Balance beam (gymnastics)
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The Balance Beam is an artistic gymnastics apparatus. In most circumstances, it is only used by female gymnasts.
Urban legends suggest that male gymnasts do not compete on the balance beam because of the potential of injury to the testicles. This myth is completely unfounded: women's gymnastics was not recognized as an Olympic/World Championships sports for almost fifty years after MAG was first included in the Olympics; the development of balance beam as a gymnastics event was similarly delayed. Male gymnasts do perform on several other events, such as the pommel horse and parallel bars, that have the potential to cause significant injury to their lower bodies.
In addition, at the high school level in the United States, there have been several male gymnasts who have participated on girls' teams and have successfully competed on all events, including the balance beam. [1] [2] [3]
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[edit] The Apparatus
Balance beams used in international gymnastics competitions must conform to the guidelines and specifications set forth by the International Gymnastics Federation (FIG)'s Apparatus Norms brochure. Several companies manufacture and sell beams, including AAI (USA), Jannsen and Fritsen (Europe) and Acromat (Australia).
Beams are 125cm (abou 4'5") high, 5 meters long, and 4 inches (10 cm) wide. Originally, the beam surface was plain polished wood. Since the 1980s, beams have been covered in leather or suede. In addition, they are now also sprung to accommodate the stress of high-difficulty tumbling and dance skills.
Most gymnastics schools purchase and use balance beams that meet the FIG's standards, but some may also use beams with carpeted surfaces for practice situations. While learning new skills, gymnasts often work on "low beams" that have the same dimensions and surface of regulation apparatus, but are set only a few inches off the ground. They may also work on practice beams, mini beams or lines on the mat.
[edit] Routines
In the early days of women's artistic gymnastics, beam was based more in dance than in tumbling. Routines were composed with combinations of leaps, dance poses, handstands, rolls and walkovers. In the 1960s, the most difficult acrobatic skill performed by the average Olympic gymnast was a back handspring.
Balance beam difficulty began to increase dramatically in the 1970s. Olga Korbut and Nadia Comaneci pioneered advanced tumbling combinations and aerial skills on beam; other athletes and coaches began to follow suit. The change was also facilitated by the transition from wooden beams to safer, less slippery models with suede-covered surfaces. By the mid 1980s, top gymnasts routinely performed flight series and multiple aerial elements on beam.
Today, balance beam routines are still comprised of a mixture of acrobatic skills, dance elements, leaps and poses, but with significantly greater difficulty.
At the elite/international level, routines are choreographed and designed by the coaches and/or gymnasts. There are no restrictions on choreography, however, the gymnast must fulfill several requirements set forth by the Code of Points. Among these requirements, gymnasts must successfully complete a 360 degree turn, a leap demonstrating a 180 degree leg split, and forward and backward acrobatic elements. Athletes must also complete a "flight series"--a series of two or more linked acrobatic skills--and a "mixed series" comprised of two or more linked dance and acrobatic skills.
The gymnast must mount and dismount the beam on her own, without any help from a coach or other individual. The skills chosen for the mount and dismount are of the athlete's choice. However, the dismount must carry at least a 'D' difficulty value to fulfill the EGR requirements of the Code of Points.
The gymnast may compete barefoot or wear special beam shoes if she so chooses. She may also chalk her hands and/or feet for added stability on the apparatus.
Once the exercise has started, the gymnast's coach may not spot her or inferfere in any way. The only time the gymnast may be accompanied on the podium is in the case of a mount involving a springboard. In this instance, the coach, or another athlete from the team, may quickly step in to remove the springboard from the area.
In the event of a fall, an athlete has ten seconds to remount the apparatus and continue the routine. If she does not return to the beam within this time limit, she is not permitted to continue.
Under FIG rules, the maximum allowed time for a balance beam routine is 1:30 minutes. The routine is timed on the scoreboard timer, which is visible to both the gymnast and judges. In addition, a warning tone or bell is sounded 1:20 into the exercise. If the gymnast has not left the beam by 1:30, another bell is sounded, and a score deduction is incurred.
[edit] Scoring
For detailed information on score tabulation, please see the Code of Points article
Several aspects of the performance determine the gymnast's final mark. All elements in the routine, as well as all errors, are noted by the judges.
Deductions are taken for all errors made while on the beam, including lapses in control, balance checks (ie, wobbling or stumbling to maintain balance), poor technique and execution, and failure to fulfill the required CoP elements. Falls automatically incur a .8 deduction from the final score.
Gymnasts may earn points by successfully executing difficult acrobatic elements, mounts, dismounts, leaps and jumps. They may also increase their scores by linking several elements together.
[edit] See also
[edit] Additional References
- The 2006 Code of Points
- Apparatus description at the FIG website
- History of the balance beam (in German)
- US Gym Net's glossary of beam skills
| WAG apparatus (in Olympic order) |
|---|
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Vault | Uneven bars | Balance beam | Floor |
| MAG apparatus (in Olympic order) |
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Floor Exercise | Pommel Horse | Still Rings | Vault | Parallel Bars or P-Bars | Horizontal bar or High Bar |
| Equipment and uniforms |
