seen in Jim Street's (Colin Farrell) apartment
• Steve McQueen is the "absolute man" according to an Absolut Vodka television adverstisement. The clip shown is a scene from Bullitt.
• At a 1996 Fanclub conference in Belize, Mark Patrick was proclaimed the world's #1 Bullitt Fan.

[edit] Quotes

• Pete Ross: (on phone) "This is Pete. We lost him."
  Phone voice: "He's your brother, Ross. If you can't find him, we have people who can. And you're paying for the contract."
• Frank Bullitt: "You believe what you want. You work your side of the street and I'll work mine."
• Walter Chalmers: "Come on, now. Don't be naive, Lieutenant. We both know how careers are made. Integrity is something you sell the public."
  Bullitt: "You sell whatever you want, but don't sell it here tonight."
• Chalmers: "Frank, we must all compromise."
  Bullitt: "Bullshit. Get the hell out of here, now."
• Captain Bennett: "He let the killers in himself? Why would he do a thing like that?"
  Bullitt: "I'm waiting to ask him."
  Bennett: "What about the setup? What do you make of that?"
  Bullitt: "Shotgun and a backup man, professionals."
• Chalmers: "I do not choose to have people accuse me of false promises for the sake of cheap sensationalism, or to be compromised by your lieutenant."
• Chalmers: "Who's Renick?"
  Bullitt: "He was the man who was shot at the Hotel Daniels. You sent us to guard the wrong man, Mr. Chalmers."

[edit] External links

• Bullitt at the Internet Movie Database
• Bullitt filming locations then and now(2002) site
• The Bullitt chase scene