Arte Povera

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The term Arte Povera was introduced by the Italian art critic and curator, Germano Celant, in 1967. His pioneering texts and a series of key exhibitions provided a collective identity for a number of young Italian artists based in Turin, Milan, Genoa and Rome. They were working in radically new ways, breaking with the past and entering a challenging dialogue with trends in Europe and America.

The movement was particularly influential during the early 1970s in countries with large Italian migrant populations, such as Australia where major local practitioners included John Davis and Domenico De clario.

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