Best New Zealand Poems series
From Wikipedia, the free encyclopedia
The Best New Zealand Poems series, begun in 2001 is an annual online selection of poems chosen by guest editors. The program is run by the International Institute of Modern Letters at Victoria University of Wellington, New Zealand.
The series, which "shamelessly modelled" on The Best American Poetry series, takes one poem each from 25 New Zealand poets, the first annual editor, Iain Sharp, wrote in his introduction to the 2001 selection. The poems must have been published that year either in magazines or books. A new editor selects the poems each year.[1]
"A steady association with the country is sufficient" to be considered a "New Zealander", Sharp wrote.[1]
Bill Manhire, head of the International Institute of Modern Letters, is the series editor[2] and writes a "Welcome" section to each annual collection of poems in the series. Sharp wrote in his introduction that he discussed the nature of the series with Manhire, who therefore appears to act as an unnamed series editor or general editor for it.[1] In his introduction to the 2005 selection, Andrew Johnston wrote, "I couldn’t include a poem from Manhire’s latest and best book, Lifted, because he is effectively the publisher of Best New Zealand Poems."[3]
Unlike Best American Poetry, each year's selection is identified by the year in which the poems were first published, not by the year in which the selection is put out: so the 2001 list, for instance, came out in 2002.
Contents |
[edit] Annual selections
[edit] 2001
The editor, Iain Sharp, is books editor of the Sunday Star-Times and himself a poet and critic. In his introduction, Sharp wrote that although he has a preference for poets like Billy Collins, he tried to include a variety of poets in his selection. Sharp also wrote that he found it impossible to properly excerpt Michael O'Leary's book-length love poem, He Waiatanui Kia Aroha, or take a single poem out of Hone Tuwhare's Piggyback Moon because none "seemed quite to capture the warm, rebellious spirit of the whole."[1]
|
|
|
|
|
[edit] 2002
This year's editor, Elizabeth Smither, recalled what Allen Curnow, a New Zealand poet who died in 2001, said about "the visceral nature of true poetry. ‘Try poking it with a stick and see if it’s alive,’ was Allen’s test for a poem and it has been my first line of selection." Smither also used her assumptive "editor's privilege" to wedge in a 26th poem at the end of her introduction: Jon Bridges' "Poem for the Beasts".[4]
|
|
|
|
|
[edit] 2003
This year's editor, Robin Dudding, citing a similar comment by John Ashbery in The Best American Poetry 1988, discounted the idea that the best 25 poems of a country can be picked, since any editor will be inevitably biased and won't be able to find all the best poems. It might be better to call the selection "OK New Zealand poems", Dudding indicated.[5]
"There seem to be two possible selection approaches: attempt to find worthy examples of as wide a range of poetic expression as possible; or plump for the poems that you like best, even if there is the risk of too markedly revealing one’s own taste or lack of taste," Dudding wrote. He and his wife, who helped with the selection, "plumped fairly firmly for the latter course."[5]
|
|
|
|
|
[edit] 2004
Emma Neale, this year's editor, in her introduction proclaimed Ahmed Zaoui's "In a Dream" (translated in a "chain of versions" in brief 31, Spring 2004), "if not the best, then the most important poem this year", because of the political issues involved in Zaoui's circumstances (or as Neale put it, for "its role as a nexus of politics and aesthetics"): He sought refugee status in New Zealand and had been imprisoned for two years, as of the time Neale wrote, on suspicion of ties to terrorists. She added that he hadn't been brought to trial "in accordance with United Nations human rights conventions." Although Auden said "Poetry makes nothing happen," Neale said a poem can lend support to a political cause powered by other means.[2]
"When I read a fine poem," Neale wrote, "there is usually a sense of actively arriving at layers of new knowledge, of discovering experience, or even belief, simultaneously with the speaker or personality in that poem. All of the poems I’ve chosen exhibit something of this character."[2]
|
|
|
|
|
[edit] 2005
In his introduction, Andrew Johnston (this year's editor) wrote that New Zealand poetry used to be very much like British poetry still is today, which he described as "domesticated", "unsurprising", "well-behaved" and closely following "a single register, the poet getting quietly worked up about something in the plainest conversational tone."[3]
The influence of American poetry loosened up New Zealand's poets, according to Johnston, so that the nation's poetry today has a variety of voices and styles, and there is also a tolerance in the country for different kinds of poetry. Bill Manhire and Ian Wedde were two of the poets who helped bring about the revolution, he added.[3]
|
|
|
|
|
[edit] Notes
- ^ a b c d [1]Sharp, Iain, "Introduction" Best New Zealand Poems 2001 pages, Best new Zealand Poems Web site, accessed February 9, 2007
- ^ a b c [2] Neale, Emma, "Introduction" for the 2004 collection at the Best New Zealand Poems Web site, accessed February 9, 2007
- ^ a b c [3]Johnston, Andrew, "Introduction" to Best New Zealand Poems 2005, dated March 2006, accessed February 8, 2007
- ^ [4]Smither, Elizabeth, "Introduction" Best New Zealand Poems 2002, accessed February 9, 2007
- ^ a b [5]Dudding, Robin, "Introduction" to Best New Zealand Poems 2003 Web pages at the Best New Zealand Poems Web site, accessed February 9, 2007
[edit] External links
- [6] Best New Zealand Poems Web site
