Bobby Watson

From Wikipedia, the free encyclopedia

This article needs sections. Please format the article according to the guidelines laid out at Wikipedia:Manual of Style (headings).

Bobby Watson (b. Lawrence, Kansas, August 23, 1953) is an American jazz alto saxophonist, composer, producer, and educator.

Watson grew up in Kansas City, Kansas. He trained formally at the University of Miami, a school with a distinguished and well-respected jazz program. After graduating in 1975, he moved to New York City and proceeded to earn his "doctorate" – on the bandstand -- as musical director of Art Blakey's Jazz Messengers. The group, created in 1955 by the late drummer, who died in 1990, showcased a rotating cast who eventually became consistent members of a "who's who" of modern jazz. The Jazz Messengers, sometimes referred to as the "University of Blakey," served as the ultimate "postgraduate school" for ambitious young players. He performed with Art Blakey's Jazz Messengers from 1977 to 1981, eventually becoming the musical director for the group. He also founded the 29th Street Saxophone Quartet with alto saxophonist Ed Jackson, tenor saxophonist Rich Rothenberg, and baritone saxophonist Jim Hartog.

After completing his tenure as a Jazz Messenger, the gifted Watson became a much-sought after musician, working along the way with a potpourri of notable musicians, peers, elder statesmen and colleagues including, but not limited to: drummers Max Roach and Louis Hayes, fellow saxophonists George Coleman and Branford Marsalis, celebrated multi-instrumentalist Sam Rivers and trumpeter Wynton Marsalis who joined the Jazz Messengers at least in part at the suggestion of Watson. In addition to working with a variety of instrumentalists, Watson has served in a supporting roll for a number of distinguished and stylistically varied vocalists including: Joe Williams, Dianne Reeves, Lou Rawls, Betty Carter, and Carmen Lundy.

Later, in association with bassist Curtis Lundy and drummer Victor Lewis, Watson launched the first edition of Horizon, an acoustic quintet modeled in many ways after the Jazz Messengers but one with its own distinct slightly more modern twist. Horizon is now considered one of the preeminent small groups of the mid-1980s to mid-1990s. The group recorded several titles for the Blue Note and Columbia record labels.

In addition to his work as leader of Horizon, Watson also led a group known as the High court of Swing (a tribute to the music of Johnny Hodges), The Grammy nominated Tailor-Made Big Band (16 pieces in all) and is a founding member of the highly acclaimed 29th Street Saxophone Quartet, an all-horn, four-piece group. Watson also composed original music for the soundtrack of Robert De Niro's directorial debut A Bronx Tale (1993).

All told, Bobby Watson, the immensely talented and now seasoned veteran has some 26 recordings as a leader. He appears on close to 100 other recordings as either co-leader or in a supporting role for other like-minded musicians. Watson has recorded more than 100 original compositions and his long-time publisher, Second Floor Music, publishes many of his original combo and big band arrangements that circulate and are interpreted on an international scope by others.

Watson's classic 1986 Red Records release, Love Remains, has long been recognized by the Penguin Guide to Jazz with its highest rating and in the Penguin Guide’s seventh edition, it was identified as a part of its "core collection," i.e. a “must-have” for any jazz aficionado along with other jazz masters such as John Coltrane, Charlie Parker, Thelonius Monk, Duke Ellington and others.

His latest project, Horizon Reassembled, was recorded for the Palmetto label; shortly after its June 2004 release, the release went to number one on the national jazz airplay chart.

Known as a tireless worker, a "team player," and a consummate musician, Bobby Watson has been a first-call musician for nearly three decades. A resident of New York for most of his professional life, he served as a member of the adjunct faculty and taught private saxophone at William Patterson University from 1985 to 1986 and the Manhattan School of Music from 1996 to 1999. He is currently involved with the highly acclaimed Thelonious Monk Institute's yearly "Jazz in America" high school outreach program.

In 2000, he was approached to return to his native midwestern surroundings on the Kansas-Missouri border. Watson accepted the challenge and subsequently that same year he was selected as the first William D. and Mary Grant/Missouri, Distinguished Professorship in Jazz Studies. The past six years he has served as the director of jazz studies at the University of Missouri–Kansas City Conservatory of Music although he still manages to balance live engagements throughout the world with his teaching responsibilities.

Watson has performed as a sideman with Art Blakey, Sam Rivers, George Coleman, Lou Rawls, Rufus and Chaka Khan, Maynard Ferguson, Carmen Lundy, Bob Belden, John Hicks, Joe Williams, and Wynton Marsalis.

In 2001 Watson was awarded the first William and Mary Grant/Missouri Professor of Jazz endowed professorship in jazz, and currently serves as the director of jazz studies at the University of Missouri–Kansas City Conservatory of Music.