Bo Ya

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Bo Ya (伯牙) was a qin player from the Spring and Autumn Periodor the Warring States period. He was known by his first name of "Boya", although his surname may have been Yu (俞), thus his complete name is sometimes given as Yu Boya (俞伯牙). The Lute Platform in Hanyang, Wuhan, China was where the legendary musician Yu Boya is said to have played. He is associated with the guqin pieces Gao Shan 《高山》 ("high mountains") and Liu Shui 《流水》 ("flowing water").

According to Qin Shi, Liezi said:

"Bo Ya was good at playing the qin. Zhong Ziqi was good at to listening to the qin. When Bo Ya's will was towards high mountains in his playing, Zhong Ziqi would say, 'How towering like Mount Tai!' When Bo Ya's will was towards flowing water in his playing, Zhong Ziqi would say, 'How vast are the rivers and oceans!' Whatever Bo Ya thought of Ziqi would never fail to understand. Bo Ya said, 'Amazing! Your heart and mines are the same!' When Ziqi died, Bo Ya broke the strings [of his qin] and vowed never to play [the qin] again. Thus, there was the melody of High Mountains Flowing Water."

Bo Ya's story exemplifies the Chinese ideal of friendship. The term Zhiyin (知音,literally "to know one's music") has come to describe a close and sympathetic friend.

[edit] Gao Shan and Liu Shui in music

Musically, Gao Shan Liu Shui was originally a single melody (and it still is for the main traditional Chinese instruments); but for the guqin, the piece was separated into two melodies in the Tang dynasty and continued to develop independently of each other. Most notable is Liu Shui, which in the Qing dynasty, through the adaptation of the Sichuan school player Zhang Kongshan, it developed the '72 rolling and churning [glissando]' sounds, mimicking the sound of flowing water descriptively. This piece remains popular to this day and is one of a few scores that represent the main theme of the melody very vividly and noticeably. It is one of the best melodies to describe as a piece of program music.

[edit] References

Please see: References section in the guqin article for a full list of references used in all qin related articles.


Guqin
古琴
Aesthetics | Construction | Contemprary players | History | Literature | Notation | Playing technique | Popular culture | Qinpu | Schools
Societies | Strings | Tuning | Yaji
Melodies
Ao Ai | Guangling San | Hujia Shiba-pai | Jieshi Diao Youlan | Liu Shui | Meihua Sannong | Pingsha Luoyan | Xiao Xiang Shuiyun | Yangguan Sandie
Schools
Guangling | Jiuyi | Lingnan | Mei'an | Pucheng | Shu | Yushan | Zhe | Zhucheng
Societies
London Youlan Qin Society | New York Qin Society | North American Guqin Association
Historical personages
Bo Ya | Cai Wenji | Cai Yong | Confucius | Guo Chuwang | Ruan Ji | Emperor Song Huizong | Xi Kang | Zhu Quan
Players
Cheng Yu | Gong Yi | Guan Pinghu | Li Xiangting | Lin Youren | Wang Fei | Wu Jinglüe | Wu Zhaoji | Zeng Chengwei | Zha Fuxi | Zhang Ziqian