Beckett on Film
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Beckett on Film was a project to make film versions of all nineteen of Samuel Beckett's plays for the stage with the exception of the early and unperformed Eleutheria. This endeavour was completed with the first films being shown in 2001.
The project was conceived by Michael Colgan, artistic director of the Gate Theatre, Dublin. The films were produced by Michael Colgan and Alan Moloney for the Irish broadcaster RTÉ, the British broadcaster Channel 4 and the Irish Film Board. Each film had a different cast and director, drawn from theatre, film and other fields.
Some of the films were shown on Channel 4 television, and in 2002 the series won the Best TV Drama award at the South Bank Show awards. The films never had a general cinematic release, but in September 2001 all nineteen were screened at the Barbican Centre in London. They were also released on a number of videos and as a four DVD box set.
A documentary video titled Check the Gate: Putting Beckett on Film, and directed by Pearse Lehane was released in 2003, following the project's work [1].
[edit] Credits
[edit] Waiting for Godot
Original play published 1952.
- Vladimir - Barry McGovern
- Estragon - Johnny Murphy
- Pozzo - Alan Stanford
- Lucky- Stephen Brennan
- The Boy - Sam McGovern
- Directed by Michael Lindsay-Hogg
- Running Time - 2 hours
[edit] Endgame
Original play published 1957.
- Hamm - Michael Gambon
- Clov - David Thewlis
- Nagg - Charles Simon
- Nell - Jean Anderson
- Directed by Conor McPherson
- Running Time - 1 hour 24 minutes
[edit] Happy Days
Original play published 1960.
- Winnie - Rosaleen Linehan
- Willie - Richard Johnson
- Directed by Patricia Rozema
- Running Time - 1 hour 19 minutes
[edit] Act Without Words I
Original play written 1956.
- Mime - Sean Foley
- Directed by Karel Reisz
- Running Time - 16 minutes
[edit] Act Without Words II
Original play written 1956.
- A - Pat Kinevane
- B - Marcello Magni
- Directed by Enda Hughes
- Running Time - 11 minutes
[edit] Krapp's Last Tape
Original play written 1958.
- Krapp - John Hurt
- Directed by Atom Egoyan
- Running Time - 58 minutes
[edit] Rough for Theatre I
Original play written late 1950s.
- A - David Kelly
- B - Milo O'Shea
- Directed by Kieron J. Walsh
- Running Time - 20 minutes
[edit] Rough for Theatre II
Original play written late 1950s.
- A - Jim Norton
- B - Timothy Spall
- C - Hugh B. O'Brien
- Directed by Katie Mitchell
- Running Time - 30 minutes
[edit] Play
Original play written 1963.
- M - Alan Rickman
- W1 - Kristin Scott Thomas
- W2 - Juliet Stevenson
- Directed by Anthony Minghella
- Running Time - 16 minutes
[edit] Come and Go
Original play written 1965.
- Vi - Anna Massey
- Ru - Sian Phillips
- Flo - Paola Dionisotti
- Directed by John Crowleyis
- Running Time - 8 minutes
[edit] Breath
Original play written 1969.
- Voice - Keith Allen
- Directed by Damien Hirst
- Running Time - 45 seconds
[edit] Not I
Original play written 1972.
- Mouth - Julianne Moore
- Directed by Neil Jordan
- Running Time - 14 minutes
[edit] That Time
Original play written 1975.
- Listener and Voices - Niall Buggy
- Directed by Charles Garrad
- Running Time - 20 minutes
[edit] Footfalls
Original play written 1975.
- May - Susan Fitzgerald
- Voice - Joan O'Hara
- Directed by Walter Asmus
- Running Time - 28 minutes
[edit] A Piece of Monologue
Original play written 1980.
- Speaker - Stephen Brennan
- Directed by Robin Lefevre
- Running Time - 20 minutes
[edit] Rockaby
Original play written 1981.
- Woman - Penelope Wilton
- Directed by Richard Eyre
- Running Time - 14 minutes
[edit] Ohio Impromptu
Original play written 1981.
- Reader and Listener - Jeremy Irons
- Directed by Charles Sturridge
- Running Time - 12 minutes
[edit] Catastrophe
Original play written 1982.
- P - John Gielgud
- A - Rebecca Pidgeon
- D - Harold Pinter
- L - ?
- Directed by David Mamet
- Running Time - 7 minutes
[edit] What Where
Original play written 1983.
- Bam - Sean McGinley
- Bem, Bim and Bom - Gary Lewis
- Directed by Damien O'Donnell
- Running Time - 12 minutes
[edit] Critique
Many aspects of the plays' interpretations and performances have been critiqued by fans of Samuel Beckett, stating that not enough focus was placed on the words, and that many important aspects of the plays were lost because of it. Others have said that the plays were over-acted or over-directed, and that at times the cinematography was overdone. For instance, Waiting for Godot, Beckett's most popular and successful play, is highly dependent on the two main characters, Estragon and Vladimir, and their likability. However, the humor of the characters' words was not as pronounced as some fans would have liked.
[edit] External links
The Plays of Samuel Beckett |
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Stage Plays: Act Without Words I, Act Without Words II, Breath, Catastrophe, Come and Go, Eleutheria (posthumous), Endgame, Footfalls, Happy Days, Krapp's Last Tape, Not I, Ohio Impromptu, A Piece of Monologue, Play, Rockaby, Rough for Theatre I, Rough for Theatre II, That Time, Waiting for Godot, What Where Radio Plays: All That Fall, Cascando, Embers, The Old Tune, Rough for Radio I, Rough for Radio II, Words and Music Television Plays: ...but the clouds..., Eh Joe, Ghost Trio, Nacht und Träume, Quad Screenplays: Film |