Boris Karloff

From Wikipedia, the free encyclopedia

You have new messages (last change).
Boris Karloff
Birth name William Henry Pratt
Born November 23, 1887
Flag of England London, England, UK
Died February 2, 1969
Notable roles The Monster in Frankenstein, Bride of Frankenstein
Im-Ho-Tep/Ardeth Bey in The Mummy
Gaffney in Scarface

Boris Karloff (born William Henry Pratt) (East Dulwich, November 23, 1887 – February 2, 1969) was an English actor, who emigrated to Canada in the 1910s, best known for his roles in horror films and the creation of the Monster in 1931's Frankenstein. His popularity following Frankenstein in the early 1930s was such that for a brief time he was billed simply as "Karloff" or, on some movie posters, "Karloff the Uncanny".

Contents

[edit] Life and career

William Henry Pratt was the son of Edward John Pratt Jr, the Deputy Commissioner of Customs, Salt and Opium, Northern Division, Indian Salt Revenue Service, and his third wife, Eliza Sarah Millard. The future actor was born at 36 Forest Hill Road, East Dulwich, London SE22. His birth there was acknowledged in 1998 with the addition of one of London's commemorative blue plaques which adorn sites associated with people of note. He was brought up in Enfield. His paternal grandmother was Eliza Julia Pratt, a sister of Anna Leonowens, whose stories about life in the royal court of Siam (now Thailand) were the basis of the musical The King and I. Her maternal grandmother was of East Indian origin from Calcutta in Bengal.

Orphaned in his youth, he was raised by his elder brothers and sister and attended Enfield Grammar School before moving to Uppingham School and Merchant Taylors' School, and eventually the University of London. Karloff's first goal in life was to join the foreign service — his brother, Sir John Henry Pratt, became a distinguished British diplomat — but instead he fell into acting. In 1909, Pratt travelled to Canada, changing his name to something more in keeping with his new vocation while on his way to an acting job with the Jeanne Russell Theater Co. in Kamloops, British Columbia. He spent years testing the waters in North America while living in smaller towns like Kamloops and Prince Albert, Saskatchewan. In 1912, while appearing in a play in Regina, Saskatchewan, Karloff volunteered to be a rescue worker following a devastating tornado. In 1915, he worked as a farm hand in Caledonia, Ontario. He also lived in Minot, North Dakota, for a year, performing in an opera house above a hardware store. For health reasons, he did not fight in World War I.

[edit] Stage name: Pratt becomes Karloff

Some time after emigrating to Canada in 1909, William Pratt changed his professional name to "Boris Karloff." Some have theorized that he took the stage name from a mad scientist character in the novel The Drums of Jeopardy called "Boris Karlov." However, the novel was not published until 1920, at least three years after Karloff had been using the name on stage and in silent films. (Warner Oland played "Boris Karlov" in a movie version in 1931.) Another possible influence was thought to be a character in the Edgar Rice Burroughs fantasy novel H.R.H. The Rider which features a "Prince Boris of Karlova," but as the novel was not published until 1915, the influence may be backward, that Burroughs saw Karloff in a play and adapted the name for the character. Pratt/Karloff always claimed he chose the first name "Boris" because it sounded foreign and exotic, and that "Karloff" was a "family name." However, his daughter Sara Karloff publicly denied any knowledge of Slavic forebears, "Karloff" or otherwise. One reason for the name change was to prevent embarrassment to his family. Whether or not his brothers (all dignified members of the British foreign service) actually considered young William the "black sheep of the family" for having become an actor, Karloff himself apparently worried they did feel that way. He did not reunite with his family again until 1933, when he went back to England to make The Ghoul, extremely worried that his siblings would disapprove of his new, macabre claim to world fame. Instead, his elder brothers jostled for position around their "baby" brother and happily posed for publicity photographs with him.

[edit] Career in Hollywood

Once Karloff arrived in Hollywood, California, he made dozens of silent films, but work was sporadic, and he often had to take up manual labor to pay the bills, like digging ditches and driving a cement truck. His role as the Monster in Frankenstein (1931) made him a star. A year later, he played another iconic character, Imhotep, in The Mummy.

The five foot ten, brown-eyed Karloff played a wide variety of roles in other genres besides horror. He was memorably gunned down in a bowling alley in the original version of Scarface. He gave an excellent performance in the 1934 John Ford epic The Lost Patrol. Karloff gave a string of superb performances in 1930s Universal horror movies, including several with his main rival as heir to the horror throne of Lon Chaney, Sr., Bela Lugosi, whose rejection of Karloff's role in Frankenstein made Karloff's subsequent career possible. Karloff played Frankenstein's monster three times; the other films being Bride of Frankenstein (1935) and Son of Frankenstein (1939), which also featured Lugosi as the demented Ygor. Whilst the long, creative partnership of Boris Karloff and Bela Lugosi never led to a close mutual friendship, it produced some of each actor's most revered and enduring productions, beginning with The Black Cat. Follow-ups included Gift of Gab (1934; not horror, but a whimsical comedy featuring cameos from contract stars), The Raven (1935), The Invisible Ray (1936), Black Friday (1940), You'll Find Out (also 1940), and The Body Snatcher of 1945, which many believe contains Karloff's greatest performance. During this period he also starred with Basil Rathbone in Tower of London (1939).

Karloff and Elsa Lanchester in Bride of Frankenstein.
Karloff and Elsa Lanchester in Bride of Frankenstein.

In contrast to the characters he played on screen, Karloff was known in real life as a very kind gentleman who gave generously, especially to children's charities. Karloff was also a charter member of the Screen Actors Guild, and was especially outspoken as regards working conditions on sets (some extremely hazardous) that actors were expected to deal with in the mid-1930s. He married six times.

An enthusiastic performer, he was able to return to the Broadway stage in the original production of Arsenic and Old Lace in 1941, in which he played a homicidal character enraged to be frequently mistaken for Karloff. Somewhat less successful was his work in the J. B. Priestley play The Linden Tree. He also appeared with Jean Arthur as Captain Hook in the play Peter Pan, and was nominated for a Tony Award for his work opposite Julie Harris in The Lark.

In later years, Karloff hosted and acted in a number of television series, most notably Thriller, Out of This World and The Veil, the latter of which was never broadcast and only came to light in the 1990s. In the 1960s, Karloff appeared in several films for American International Pictures. including Comedy of Terrors, The Raven and The Terror, the latter two directed by Roger Corman, and appeared as the very brave "retired horror film actor" Byron Orlok (a lightly-disguised version of himself) in Peter Bogdanovich's critically acclaimed 1968 film Targets which was one of Karloff's final film appearances.

On "The Red Skelton Comedy Hour", Karloff guest starred along with Vincent Price in a parody of Frankenstein with Red Skelton as the monster "Klem Kadiddle Monster".

In the mid-1960s, he narrated the made-for-television animated film How the Grinch Stole Christmas. Due to the credits stating "the sounds of the Grinch are by Boris Karloff", it is sometimes erroneously stated that Karloff sang the song "You're a Mean One, Mr. Grinch". The song was actually sung by American voice actor Thurl Ravenscroft (also the voice of Tony the Tiger) in the style that was very dissimilar to Karloffs voice. Karloff later won a Grammy award in the spoken word category after the story was released as a record.

Boris Karloff lived out his final years at his appropriately named cottage, 'Roundabout', in the Hampshire village of Bramshott. After a long battle with arthritis and emphysema, he contracted pneumonia, succumbing to it in the King Edward VII Hospital, Midhurst, Sussex, on February 2, 1969, at the age of 81. He was cremated, following a requested low-key service, at Guildford Crematorium, Godalming, Surrey, where he is commemorated by a plaque in the Garden of Remembrance. A memorial service was held at St Paul's, Covent Garden (The Actors' Church), London, where there is also a plaque.

However, even death could not put an immediate halt to Karloff's media career. Four Mexican films for which Karloff shot his scenes in Los Angeles were released over a two-year period after he had died. They were dismissed as undistinguished efforts by critics and fans alike. Also, a few years prior to his death, he lent his name to a comic book for Gold Key Comics entitled Boris Karloff's Tales of Mystery. An illustrated likeness of Karloff continued to introduce each issue of this publication for nearly a decade after the real Karloff died.

For his contribution to film and television, Boris Karloff was awarded two stars on the legendary Hollywood Walk of Fame, at 1737 Vine Street (for motion pictures) and 6664 Hollywood Boulevard (for television) (Lindsay, 1975).

In 1998, Karloff (as Frankenstein's Monster) was featured in a series of "Monster Stamps" issued by the U.S. Postal Service.[1]

[edit] Trivia

In 1931, Boris Karloff took out insurance against premature aging from his fright make-up.[2]

Despite his great performances in many classic horror movies, there's reason to think he never took such roles seriously. He once said, "My wife is a woman of very great taste. That's why she's never seen any of my films."

[edit] See also

[edit] References

  • Lindsay, Cynthia. Dear Boris. New York: Knopf, 1975.
  • In an episode of Friday the 13th: the series, the character Micki falls in love with an actor whose stage name is William Pratt. At the end of the episode, Jack draws parallels between the monstrous William Pratt of their aquaintance and the William Pratt who was Boris Karloff.

[edit] External links

Retrieved from "http://en.wikipedia.org../../../b/o/r/Boris_Karloff_4d96.html"